LD CJ
GIFT OF Felix Flflgel
A KEY
TO THE
CLASSICAL PRONUNCIATION
or
Greek, Latin, and Scripture Proper Names;
IN WHICH
THE WORDS ARE ACCENTED AND DIVIDED INTO SYLLABLES
EXACTLY AS THEY OUGHT TO BE PRONOUNCED,
ACCORDING TO RULES DRAWN FROM ANALOGY AND THE BEST USAGE. TO WHICH ARE ADDED,
TERMINATiONAL VOCABULARIES
OF
HEBREW, GREEK, AND LATIN PROPER NAMES,
IN WHICH
THE WORDS ARE ARRANGED ACCORDING TO THEIR FINAL SYLLABLES, AND CLASSED ACCORDING TO THEIR ACCENTS ;
By which the General Analogy of Pronunciation may be seen at one view, and the Accentuation of each word more easily remembered.
CONCLUDING WITH
Observations on the Greek and Latin Accent and Quantity;
WITH
SOME PROBABLE CONJECTURES ON THE METHOD OF FREEING THEM
FROM THE OBSCURITY AND CONFUSION IN WHICH THEY AKE
INVOLVED, BOTH BY THE ANCIENTS AND MODERNS.
Si quid novisti rcctius istis, Candidas imperti ; si non, his utere mecum. Hor.
The SEVENTH EDITION.
BY JOHN WALKER,
AUTHOR OF THE CRITICAL PRONOUNCING DICTIONARY, &C.
LONDON :
PRINTED FOR T. CADELL, LONGMAN, HURST, REES, ORME, AND BROWNE,
BALDWIN, CRADOCK, AND JOY, J. ROBINSON, G. ANI> W. B.
WH1TTAKER, AND SIMPKIN AND MARSHALL.
1822.
W3 l&li
J. M4Cre«ry, TookvCourt, Ch»nc*rr-Lan«, London.
l.t.
PREFACE.
1 HE Critical Pronouncing Dictionary of the English Language naturally suggested an idea of the present work. Proper names from the Greek and Latin form so considerable a part of every cultivated living lan- guage, that a Dictionary seems to be imperfect with- out them. Polite scholars, indeed, are seldom at a loss for the pronunciation of words they so frequently meet with in the learned languages; but there are great numbers of respectable English scholars, who, having only a tincture of classical learning, are much at a loss for a knowledge of this part of it. It is not only the learned professions that require this knowledge, but almost every one above the merely mechanical. The professors of painting, statuary, and music, and those who admire their works — readers of history, politics, poetry — all who con- verse on subjects ever so little above the vulgar, have so frequent occasion to pronounce these proper names, that whatever tends to render this pronun- ciation easy must necessarily be acceptable to the Public.
The proper names in Scripture have still a higher claim to our attention. That every thing contained
a 2
iv PREFACE.
in that precious repository of divine truth should be rendered as easy as possible to the reader, cannot be doubted : and the very frequent occasions of pro- nouncing Scripture proper names, in a country where reading the Scripture makes part of the reli- gious worship, seem to demand some work on this subject more perfect than any we have hitherto seen.
I could have wished it had been undertaken by a person of more learning and leisure than myself; but we often wait in vain for works of this kind, from those learned bodies which ought to produce them, and at last are obliged, for the best we can get, to the labours of some necessitous individual. Being long engaged in the instruction of youth, I felt the want of a work of this kind, and have supplied it in the best manner I am able. If I have been happy enough to be useful, or only so far useful as to in- duce some abler hand to undertake the subject, I shall think my labour amply rewarded. I shall still console myself with reflecting, that he who has pro- duced a prior work, however inferior to those that succeed it, is under a very different predicament from him who produces an after-work inferior to those that have gone before.
ADVERTISEMENT
TO
THE SECOND EDITION.
THE favourable reception of the first edition of this work has induced me to attempt to make it still more worthy of the acceptance of the public, by the addition of several critical observations, and parti- cularly by two Terminational Vocabularies of Greek and Latin, and Scripture Proper Names. That so much labour should be bestowed upon an inverted arrangement of these words, when they had already been given in their common alphabetical order, may be matter of wonder to many persons, who will na- turally inquire into the utility of such an arrange- ment. To these it may be answered, that the words of all languages seem more related to each other by their terminations than by their beginnings; that the Greek and Latin languages seem more particu- larly to be thus related ; and classing them accord- ing to their endings seemed to exhibit a new view of these languages, both curious and useful : for as
a3
vi ADVERTISEMENT.
their accent and quantity depend so much on their termination, such an arrangement appeared to give an easier and more comprehensive idea of their pro- nunciation than the common classification by their initial syllables. This end was so desirable as to in- duce me to spare no pains, however dry and dis- gusting, to promote it ; and if the method I have taken has failed, my labour will not be entirely lost if it convinces future prosodists that it is not worthy of their attention.
CONTENTS OF THE INTRODUCTION.
PAGE
THE pronunciation of Greek and Latin not so difficult as that of our own language * . . ix
The ancient pronunciation of Greek and Latin, a subject of great controversy among the learned ibid.
The English, however faulty in their pronunciation of Greek and Latin, pronounce them, like other European nations, according to the analogy of their own language x
Sufficient vestiges remain to prove that the foreign pronun- ciation of the Greek and Latin letters is nearer to the ancient than the English — (Note) ibid.
The English pronunciation of Greek and Latin injurious to quantity xi
No sufficient reason for altering the present pronunciation on these accounts xiii
Rule for accenting Latin words xiv
Rule for accenting Greek proper names xv
Probable conjecture why the terminations tia and tio in Greek appellatives have not the same sound as in Latin — (Note) xvi
Importance of settling the English quantity with which we pronounce Greek and Latin proper names, and particu- larly that of the unaccented syllables xx
INTRODUCTION.
1 HE pronunciation of the learned languages is much more ea- sily acquired than that of our own. Whatever might have been the variety of the different dialects among the Greeks, and the different provinces of the Romans, their languages now being dead, are generally pronounced according to the respective ana- logies of the several languages of Europe, where those languages are cultivated, without partaking of those anomalies to which the living languages are liable.
Whether one general uniform pronunciation of the ancient languages be an object of sufficient importance to induce the learned to depart from the analogy of their own language, and to study the ancient Latin and Greek pronunciation, as they do the etymology, syntax, and prosody of those languages, is a question not very easy to be decided*. The question becomes still more difficult when we consider the uncertainty we are in respecting the ancient pronunciation of the Greeks and Romans, and how much the learned are divided among themselves about it*. Till these points are settled, the English may well be al-
* Middleton contends that the initial c before e and i ought to be pronounced as the Italians now pronounce it ; and that Cicero is neither Sisero, as the French and English pronounce it ; nor Kikero, as Dr. Bentley asserts ; but Tchitckero, as the Italians pronounce it at this day. This pronunciation, however, is de- rided by Lipsius, who affirms that the c among the Romans had always the sound of fc. Lipsius says too, that of all the European nations, the British alone pronounce the i properly ; but Middleton asserts, that of all nations they pro- nounce it the worst. Middleton De I*at. Liter. Pronun. Dissert.
Lipsius, speaking of the different pronunciation of the letter G in different countries, says:
Nos hodie (de Htera G loquente) quam peccamus? Italorum enim plerique nt Z exprimnnt, Galli et Belgia? ut J consonantem. Itaqne illorum est Lezere. Fuzere ; nostrum, Leiere, Fuiere (Lejere, Fvjere). Omnia imperite, inepte". Germanos saltern audite, quorum sonns hie germanus, Legere, Tegere ; ut in Le- go, Tego, nee unquam variant : at nos ante /, £, IE, Y, semper dicimusqne Jem- mum, J&tulos, Jimjivam, Jyrum ; pro istis, Gemmam, Gatulos, Gingivaih, Gyrum. Mutemns aut vapulemus. — Lipsius. De Rect. Pron. Ling. Lot. p. 71. Hinc
factum
X INTRODUCTION.
lowed to follow their own pronunciation of Greek and Latin, as well as other nations, even though it should be confessed that it seems to depart more from what we can gather of the ancient pronunciation, than either the Italian, French, or German*. For why the English should pay a compliment to the learned
factum est ut tanta in pronunciando varietas extiteret ut pauci inter se in liter- arum sonis conseutiant. Quod quidem mirnm non esset, si indocti tantum a doctis in eo, ac non ipsi etiam alioqui eruditi inter se magna contentions dissi- derent.— Adolp. Meker. De Lin. Greec. vet. Pronun. cap. ii. p. 15.
* Monsieur Launcelot, the learned author of the Port-Royal Greek Grammar, in order to convey the sound of the long Greek vowel «, tells us, it is a sound between the c and the «, and that Eustathius, who lived towards the close of the twelfth century, says, that #»?, 03, is a sound made in imitation of the bleat- ing of a sheep ; and quotes to this purpose this verse of an ancient writer called Cratinus :
Is fatuus perinde ac ovis, b£, be, dicens, iacedit.
He, like a silly sheep, goes crying ban.
Caninius has remarked the same, Hellcn, p. 26. E longum, ciijus sonus in ovium balatu sentitur, ut Cratinus et Varro tradiderunt. The sound of the e long may be perceived in the bleating of sheep, as Cratinus and Varro have handed down to us.
Eustathius likewise remarks upon the 499 v. of Iliad I. that the word BXo-J. fffrlv o T»J? xXe^vfrgttc n^os fu/u«7«»£f na.ro, ray <ff&\aia<; ; 8n EXJH f*il*»o-iv Tr^arav <j>«v«f. Kgawo?. Bxty est Clepsydrae sonus, ex imitatione secundum veteres; et fa imitatur vocum ovium. Blops, according to the ancients, is a sound in imitation of the Clepsydra, as baa is expressive of the voice of sheep. It were to be wished that the sound of every Greek vowel had been conveyed to us by as faithful a testimony as the >mt ; we should certainly have had a better idea of that harmony for which the Greek language was so famous, and in which respect Quintilian candidly yields it the preference to the Latin.
Aristophanes has handed down to us the pronunciation of the Greek diphthong aZ aZ by making it expressive of the barking of a dog. This pronunciation is exactly like that preserved by nurses and children among us to this day in bow wow. This is the sound of the same letters in the Latin tongue; not only in proper names derived from Greek, but in every other word where this diph- thong occurs. Most nations in Europe, perhaps all but the English, pronounce audio and laudo, as if written owdio and lowdo ; the diphthong sounding like ou in loud. Agreeable to this rule, it is presumed that we formerly pronounced the apostle Paul nearer the original than at present. In Henry the Eighth'* time it was written St. Poule'8, and sermons were preached at Poule'i
INTRODUCTION. XI
languages, which is not done by any other nation in Europe, it is not easy to conceive; and as the colloquial communication of learned individuals of different nations so seldom happens, and is an object of so small importance when it does happen, it is not much to be regretted that when they meet they are scarcely intel- ligible to each other*.
But the English are accused not only of departing from the genuine sound of the Greek and Latin vowels, but of violating the quantity of these languages more than the people of any other nation in Europe. The author of the Essay upon the Harmony of Language gives us a detail of the particulars by which this accusation is proved : and this is so true a picture of the English pronunciation of Latin, that I shall quote it at length, as it may be of use to those who are obliged to learn this language without the aid of a teacher.
Cross. The vulgar, generally the last to alter, either for the better or worse, still have a jingling proverb with this pronunciation, when they say, As old as Poules.
The sound of the letter u is no less sincerely preserved in Plautus, in M enaech.
page 622, edit. Lambin. in making use of it to imitate the cry of an owl
"MEN. Egon'dedi? PEN. Tu, Tu, istic, inquam, vin' afferri noctuam, " Qua? tu, tu, usque dicat tibi? nam nos jam nos defessi sumus." " It appears here," says Mr. Forster, in his defence of the Greek accents, page 129, " that an owl's cry was tu, tu, to a Roman ear, as it is too, too, to an " English." Lambin, who was a Frenchman, observes on the passage^ «* Alludit " ad noctuae vocem sen cantum, tu, tu, seu ton, *<m." He here alludes to the voice or noise of an owl. It may be farther observed, that the English have totally departed from this sound of the u in their own language, as well as in their pronunciation of Latin.
* Erasmus se adfuisse olim commemorat cum die qnodam solemn conaplures piincipum legati ad ftfaximilianum Imperatorem salutandi causa advenissent ; Singulosque Gallum, Germanum, Danum, Scotum, &c. orationem Latinam, ita barbare ac vaste prommciasse, ut Italis, quibnsdam, nihil nisi risum moverint, qui eos non Latine sed sua quenique lingua, locutos jnrassent. — Middleton, De Lat. Lit. Pronun.
The love of the marvellous prevails over truth : and I question if the greatest diversity in the pronunciation of Latin exceeds that of English at the capital and in some of the counties of Scotland, and yet the inhabitants of both have no great difficulty in understanding each other.
Xll INTRODUCTION.
" The falsification of the harmony by English scholars in " their pronunciation of Latin, with regard to essential points, " arises from two causes only : first, from a total inattention to " the length of vowel sounds, making them long or short " merely as chance directs ; and, secondly, from sounding double " consonants as only one letter. The remedy of this last fault " is obvious. With regard to the first, we have already ob- " served, that each of our vowels hath its general long sound, " and its general short sound totally different. Thus the short lt sound of e lengthened is expressed by the letter a, and the " short sound of t lengthened is expressed by the letter e : and " with all these anomalies usual in the application of vowel " characters to the vowel sounds of our own language, we pro- " ceed to the application of vowel sounds to the vowel charac- " ters of the Latin. Thus in the first syllable of ridus and no- " m'en, which ought to be long ; and of miser and onus, which " ought to be short ; we equally use the common long sound of " the vowels ; but in the oblique cases, sideris, nominis, miseri, " onerisy &c., we use quite another sound, and that a short one. " These strange anomalies are not in common to us with our " southern neighbours the French, Spaniards, and Italians. " They pronounce sidus according to our orthography, seedus, " and in the oblique cases preserve the same long sound of the " i : nomen they pronounce as we do, and preserve in the oblique " cases the same long sound of the o. The Italians also, in their " own language, pronounce doubled consonants as distinctly as " the two most discordant mutes of their alphabet. Whatever, " therefore, they may want of expressing the true harmony of the " Latin language, they certainly avoid the most glaring and absurd " faults in our manner of pronouncing it.
" It is a matter of curiosity to observe with what regularity " we use these solecisms in the pronunciation of Latin. When " the penultimate is accented, its vowel, if followed but by a " single consonant, is always long, as in Dr. Forster's examples. " When the antepenultimate is accented, its vowel is, without " any regard to the requisite quantity, pronounced short, as in
INTRODUCTION. X1H
" mirabile, frigidus; except the vowel of the penultimate be " followed by a vowel, and then the vowel of the antepenuhi- 11 mate is with as little regard to true quantity pronounced long, " as in maneo, redeat, odium, imperium. Quantity is however " vitiated to make i short even in this case, as in oblimo, vinea, " virium. The only difference we make in pronunciation be- " tween vinea and venia is, that to the vowel of the first syllable " of the former, which ought to be long, we give a short sound ; " to that of the latter, which ought to be short, we give the same " sound, but lengthened. U accented is always before a single " consonant pronounced long, as in humerus, fugiens. Before " two consonants no vowel souud is ever made long, except that " of the diphthong au ; so that whenever a doubled consonant " occurs, the preceding syllable is short*. Unaccented vowels " we treat with no more ceremony in Latin than in our own lan- " guage." Essay upon the Harmony of Language, page 224. Printed for Robson, 1774.
This, it must be owned, is a very just state of the case ; but though the Latin quantity is thus violated, it is not, as this writer observes in the first part of the quotation, merely as chance di- rects, but, as he afterwards observes, regularly, and he might have added according to the analogy of English pronunciation, which, it may be observed; has a genius of its own ; and which, if not so well adapted to the pronunciation of Greek and Latin as some other modern languages, has as fixed and settled rules for pronouncing them as any other.
The learned and ingenious author next proceeds to show the advantages of pronouncing our vowels so as to express the Latin quantity. " We have reason to suppose," says he, " that our " usual accentuation of Latin, however it may want of many ele- " gancies in the pronunciation of the Augustan age, is yet suf- " ficiently just to give with tolerable accuracy that part of the
* This corruption of the true quantity is not, however, peculiar to the English ; for Beza complains in his country : Hiuc enim fit ut in Graeca oratione vel nullum, vel prorsus corruptuin numerum intelligas, dum nuiltae breves producuntur, et contra plurimas longae corripiuntur. Beza de Germ. Pron. Grzecae Linguae, p. 50.
XIV INTRODUCTION.
" general Harmony of the language of which accent is the ef- " ficient. We have also a pretty full information from the poets " what syllables ought to have a long, and what a short quantity. " To preserve, then, in our pronunciation, the true harmony of " the language, we have only to take care to give the vowels a t* long sound or a short sound, as the quantity may require ; and " when doubled consonants occur, to pronounce each distinctly." Ibid, page 228*.
In answer to this plea for alteration, it may be observed, that if this mode of pronouncing Latin be that of foreign nations, and were really so superior to our own, we certainly must per- ceive it in the pronunciation of foreigners, when we visit them, or they us : but I think I may appeal to the experience of every one who has had an opportunity of making the experiment, that so far from a superiority on the side of the foreign pronunciation, it seems much inferior to our own. I am aware of the power of habit, and of its being able, on many occasions, to make the worse appear the better reason : but if the harmony of the Latin lan- guage depended so much on a preservation of the quantity as many pretend, this harmony would surely overcome the bias we have to our own pronunciation ; especially if our own were really so destructive of harmony as it is said to be. Till, there- fore, we have a more accurate idea of the nature of quantity, and of that beauty and harmony of which it is said to be the ef-
* By what this learned author has observed of our vicious pronunciation of the Towels by the long and short sound of them, and from the instances he has given, he must mean that length and shortness which arises from extending and contracting them, independently of the obstruction which two consonants are supposed to occasion in forming the long quantity. Thus we are to pronounce Manus as if written and divided into Man-nus; and Pannus as if written Pay- nus, or as we always hear the word Pom's (bread) ; for in this sound of Pannus there seems to be no necessity for pronouncing the two consonants distinctly or separately, which he seems to mean by distinctly, because the quantity is shown by the long sound of the vowel: but if by distinctly he means separately, that is as if what is called in French the schfaa or mute e were to follow the first con- sonant, this could not be done without adding a syllable to the word ; and the word Pannus would in that case certainly have three syllables, as if written Pon-e.Vnus.— -See Observations on the Greek and Latin Accent and Quantity, sect. 24.
INTRODUCTION. XV
ficient in the pronunciation of Latin, we ought to preserve a pro- nunciation which has naturally sprung up in our own soil, and is congenial to our native language. Besides, an alteration of this kind would be attended with so much dispute and uncertainty as must make it highly impolitic to attempt it.
The analogy, then, of our own language being the rule for pro- nouncing the learned languages, we shall have little occasion for any other directions for the pronunciation of the Greek and Latin proper names, than such as are given for the pronunciation of English words. The general rules are followed almost without exception. The first and most obvious powers of the letters are adopted, and there is scarcely any difficulty but in the position of the accent ; and this depends so much on the quantity of the vowels, that we need only inspect a dictionary to find the quantity of the penultimate vowel, and this determines the accent of all the Latin words ; and it may be added, of almost all Greek words likewise*. Now in our pronunciation of Latin words, whatever be the quantity of the first syllable in a word of two syllables, we always place the accent on it : but in words of more syllables, if the penultimate be long, we place the accent on that ; and if short we accent the antepenultimate.
The Rules of the Latin Accentuation are comprised in a clear and concise manner by Sanctius within four hexameters :
Accentum in se ips£ monosyllaba dictio ponit. Exacuit sedem dissyllabon onme priorem. Ex tribus, extollit pi imam pen ultima curta : Extollit seipsam quando est penultima louga.
These rules I have endeavoured to express in English verse :
Each monosyllable has stress of course : Words of two syllables, the first enforce ; A syllable that's long, and last but one, Must have the accent upon that or none ; But if this syllable be. short, the stress Must on the last but two its force express.
The only difference that seems to obtain between the pronun- ciation of the Greek and Latin Languages, is that in the Latin ti
* That is, in the general pronunciation of Greek ; for, let the written accent be placed where it will, the quantitative accent, as it may be called, follows the analogy of the Latin.
Xvi INTRODUCTION.
and si, preceded by an accent, and followed by another vowel forming an improper diphthong, are pronounced as in English, like sh or zh, as natio, nation ; persuasio, persuasion, &c. ; and that in the Greek the same letters retain their pure sound, as Q&awr'tcc, uyvuff'w, •TrgoGa.Tw, x. r. A.* This difference, how- ever, with very few exceptions, does not extend to proper names ; which, coming to us through, and being mingled with, the Latin, fall into the general rule. In the same manner, though in Greek it was an established maxim, that if the last syllable
* " The Greek language," says the learned critic, " was happy in not being " understood by the Goths, who would as certainly have corrupted the t in " etlrtct, am'ov, &c. into ula-ict, aa-iov, &c. as they did the Latin motio and " doceo into moshio and dosfcof." This, however, may be questioned ; for, if in Latin words this impure sound of t takes place only in those words where the accent is on the preceding vowel, as in natio, facio, &c. ; but not when the ac- cent follows the t, and is on the following vowel, as in satietas, societas, £c. why should we suppose any other mode of pronunciation would have been adopted by the Goths in their pronouncing the Greek? Now no rule of pronunciation is more uniform in the Greek language than that which places an acute on the iota at the end of words, when this letter is succeeded by a long vowel ; and conse- quently if the accent be preserved upon the proper letter, it is impossible the preceding t and s should go into the sound of sh; why, therefore, may we not suppose that the very frequent accentuation of the penultimate / before a final vowel preserved the preceding v from going into the sound ofsk, as it was a difference of accentuation that occasioned this impure sound of t in the Latin language ? for though t at the end of words, when followed by a long vowel, or a vowel once long and afterwards contracted, had always the accent on it in Greek; in Latin the accent was always on the preceding syllable in words of this termination: and hence seems to have arisen the corruption of t in the Gothic pronunciation of the Latin language.
It is highly probable, that in Lu clan's time the Greek t when followed by • and another vowel, had not assumed the sound of a- ; for the Sigma would not have failed to accuse him of a usurpation of her powers, as he had done of her character: and if we have preserved the r pure in this situation when we pro- nounce Greek, it is, perhaps, rather to be placed to the preserving power of the accented i in so great a number of words, than any adherence to the ancient rules of pronunciation, which invariably affirm, that the consonants had but one sound ; unless we except the y before y, », ^, £ ; as ayfexoj, Apwga, *?#'«•*, *. T. x. where the y is sounded like v : but this, says Henry Stephens, is an errour of the copyists, who have a little extended the bottom of the v, and made a y of it ; for, says he, it is ridiculous to suppose that v was changed into y, and at the same
time t Ainsworth on the letter T.
INTRODUCTION.
\vas long, the accent could scarcely be higher than the penulti- mate; yet in our pronunciation of Greek, and particularly of proper names, the Latin analogy of the accent is adopted : and though the last syllable is long in Demosthenes, Aristophanes, Theramenes and Deiphobe, yet as the penultimate is short, the accent is placed on the antepenultimate, exactly as if they were Latin*.
As these languages have been long dead, they admit of no new varieties of accent like the living languages. The common accentuation of Greek and Latin may be seen in Lexicons and Graduses ; and where the ancients indulged a variety, and the moderns are divided in their opinions about the most classical accentuation of words, it would be highly improper, in a work intended for general use, to enter into the thorny disputes of the learned ; and it may be truly said, in the rhyming adage,
When Doctors disagree, Disciples then are free?
This, however, has not been entirely neglected. Where there
time that y should be pronounced like v. On the contrary, Scaliger says, that where we find a v before these letters, as avxt^a, it is an error of the copyists, who imagined they belter expressed the pronunciation by this letter; which, as Vossius observes, should seem to demand something particular and uncommon.
It is reported of Scaliger, that when he was accosted by a Scotchman in Latin, he begged his pardon for not understanding him, as he had never learned the Scotch language. If this was the case with the pronunciation of a Scotchman, which is so near that of the Continent, what would he have said to the Latin pronunciation of an Englishman ? I take it, however, that this diversity is greatly exaggerated.
* This, however, was contrary to the general practice of the Romans : for Victorinus in his Grammar says, Graca nomina, si iisdem literis proferuntur, (Latine versa) Grcecos accentus habebunt : nam cum diciinus Thyas, Nais, acutiim habebit posterior accentum; et cum Themistio, Calypso, Theano, ultimam ciiv cumflecti videbimus, quod utrumque Latinus sermo non patitur, nisi admodum raro. " If Greek nouns turned into Latin are pronounced with the same letters, " they have the Greek accent: for when we say Thyas, Nais, the latter syllable " has the acute accent ; and when we pronounce Themistio, Calypso, Theano, " we see the last syllable is circnmflexed ; neither of which is ever seen in Latin " words, or very rarely." — Servius. Forstcr. Reply, page 31, Notes 32, bott,
b
xviii INTRODUCTION.
has been any considerable diversity of accentuation among our prosodists, I nave consulted the best authorities, and have some- times ventured to decide : though, as Labbe says, " Sed his de " rebus, ut aliis multis, malo doctiorum judicium expectare, " quam meam in medium proferre sententiam."
But the most important object of the present work is settling the English quantity, (see Rules 20, 21, 22) with which we pronounce Greek and Latin proper names, and the sounds of some of the consonants. These are points in a state of great un- certainty ; and are to be settled, not so much by a deep know- ledge of the dead languages, as by a thorough acquaintance with the analogies and general usage of our own tongue. These must, in the nature of things, enter largely into the pronunciation of a dead language ; and it is from an attention to these that the Author hopes he has given to the Public a work not entirely unworthy of their acceptance.
RULES
FOR
PRONOUNCING THE VOWELS
OF
GREEK AMD LATIN PROPER NAMES.
1. lli VERY vowel with the accent on it at the end of a syllable is pronounced as in English, with its first long open sound ; thus Co! to*, Philome1 la, Ori' on, Pho' don, Lu' cifer, &c. have the accented vowels sounded exactly as in the English words pa! per, me' tre, spi' der, no' ble, tu' tor, &c.
2. Every accented vowel not ending a syllable, but followed by a consonant, has the short sound as in the English : thus Man'lius, Pen'theus, Pin' darus, Col' chis, Cur' tius, &c. have the short sound of the accented vowels, as in man' ner, plen' ty, prin' ter, col' lar, Cur' few, &c.
3. Every final i, though unaccented, has the long open sound : thus the final i forming the genitive case, as in Ma- gis' tri, or the plural number, as in De' cii, has the long open sound, as in vif al ; and this sound we give to this vowel in this situation, because the Latin i final in genitives, plurals, and pre- terperfect tenses of verbs, is always long; and consequently
* This pronunciation of Cato, Plato, Cleopatra, &c. has been but lately adopted. Quin, and all the old dramatic school, used to pronounce the a in these and similar words like the a in father. Mr. Garriok, with great good sense, as well as good taste, brought in the present pronunciation, and the pro- priety of it lias made it now universal.
b<2
XX RULES FOB PRONOUNCING
where the accented i is followed by i final, both are pronounced with the long diphthongal /', like the noun eye, as Achi' 'vi*.
4. Every unaccented i ending a syllable not final, as that in the second of Alcibiades, the Hernici, &c. is pronounced like e, as if written Alcebiades, the Herneci, &c. So the last syllable but one of the Fabii, the Horatii, the Curiatii, &c. is pro- nounced as if written Fa-be-i, Ho-ra-she-i, Cu-re-a-she-i; and therefore if the unaccented i and the diphthong & conclude a wordy they are both pronounced like e, as Harpyi<Zt Har-
tsf***
5. The diphthongs & and a , ending a syllable with the ac- cent on it, are pronounced exactly like the long English et as Casar, (Eta, &c. as if written Cee' sar, E' ' ta, &c. ; and like the short e, when followed by a consonant in the same syllable, as
, (Edipus, &c. pronounced as if written Deddalus, j &c. The vowels ei are generally pronounced like long if. — For the vowels eu in final syllables, see the word Idome- neus: and for the ou in the same syllables, see the word An- tinous, and similar words, in the Terminational Vocabulary.
6. Y is exactly under the same predicament as i. It is long when ending an accented syllable, as Cy' rus ; or when ending an unaccented syllable if final, as JE1 ' gy, M' py, &c. : short when joined to a consonant in the same syllable, as Lye' idas ; and sometimes long and sometimes short, when ending an initial syl-
* This is the true analogical pronunciation of this letter when ending an ac- cented syllable ; but a most disgraceful affectation of foreign pronunciation has exchanged this full diphthongal sound for the meagre, squeezed sound of the French and Italian i, not only in almost every word derived from those languages, but in many which are purely Latin, as Faustina, Messalina, &c. Nay, words from the Saxon have been equally perverted, and we hear the i in Elfrida, Ed- wina, &c. turned into Elfreeda, Edioecna, Sac. It is true this is the sound the Romans gave to their i ; but the speakers here alluded to are perfectly innocent of this, and do not pronounce it in this manner for its antiquity, but its novelty.
t See Elegeia Hygeia, &c. in the Terminational Vocabulary of Greek and Latin Proper Names.
GREEK AND LATIN PROPER NAMES. XXI
lable not under the accent, as Ly-cur' gus, pronounced with the tirst syllable like lie, a falsehood ; and Lysimachus, with the first syllable like the first of legion; or nearly as if divided into Lys- Ma-chus,&c. See Principles of English Pronunciation pre- fixed to ihe Critical Pronouncing Dictionary, No. 117, 118, &c. and 185, 186, 187.
7. Ay ending an unaccented syllable, has the same obscure sound as in the same situation in English words ; but it is a sound bordering on the Italian a, or the a infa-ther, as Dia' na, where the difference between the accented and unaccented a is palpable. See Principles of English Pronunciation pre- fixed to the Critical Pronouncing Dictionary, No. 92, and the letter A.
8. .E final, either with or without the preceding consonant, always forms a distinct syllable, as Penelope, Hyppocrene, Evoe, Amphitrite, &c. When any Greek or Latin word is anglicised into this termination, by cutting off a syllable of the original, it becomes then an English word, and is pronounced according to our own analogy : thus Acidalius altered to Acidale, has the final e sunk, and is a word of three syllables only : Proserpine, from Proserpina, undergoes the same alteration. Thebes, and Athens, derived from the Greek 0^1? and A0»j^, and the Latin Theb& and Athena, are perfectly anglicised; the former into a monosyllable, and the latter into a dissyllable: and the Greek K£»JT»J and the Latin Greta have both sunk into the English monosyllable Crete : Hecate likewise pronounced in three sylla- bles when Latin, and in the same number in the Greek word Exar*j, in English is universally contracted into two, by sinking the final e., Shakspeare seems to have begun as he has now confirmed this pronunciation by so adapting the word in Mac- beth:
" Why how now, Hecat'? you look angerly." — Act IV* Perhaps this was no more than a poetical licence to him : bat the actors have adopted it in the songs in this tragedy : " He-cat c, He-cate, come away"
RULES FOR PRONOUNCING
And the play-going world, who form no small portion of what is called the better sort of people, have followed the actors in this word: and the rest of the world have followed them.
The Roman magistrate, named Mdilis, is anglicised by pro- nouncing it in two syllables, M'dile. The capital of Sicily, Sy- racuse, of four syllables, is made three in the English Syr' a- cuse; and the city of Tyrus, of two syllables, is reduced to a monosyllable in the English Tyre.
Rules for pronouncing the Consonants of Greek and Latin Proper Names.
9. C and G are hard before a, o, and u, as Cato, Comus, Cures, Galba, Gorgon, &c. — and soft before e, i, and y, as Cebes, Scipio, Scylla, Cinna, Geryon, Geta, Gillus, Gyges, Gymnoso- phista, &c.*
10. T, S, and C, before ia, ie, ii, io, iu, and eu, preceded by the accent, in Latin words, as in English, change into sh and zh, as Tatian, Statius, Portius, Portia, Sodas, Caduceus, Accius, Helvetii, M&sia, Hesiod, &c. pronounced Tashian, Stasheus, Porsheus, Porshea, Sosheas, Cadusheus, Aksheus, Helveshei, Mezhea, Hezheod, &c. See Principles of English Pronuncia- tion prefixed to the Pronouncing Dictionary, No. 357, 450, 45 1 ,
* That this general rule should be violated by smatterers in the learned lan- guages in such words as Gymnastic, Heterogeneous, &c., it is not to be wondered at ; but that men of real learning, who do not want to show themselves off to the vulgar by such innuendoes of their erudition, should give in to this irregula- rity, is really surprising. We laugh at the pedantry of the age of James the First, where there is scarcely a page in any English book that is not sprinkled with twenty Greek and Latin quotations ; and yet do not see the similar pe- dantry of interlarding our pronunciation with Greek and Latin sounds; which may be affirmed to be a greater perversion of our language than the former. In the one case, the introduction of Greek and Latin quotations does not inter- fere with the English phraseology ; but in the other the pronunciation is dis- turbed, and a motley jargon of sounds introduced, as inconsistent with true taste as it is with neatness and uniformity.
GREEK AND LATIN PROPER NAMES. XXlli
459,463. But when the accent is on the first of the diphthongal vowels, the preceding consonant does not go into sh, but preserves its sound pure, as Miltiades, Antiates, &c. See the word Sa- tiety in the Crit. Pron. Diet.
11. T, and S, in proper names, ending in tia, sia, cyon, and sion, preceded by the accent, change the t and s into sh and zh. Thus Phocion, Sicyon, and Cercyon, are pronounced exactly in our own analogy, as if written Phoshean, Sishean, and Sershean: Artemisia and Aspasia sound as if written Artemizhea, and As- pazhea : Galatia, Aratia, Alutia, and Batia, as if written Ga- lashea, Arasheaj Aloshea, and Bashea : and if Atia, the town in Campania, is not so pronounced, it is to distinguish it from Asia, the eastern region of the world. But the termination tion (of which there are not even twenty examples in proper names throughout the whole Greek and Latin languages) seems to pre- serve the t from going into sh, as the last remnant of a learned pronunciation ; and to avoid, as much as possible, assimilating with so vulgar an English termination : thus, though AZsion, Jasion, Dionysion, change the s into z, as if written Mzion, Ja- zion, Dionizion, the z does not become zh : but Philislion, Gra- tion, Eurytion, Dotion, Androtion, Hippotion, Iphition, Orny- tion, Metion, Polytion, Stration, Sotion, JEantion, Pallantion, Mtion, Hippocration, and Amphyction, preserve the t in its true sound : Hephastion, however, from the frequency of appearing with Alexander, has deserted the small class of his Greek com- panions, and joined the English multitude, by rhyming with question ; and Tatian and Theodotion seem perfectly anglicised. With very, very few exceptions, therefore, it may be concluded, that Greek and Latin proper names are pronounced alike, and that both of them follow the analogy of English pronun- ciation.
12. Ch. These letters before a vowel are always pronounced like k, as Chabrias, Colchis, &c ; but when they come before a mute consonant at the beginning of a word, as in Chthonia, they are mute, and the word is pronounced as if written Thonia. Words beginning with Sche, as Schedius, Scheria, &c. are pro-
XXIV RULES FOR PRONOUNCING
nounced as if written Skedius, Skeria, &c. ; and c before n in the Latin praenomen Cneus, or Cn&us is mute ; so in Cnopus, Cnosus, &c. and before t in Cteatus, and g before n in Gnidus — pronounced Nopus, Nosus, Teatus, and Nidus.
13. At the beginning of Greek words we frequently find the uncombinable consonants MN, TM, &c. ; as Mnemosyne, Mne- aidamus, Mneus, Mnesteus, Tmolus, &c. These are to be pro- nounced with the first consonant mute, as if written Nemosyne, Nesidamus, Neus, Nesteus, Molus, &c. in the same manner as we pronounce the words Bdellium, Pneumatic, Gnomon, Mne- monics, &c. without the initial consonant. The same may be ob- served of the C hard like K, when it comes before T; as Ctesi- phon, Ctesippus, &c. Some of these words we see sometimes written with an e or i after the first consonant, as Menestius, Ti- molus, &c., and then the initial consonant is pronounced.
14. Phj followed by a consonant, is mute, as Phthia, Phthio- tis, pronounced Thia, Thiotis, in the same manner as the natu- ralized Greek word Phthisick, pronounced Tisick.
15. Ps:— p is mute also in this combination, as in Psyche, Psammetichus, &c. pronounced Syke, Sammeticus, &c.
16. Pt, p is mute in words beginning with these letters when followed by a vowel, as Ptolemy, Pterilas, &c. pronounced Tolemy, Terilas, &c. ; but when followed by /, the t is heard, as in Tlepolemus : for though we have no words of our own with these initial consonants, we have many words that end with them, and they are certainly pronounced. The same may be ob- served of the % in Zmilaces.
17- The letters S, X, and Z, require but little observation, being generally pronounced as in pure English words. It may, however, be remarked, that 5, at the end of words, preceded by any of the vowels but e, has its pure hissing sound ; as mas, dis, as, mus, &c. — but when e precedes, it goes into the sound of 2 ; as pes, Thersites, vates, &c. It may also be observed, that when it ends a word preceded by r or n it has the sound of z. Thus the letter s in metis, Mars, mors, &c. has the same sound as in the English words hens, stars, wars, &c. X
GREEK AND LATIN PROPER NAMES. XXV
when beginning a word or syllable, is pronounced like z ; as Xerxes, Xenophon, &c. are pronounced gerkzes, Zenophon, &c. Z is uniformly pronounced as in English words: thus the z in Zeno and Zeugma is pronounced as we hear it in zeal, zone, &c.
Rules for ascertaining the English Quantity of Greek and Latin Proper Names.
18. It may at first be observed, that in words of two sylla- bles, with but one consonant in the middle, whatever be the quantity of the vowel in the first syllable in Greek or Latin, we always make it long in English : thus Crates the philosopher, and crates a hurdle ; decus honour, and dedo to give ; ovo to triumph, and ovum an egg ; Numa the legislator, and Numen the divinity, have the first vowel always sounded equally long by an English speaker, although in Latin the first vowel in the first word of each of these pairs is short*.
19- On the contrary, words of three syllables, with the ac- cent OH the first and with but one consonant after the first sylla- ble, have that syllable pronounced short, let the Greek or Latin quantity be what it will ; thus regulus and remora, mimicus and minium, are heard with the first vowel short in English pronuncia- tion, though the first word of each pair has its first syllable long in Latin : and the u in fumigo and fugito is pronounced long in both words, though in Latin the last u is short. This rule is never broken but when the first syllable is followed by e or i fol- lowed by another vowel : in this case the vowel in the first sylla- ble is long, except that vowel be i : thus lamia, genius, Libya, doceo, cupio, have the accent on the first syllable, and this syllable is pronounced long in every word but Libya, though in the origi- nal it is equally short in all.
20. It must have frequently occurred to those who instruct youth, that though the quantity of the accented syllable of long proper names has been easily conveyed, yet that the quantity of
* The only word occurring to me at present, where this rule is not observed, is Canon, a Rule, which is always pronounced like the word Cannon, a piece of ordnance.
XXvi RULES FOR PRONOUNCING
the preceding unaccented syllables has occasioned some em- barrassment. An appeal to the laws of our own language would soon have removed the perplexity, and enabled us to pronounce the initial unaccented syllables with as much decision as the others. Thus every accented antepenultimate vowel but u, even when followed by one consonant only is, in our pronunciation of Latin, as well as in English, short : thus fabula, separo, diligo, nobilis, cucumis, have the first vowels pronounced as in the Eng- lish words, capital, celebrate, simony, solitude, luculent, in direct opposition to the Latin quantity, which makes every antepenul- timate vowel in all these words but the last long ; and this we pronounce long, though short in Latin. But if a semi-consonant diphthong succeed, then every such vowel is long but i in our pronunciation of both languages ; and Euganeus, Eugenia, Jilius, folium, dubia, have the vowel in the antepenultimate syllable pronounced exactly as in the English words satiate, menial, deli" nous, notorious, penurious; though they are all short in Latin but the f, which we pronounce short, though in the Latin it is long.
21. The same rule of quantity takes place in those syllables which have the secondary accent : for as we pronounce lamenta- tion, demonstration, diminution, domination, lucubration, with every vowel in the first syllable short but u, so we pronounce the same vowels in the same manner in lamentatio, demonstratio, diminutio, dominatio, and lucubratio : but if a semi-consonant diphthong succeed the secondary accent, as in Ariovistus, Heli- odorus, Gabinianus, Herodianus, and Folusianus, every vowel preceding the diphthong is long but i; just as we should pro- nounce these words in the English words amiability, mediatorial, propitiation, excoriation, centuriator, &c. For the nature of the secondary accent, see Principles prefixed to the Critical Pro- nouncing Dictionary, No. 544.
22. But to reduce these rules into a smaller compass, that they may be more easily comprehended and remembered, it may be observed, that as we always shorten every antepenulti- mate vowel with the primary accent but u, unless followed by
GREEK AND LATIN PROPER NAMES. XXV11
a semi-consonant diphthong, though this antepenultimate vowel is often long in Greek and Latin, as JEschylus, Mschines, &c. and the antepenultimate i, even though it be followed by such a diphthong : as Eleu&inia, Ocrysia, &c. — so we shorten the first syllable of JEsculapiw, JEnobarbus, &c. because the first syl- lable of both these words has the secondary accent : but we pro- nounce the same vowels long in Ethiopia, Mgialeus, Halt- artus, &c. because this accent is followed by a semi-consonant diphthong.
23. This rule sometimes holds good where a mute and liquid intervene, and determines the first syllable of Adrian, Adriatic, &c. to be long like ay, and not short like add: and it is on this analogical division of the words, so little understood or attended to, that a perfect and a consistent pronunciation of them de- pends. It is this analogy that determines the first u to be long in stupidus, and the y short in clypea, though both are short in the Latin ; and the o in the first syllable of Coriolanus, which is short in Latin, to be long in English.
24. The necessity of attending to the quantity of the vowel in the accented syllable has sometimes produced a division of words in the following vocabulary, that does not seem to convey the actual pronunciation. Thus the words Sulpitius, Anicium, Artemisium, &c. being divided into Sulpit' i-us, A-nicf i-um, Ar-te-misf i-um, &c. we fancy the syllable after the accent de- prived of a consonant closely united with it in sound, and which, from such a union, derives an aspirated sound, equiva- lent to sh. But as the sound of t, c, or s, in this situation, is so generally understood, it was thought more eligible to divide the words in this manner, than into Sul-pi' ti-us, A-ni' ci-um, Ar-te- mi' si-urn, as in the latter mode the i wants its shortening con- sonant, and might, by some speakers, be pronounced, as it ge- nerally is in Scotland, like ee. The same may be observed of c and g when they end a syllable, and are followed by e or i, as in Ac-e-ra' tus, Ac-i-da' li-a, Tig-el-li1 nus, Teg'y-ra, &c. where the c and g ending a syllable, we at first sight think them to have their hard sound ; but, by observing the succeeding vowel
XXviii RULES FOR PRONOUNCING
we soon perceive them to be soft, and only made to end a syl- lable in order to determine the shortness of the vowel which pre- cedes.
25. The general rule therefore of quantity indicated by the syllabication adopted in the vocabulary is, that when a conso- nant ends a syllable, the vowel is always short, whether the accent be on it or not ; and that when a vowel ends a syllable with the accent on it, it is always long : that the vowel u, when it ends a syllable is long whether the accent be on it or not, and that the vowel i (S) (4) when it ends a syllable without the accent, is pronounced like e ; but if the syllable be final, it has its long open sound as if the accent were on it : and the same may be observed of the letter y.
Rules for placing the accent of Greek and Latin Proper
Names.
26. Words of two syllables, either Greek or Latin, whatever be the quantity in the original, have, in English pronunciation, the accent on the first syllable : and if a single consonant come between two vowels, the consonant goes to the last syllable, and the vowel in the first is long; as Cato, Ceres, Comus, &c. See Principles of English Pronunciation prefixed to the Critical Pronouncing Dictionary, No. 503, and the word Drama.
27. Polysyllables, adopted whole from the Greek or Latin into English, have generally the accent of the Latin : that is, if the penultimate be long, the accent is on it, as Severus, Democedes, &c. ; if short, the accent is on the antepenultimate, as Demosthenes, Aristophanes, Posthumus, &c. See Intro- duction.
28. When Greek or Latin Proper Names are anglicised, either by an alteration of the letters, or by cutting off the latter syllables, the accent of the original, as in appellatives under the same predicament, is transferred nearer to the beginning of the word. Thus Proserpina has the accent on the second
GREEK AND LATIN PROPER NAMES. XXIX
syllable ; but when altered to Proserpine, it transfers the accent to the first. The same may be observed of Homerus, Virgi- lius, Horatius, &c. when anglicised to Homer, Firgil, Horace, &c. See the word Academy, in the Critical Pronouncing Dic- tionary.
29. As it is not very easy, therefore, so it is not necessary to decide where Doctors disagree. When reasons lie deep in Greek and Latin etymology, the current pronunciation will be followed, let the learned do all they can to hinder it : thus, after Hyperion has been accented by our best poets according to our own analogy with the accent on the antepenultimate, as Shakspeare :
« Hyperion's curls, the front of Jove himself."— Hamlet.
il that was to this
" Hyperion to a Satyr." Ibid.
" next day after dawn,
4* Doth rise and help Hyperion to his horse. Henry Vth.
So Cooke, in his translation of Hesiod's Theogony, follows the accentuation of Shakspeare :
Hyperion and Japhet, brothers, join ; "\
Thett and Rhea of this ancient line \
Descend ; and Themis boasts the source divine. 1
The fruits of Thia and Hyperion rise, And with refulgent lustre light the skies.
After this established pronunciation, I say, how hopeless, as well as useless, would it be to attempt the penultimate accentu- ation, which yet ought undoubtedly to be preserved in reading or speaking Greek or Latin compositions; but, in reading or speaking English, must be left to those who would rather appear learned than judicious. But Acrion, Arion, Amphion, Echion, Orion, Ixion, Pandion, Asion, Alphion, Mrion, Ophion, Me- thion, Axiori) Eion, Thlexion, and Sandion, preserve their penul- timate accent invariably: while Ethalion, a word of the same form and origin, is pronounced with the accent on the antepenultimate,
XXX RULES FOR PRONOUNCING
like Deucalion and Pygmalion : and this, if I mistake not, is the common pronunciation of a ship in the British navy, so called from the name of the Argonaut, who accompanied Jason in his expedition to Colchis to fetch the golden fleece.
30. The same difficulty of deciding between common usage and classical propriety appears in words ending in ia ; as Alexandria, Antiochia9Selemia, Samaria, Iphigenia, and several others which were pronounced by our ancestors, as appears from their poetry, according to our own analogy, with the accent on the antepenultimate syllable; and there is no doubt but every word of this form would have fallen into the same accentuation, if classical criticism had not stepped in and prevented it. A phi- losophical grammarian would be apt to think we are not much obliged to scholars for this interruption of the vernacular cur- rent of pronunciation : but as there is so plausible a plea as that of reducing words to their original languages, and as a know- ledge of these languages will always be an honourable distinction among men, it is strongly to be suspected that these words will not long continue in their plain homespun English dress. This critical correction, however, seems to have come too late for some words, which, as Pope expresses it, have " slid into verse," and taken possession of our ears ; and therefore, perhaps, the best way of disposing of them will be to consider them as the an- cients did the quantity of certain doubtful syllables, and to pro- nounce them either way. Some, however, seem always to have preserved the accent of their original language, as Thalia and Sophia : but Iphigenia, AntiQchia, Seleuciat and Samaria, have generally yielded to the English antepenultimate accent ; and Erythia, Deidamia, Laodamiaf Hippodamia, Apamia, Ilithyia, and Orythia, from their seldom appearing in mere English composition, have not often been drawn aside into plain English pronunciation. The same may be observed of words ending in nicus or nice: if they are compounded of the Greek nun, the penultimate syllable is always long, and must have the ac- cent, as Stratonicus, Berenice) &c. ; if this termination be what
GREEK AND LATIN PROPER NAMES, XXXI
is called a gentile, signifying a man by his country, the penulti- mate is short, and the accent is on the antepenultimate ; as Mace- donicus, Sardonicus, Britannicus, &c. See ANDRONICUS.
31. Thus we see many of these proper names are of dubious accentuation : and the authorities which may be produced on both sides sufficiently show us the inutility of criticising beyond a certain point. It is in these as in many English words : there are some which, if mispronounced, immediately show a want of education ; and there are others which, though not pronounced in the most erudite manner, stamp no imputation of ignorance or illiteracy. To have a general knowledge, there- fore of the pronunciation of these words, seems absolutely ne- cessary for those who would appear respectable in the more re- spectable part of society. Perhaps no people on earth are so correct in their accentuation of proper names as the learned among the English. The Port-Royal Grammar informs us, that, " notwithstanding all the rules that can be given, we are " often under the necessity of submitting to custom, and of " accommodating our pronunciation to what is received among " the learned according to the country we are in." " So we " pronounce," says the grammarian, " Aristo' bulus, Basi' lius, " Ido' Hum, with the accent on the antepenultimate, though the " penultimate is long, because it is the custom : and, on the " contrary, we pronounce Andre? as, ide' a, Mari' a, &c. with the " accent on the penultimate, though it is short, because it is the " custom of the most learned. The Italians," continues he, " place " the accent on the penultimate of antonomasi' a, harmoni' a, " philosopM a, theologi' a, and similar words, according to the " Greek accent, because, as Ricciolus observes, it is the custom " of their country. Alvarez and Gretser think we ought always " to pronounce them in this manner, though the custom, not only " of Germany and Spain, but of all France, is against it : but " Nebrissensis authorizes this last pronunciation, and says, that it " is better to place the accent of these vowels on the antepenulti- " mate syllable ; which shows," concludes the grammarian, " that when we once depart from the ancient rules, we have but
RULES FOR PROM OUN CING, &C.
ft little certainty in practice, which is so different in different
countries."
But however uncertain and desultory the accentuation of many words may be, it is a great satisfaction to a speaker to know that they are so. There is a wide difference between pronouncing words of this kind ignorantly and knowingly. A person who knows that scholars themselves differ in the pronunciation of these words, can always pronounce with security: but one who is unac- quainted with the state of the accent, is not sure that he is right when he really is so, and always pronounces at his peril.
*#* It is hoped the candid peruser of this work will make allowances for an occasional error in dividing a syllable, or placing an accent, when he reflects on the difficulty with which such a work must necessarily be attended. The Author flatten himself, however, that such attention has been paid both to the compilation and the proofs, that the fewest errors imaginable have escaped him.
PRONUNCIATION
OF
GREEK and LATIN PROPER JVAMES. INITIAL VOCABULARY.
*•** When a word is succeeded by a word printed in Italics, the latter word is merely to spell the former as it ought to be pronounced. Thus Abansheas is the true pronunciation of the>preceding word Abantias ; and so of the rest.
*** The Figures annexed to the words refer to the rules prefixed to the Work. Thus the figure (3) after Achcei refers to Rule the 3d, for the pronun- ciation of the final i; and the figure (4) after Abii refers to Rule the 4th, for the pronunciation of the unaccented i, not final; and so of the rest.
*** When the letters Eng. are put after a word, it is to shew that this word is the preceding word Anglicised. Thus Lu'can, Eng. is the Latin word Lucn- nuSy changed into the English Lucun,
|
AB AB AB |
||
|
A' BA and A' BJE |
A- ban' she- as |
A'bas(l) |
|
Ab'a-a |
Ab-an-ti'a-des(l) |
A-ba'sa(l)(7) |
|
Ab' a-ba |
A-ban' ti-das (4) |
Ab-a-si'tis (7) (1) |
|
Ab-a-ce'ne (8) |
A- ban' tis |
Ab-aa-se'na(l) (7) |
|
Ab' a-ga |
Ab-ar-ba' re-a (7) |
Ab-as-se' ni |
|
Ab'a-lus(20) |
Ab' a-ri (3) |
A-bas'sus (7) |
|
fA-ba' na (7) |
A-bar' i-mon (4) |
Ab'a-tos (7) |
|
A-ban' tes |
Ab'a-ris(7) |
Ab-da-lon'i-mus (4) |
|
A-ban'ti-as (10) |
A-ba'rus(l) |
Ab-de'ra(l)(7) |
* Every a ending a syllable, with the accent upon it, is pronounced like the a in the English words fa-vour, ta-pert &c. See Rule the 1st, prefixed to this Vocabulary.
f Every unaccented «, whether initial, medial, or final, ending a syllable, has an obscure sound, bordering on the a in father. See Rule the 7th, prefixed to this Vocabulary,
B
AB
AC
AC
|
Ab-de' ri-a(l) (4)(7) Ab-u-li' tes (1) ' Ac' e-la (24) |
||
|
Ab-de-ri'tes (1) j Ab-y-de'ni (6) Ac-e-ra' tus (27) |
||
|
Ab-de' rus (1) Ab-y-de'nus (6) |
A-cer' bas |
|
|
A-be' a-taa (7) ( 1) (5) A-by' di (6) |
Ac-e-ri'na (1) |
|
|
A-bel'la(7) A-by'dos(6) |
A-cer' rae (4) |
|
|
Ab-el-li' nus |
A-b>'dus |
Ac-er-sec' o-mes |
|
A'bi-a (1) (4) (7) |
Ab'y-la(6) |
A'ces(7) |
|
A-ben'da (7) |
Ab'y-lon (6) |
A-ce'si-a (10) |
|
Ab'ga-rus |
Ab-ys-si'ni (1) |
Ac-e-si' nes ( I ) |
|
A' !;i-i (4) |
Ab-ys-sin'i-a (6) |
Ac-e-si' nus (1) |
|
Ab'i-la(4)(7) |
Ac-a-cal' lis (7) |
A-ce' si-us (10) |
|
A-bis'a-res (7) |
Ac-a-ce' si-um ( 10) |
A-ces' ta (7) |
|
A-bis'a-ris(7) |
Ak-a-se' zhe-um |
A-ces' tes |
|
Ab-i-son'tes (4) |
A-ca'ci-us (10) |
A-ces' ti-um (10X |
|
Ab-le'tes (1) |
A-kaf she-us |
A-ces-to-do' rus |
|
A-bob' ri-ca (4) |
Ac-a-de' mi-a (7) |
A-ces-tor' i-des |
|
A -bo' bus |
Ac-a-de' mus |
A-ce' tes |
|
A-boec'ri-tus (5) |
Ac-a-lan' drus |
*Ach-a-b/tos (12) |
|
Ab-o-la'ni(3) |
A-cal' le (8) |
A-cha/ a (7) |
|
A-bo'lus(7)(l) |
A-ca-mar' chis (7) |
A-chaj' i (3) |
|
Ab-on-i -tei' chos (5) |
Ac' a- mas (7) |
A-cha/ i-um |
|
Ab~o-ra'ca (1) (7) |
A-camp'sis (7) |
A^chaem' e-nes |
|
Ab-o-rig'i-nes (4) |
A-cau'tha (7) |
Ach-ae-me' ni-a |
|
A-bor'ras(7) |
A -can' thus (7) |
Ach-ae-men' i-des |
|
Ab-ra-da' tas ' |
Ac'a-ra (7) |
A-chae' us |
|
Ab-ra-da' tes |
A-ca'ri-a (7) |
A-cha'i-a(7) |
|
A-bren' ti-us (10) |
Ac-ar-na' ni-a (7) Ach' a-ra (7) |
|
|
A-broc' o-mas |
A-car'nas (7) Ach-a-ren' ses |
|
|
Ab-rod-i-ae' tus (4) |
A-cas' ta (7) i A-char' naa (4) |
|
|
A-bro' ni-us (4) |
A-cas'tus(7) A-cha' tes |
|
|
A-bron'y-cus (6) |
Ac-a-than' tus (7) | Ach-e-lo' i-des (4) |
|
|
Ab'ro-ta(7) |
Ac' ci-a (10) (7) Ach-e-lo' ri-um |
|
|
A-brot' o-num | Akf she-a |
Ach-e-lo' us |
|
|
A-bryp' o-lis (6) |
Ac'ci-la (7) A-cher'dus |
|
|
Ab-se' us |
Ac' ci-us (10) i A-cher' i-mi (3) (4) |
|
|
Ab*sin' thi-i (4) |
Ak' she-us \ Ach' e-ron |
|
|
Ab' so-rus |
Ac'cu-a (7) |
Ach-e-ron' ti-a (10) |
|
Ab-syr' tos (6) |
A'ce(8) |
Ach-e-ru' si-a (11) |
|
Ab syr'tus (6) |
Ac-e-di'ci (3) (24) |
Ach-e-ru' si-as (11) |
* Achabytos. — CA, in this and all the subsequent words, have the sound of k, Thus Achabytos, Achcea, Achates, «5fc. are pronounced as if written Akabytos. Akaa, Akutts, &c. See Rule the 12th.
|
AC AD TEA 3 |
||
|
A-che' tus |
A-cra' tus |
Ad' a-mas |
|
A-chil'las |
A'cri-as (4) |
Ad-a-mas'tus |
|
A-chil' le-us |
Ac-ri-doph'a-gi (3) |
A-das' pi-i (4) |
|
Ach-il-le'a(7) |
A-cri'on (11) |
Ad'a-tha |
|
Ach-il-lei-ei/ ses |
Ac-ris-i-o'ne |
Ad-de-pha' gi-a |
|
Ach-il-le' is |
Ac-ris-i-o-ne' us |
Ad'du-a(7) |
|
A-chil'les |
Ac-ris-i-o-ni' a-des |
A-del' phi-us |
|
Ach-il-le'um |
A-cris'e-us (10) |
A-de' mon |
|
A-chi' vi (4) |
A-cri'tas (1) |
A'des, or Ha' des |
|
Ach-la-dae' us |
Ac-ro-a' thon |
Ad-gan-des' tri-us |
|
Ach-o-la'i (3) |
Ac-ro-ce-rau' ni-um |
Acl-her' bal |
|
Ac-ra-di'na (7) |
Ac-ro-co-rin' thus |
Ad-her' bas |
|
Ach-o-lo'e |
A'cron (1) |
Ad-i-an'te (S) |
|
Ach-ra-di' na |
Ac-ro-pa'tos |
A-di-at'o-rix |
|
Ac-i-cho' ri-us |
A-crop' o-lis |
Ad-i-man' tus |
|
Aoi-da' li-a (8) |
Ac'ro-ta |
Ad-me'ta (7) |
|
Ac-i-da' sa |
A-crot' a-tus |
Ad-i-me' te |
|
A-cil'i-a |
Ac-ro' tho-os |
Ad-me' tus |
|
Ac-i-lig' e-na (24) Ac' ta (7) |
A-do' ni-a |
|
|
A-cii'i-us Ac-tae'a (7) |
A-do'nis |
|
|
A-cir la (7) Ac-tae' on (4) |
Ad-ra-myt' ti-um |
|
|
A'cis |
Ac-tae'us (4) |
A-dra'na (7) (1) |
|
Ac' mon |
Ac'te (8) |
A-dra'num |
|
Ac-mon'i-des (4) |
Ac'ti-a(lO) |
A-dras' ta |
|
A-coe' tes |
Ac' tis |
A-dras' ti-a |
|
A-co' nas (4) |
Ac-tis' a-ues |
A-dras' tus |
|
A-con' tes |
Ac'ti-um (10) |
A' dri-a (23) |
|
A- cor/ te-us |
Ac' ti-us (10) |
A-dri-a' num |
|
A-con' ti-us (10) ! Ac' tor |
A-dri-at'i-cum |
|
|
A-con-to-bi/ ius Ac- tor' i-des |
A-dri-an-oj/ o-lis |
|
|
A-co' ris Ac-to' ris |
A-dri-a' nus |
|
|
A' era |
A-cu' phis |
A' dri-an (Eng.) |
|
A'crae |
A-cu-si-la' us |
Ad-ri-me'tum |
|
A-crse' a (7) i A-cu' ti-cus, M. |
Ad-u-al' i-ci (4) |
|
|
A-cra?ph'ni-a (7) ; A' da (7) |
A-dyr-ma-chi'dae |
|
|
Ac-ra-gal-li'dae (4) A-da/us |
*^'a(7) |
|
|
Ac' ra-gas (7) ' Ad-a-man-tae' a (7) |
jfE-a-ce'a |
* JEa.— The diphthong is merely ocular, for the a has no share in the sound, though it appears in the type. Indeed as we pronounce the a, there is no middle sound between that letter and e, and therefore we have adopted the last vowel, and relinquished the first. This, among other reasons, makes it probable that the Greeks and Romans pronounced the a as we do in water, and the e as \ve hear it
U 2
|
4 JEG JEG JEN |
||
|
JE-ac'i-das |
-^E-ge' le-on |
JE'gus |
|
-ZE-ac' i-des |
j?E-ge' ri-a |
^E'gy (6) |
|
fit! a-cus |
^E-ges' ta |
-£Eg-y-pa' nes |
|
.ZE'ae |
-/E-ge' us |
JE-gyp'sus |
|
JE-a/a .ZE-an-te' um |
^E-gi' a-le ^1-gi-aMe-us (22) |
^-gyp'ti-i (4) (10). JE-gyp' ti-um (10) |
|
.ZE-an'ti-des |
^E-gi-a'li-a (22) (4) |
JE-gyp' tus |
|
jiE-an' tis |
^E-gi'a-lus |
IE! li-a |
|
^S'as |
^E-gi' des |
^E-li-a'nus |
|
IE! a-tus |
^E-gi'la |
M' li-an (Eng) |
|
JEch-mac'o-ras |
^E-gil'i-a |
#yii-us and IE! li-a |
|
JEch'mis |
-^-gim'i-us |
JE-lu'rus |
|
.ZE-dep' sum |
^Eg-i-mo'rus |
^-mil' i-a |
|
JE-des' sa |
^-gi'na |
JB)-mil-i-a'nus |
|
^-dic' u-la |
.ZEg-i-ne' ta |
^E-mil' i-us |
|
Jvdi' les (8) |
^Eg-i-ne'tes |
.ZEm-nes'tus |
|
JE-dip' sus |
^1-gi'o-chus |
IE! mon |
|
^E'don |
j3E-gi' pan |
JEm' o-na |
|
JE'du-i, or Hed'u-i |
JE-gi'ra |
.ZE-mo'ni-a |
|
.ZE-el' lo |
^E-gir-o-es' sa |
JE- mon' i-des |
|
^-e' ta |
*^E' gis |
2ES mus |
|
jE-e'ti-as (10) |
jE-gis' thus |
JEt-myYi-a |
|
JE'ga |
^E-gi' turn |
^-myl-i-a' nus |
|
^E-ge' as |
^'gi-um |
-^E-myl'i-i (4) |
|
jE'gae(5) |
Mfk |
jE-myl'i-us |
|
.flE-gae' as |
JEg'les |
^E-nu'ri-a |
|
^-gae' on |
^E^-le' tes |
^E-ne' a |
|
./E-gae' um |
^Eg'lo-ge |
JE-ne' a-des |
|
^E-gae' us |
iE-gob' o-lus |
^E-ne'a-dse |
|
^E-ga' le-os |
JEi-gocf e-ros |
^E ne'as |
|
JE-ga' le-um |
jE'gon |
JE-ne'i-a |
|
^E'gan |
^E'gos pot'a-mos |
^E-ne'is |
|
^'gas (5) |
^Eg-o-sa' gas |
^-nex i-des (4) |
|
^E-ga' tes |
jE-gos' the-na |
./E-nes-i-de' mus |
in where and then ; the middle or mixt sound then would be like o in father, which was probably the sound they gave to this diphthong.
* JEgis. — This diphthong, though long in Greek and Latin, is in English pro- nunciation either long or short, according to the accent or position of it. Thus, if it immediately precedes the accent, as in JEgeus, or with the accent on it, be- fore a single consonant, in a word of two syllables, it is long, as in JEgis; before two consonants it is short, as in JEgles ; or before one only, if the accent be on the antepenultimate, as ASropus. — For the exceptions to this rule, see Rule 22,
|
JES AG AG 5 |
||
|
&-ne' si-us (10) |
-3E-se' pus |
Ag-a-me' tor |
|
JE-ne' tus |
^E-ser' ni-a |
Ag-a m- nes' tor |
|
M' ni-a |
^-si'on (11) |
Ag-a-nip' pe |
|
JE-ni' a-cus |
JE'son |
A-gan za-ga |
|
^E-ni'o-chi (12) |
.S-son' i-des |
Ag-a-pe' no |
|
JEn-o-bar' bus (22) |
^E-so' pus |
Ag-a-re'ni (3) |
|
JEn' o-cles |
M' sop (Eng.) |
Ag-a-ris'ta |
|
JE'nos |
^s; tri-a |
A-gas' i-cles |
|
^E'num |
Ms' u-a |
A-gas' sae |
|
^E-ny'ra |
JE-sy' e-tes |
A-gas'the-nes |
|
JE-o'li-a |
jaEs-ym-ne/tes(21) |
A -gas' thus |
|
JE-o' li-as |
M-sym' nus |
A-gas'tro-phus |
|
^-ol'i-da |
^E-thal' i-des |
Ag' a-tha |
|
JE-ol' i-des |
JE-thi-o' pi-a (22) |
Ag-ath-ar' chi-das |
|
^E'o-lis |
^Eth'li-us |
Ag-ath-ar' chi-des |
|
jE'o-lus |
JB'thon |
Ag-ath-ar/ cus |
|
^i'o-ra |
M' thra |
A-ga' thi-as |
|
^E-pa'li-us |
JE-thu'sa |
Ag'a-tho |
|
JE-pe'a |
^E'ti-a(lO) |
A-gath-o-cle'a |
|
^Ep'u-lo (21) |
-aS'ti-on(ll) |
A-gath'o-cles |
|
IE' py (6) |
JaE'ti-us*(10) |
Ag'a-thon |
|
jflEp'y-tus (21) |
JEt'na |
A-gath-o-ny' mus |
|
,E-qua' na (7) |
^-toMi-a |
Ag-a-thos' the-nes |
|
^'qui (3) |
JE-to' lus |
Ag-a-thyr7 num |
|
.ZE-quic' o-li |
A'fer |
Ag-a-thyr'si (3) |
|
^q-ui-me' li-um |
A-fra' ni-a |
A-ga' ve |
|
I£! ri-as |
A-fra' ni-us |
A-gau'i(3) |
|
^Er'o-pe |
Af'ri-ca(7) |
A-ga' vus |
|
^r' o-pus |
Af-ri-ca' nus |
Ag-des' tis |
|
jSSs' a-cus |
Af ri-cum |
Ag-e-e' na |
|
^E-sa' pus |
A-gag-ri-a' nae |
Ag-e-las' tus |
|
JE'sar, or ^E-sa'ras |
Ag-a-las' ses |
Ag-e-la' us |
|
lEd chi-nes (22) |
A-galMa(7) |
A-gen' a-tha |
|
.ZEs'chi-ron (12) |
A-gam' ma-tse |
Ag-en-di' cum |
|
JEs-chy-li7 des |
Ag-a-me' des |
A-ge' nor |
|
JEs'chy-lus (21) |
Ag-a-mem' non |
Ag-e-nor' i-des |
|
JEs-cu-la7 pi-us (22) |
Ag-a-mem-no' ni-us |
Ag-e-ri' nus |
* One of the G enerals of Valentinian the Third ; which Labbe tells us, ought properly to be written Aetius; that is, without the diphthong. We may observe, that as this word conies from the Greek, but is latinized, it is pronounced with the t like sh, as if written JEshius; but the preceding word JEtion, being pure Greek, does not confirm to this analogy. — See Rule the llth and 29th.
|
6 AG AL AL |
||
|
Ag-e-san7 der |
Ag-ri-gen7tum |
A-las7 tor |
|
A-ge'si-as(lO) |
A-grin7 i-um |
Al7 a-zon |
|
Ag-es-i-la7 us |
A-gi i-o' ni-a |
Al'baSyl'vi-us |
|
Ag-e-sip7 o-Iis |
A-gri7 o-pas |
Al-ba7 ni-a |
|
Ag-e-sis7 tra-ta |
A-gri7o-pe |
Al-ba7 nus |
|
Ag-e-sis7 tra-tus |
A-grip7 pa |
Al-bi7 ci (3) (4) |
|
Ag-gram' mes |
Ag-rip-pi7na |
Al-bi-e7ta3 (4) |
|
Ag-gri7 nae |
A-gris7 o-pe (8) |
Al-bi' ni (3) |
|
Ag' i-d<e |
A7 gri-us ( 1 ) |
Al-bi-no-va7nus |
|
Ag-i-la7 us |
Ag7 ro-las |
Al-bin-te-me7 li-um |
|
A'gis |
A7 gron |
Al-bi7 nus |
|
Ag-la'i-a |
A-gro7 tas |
Al7bi-on |
|
Ag-lay'a |
A-grot7 e-ra |
Al7bi-us |
|
Ag-la-o-ni7 ce |
A-gyl'e-us (5) |
Al-bu-cil7la |
|
Ag-la7 o-pe |
A-gyi7la |
Al7bu-la |
|
Ag-la-o-phae' na |
Ag-yl-lae7 us |
Al-bu7 ne-a |
|
Ag-la7 o-phon |
A-g>7rus |
Al-bur7 nus |
|
Ag-la-os7 the-nes |
A-gyr7 i-um |
Al7bus Pa'gus |
|
Ag-lau' ros |
A-gyr7 i-us |
Al-bu7 ti-us (10) |
|
Ag-la7 us |
A-gyr7 tes |
Al-cae7 us |
|
Ag7 na |
A-ha7la(7) |
Al-cam7 e-nes |
|
Ag'no |
A7jax |
Al can7 der |
|
Ag-nod' i-ce |
A-i-do7 ne-us (5) |
Al-can7 dre |
|
Ag' non |
A-im7y-lus |
Al-ca7nor |
|
Ag-non7 i-des |
A-i'us Lo-cu'ti-us |
Al-cath7 o-e |
|
Ag-o-ua' li-a, and |
Al-a-ban7 da |
Al-cath7 o-us |
|
A-go' ni-a |
Al'a-bus |
Al'ce |
|
A-go7 nes |
A-la37a |
Al-ce7 nor |
|
Ag7 o-nis |
A-las'i (3) |
Al-ces7 te |
|
A-go7 ni-us |
A-lae7sa |
Al-ces7 tis |
|
Ag-o-rac7 ri-tus |
A-lae7 us |
Al7 ce-tas |
|
Ag-o-ran7 o-mi (3) |
Al-a-go7 ni*a |
Ai7chi-das(12) |
|
Ag-o-ra7 nis |
A-la7la |
Al-chim7a-cus |
|
Ag-o-rae7 a |
Al-al-com7 e-nae |
Al-ci-bi' a-des (4) |
|
A'gra(l) |
A-la7li-a(7) |
Al-cid7 a-mas |
|
A-gr*7i(3) |
Al-a-ma7 nes |
Al-ci-da-me7a |
|
Ag7 ra-gas |
Al-a-man7 ni, or Al-ci-dam7 i-das |
|
|
A-grau7 le |
Al-e-man'ni Al-cid7a-mus |
|
|
A-grau7 li-a |
A-la7ni Al-ci'das |
|
|
A-grau7 los |
Al7a-res ;Al-ci7des |
|
|
Ag-rau-o-ni7 tae |
Al-a-ri7 cus Al-cid7 i-ce |
|
|
A-gri-a7 nes |
Al' a-ric (Eng.) Al-cirh7e-de |
|
|
A-gric7 o-la |
Al-a-ro7 di-i (3) (4) Al-cim7 e-don |
|
AL AL AL 7 |
||
|
Al-cin/ e-nes |
A-le' mon |
Al-ex-i' nus |
|
Al' ci-mus |
Al-e-rnu' si-i (4) |
A-lex'i-o |
|
Al-cin'o-e |
A' lens |
A-lek'she-o |
|
Al' ci-nor |
A'le-on |
Al-ex-ip'pus |
|
*Al-cin' o-us |
A-le'se |
Al-ex-ir' a-es |
|
Al-ci-o' ne-us (5) |
A-le'si-a (10) |
Al-ex-i i7 ho-e |
|
Al' ci-phron |
A-le'si-um (10) |
A -lex' is |
|
Al-cip'pe |
A-le'tes |
A-lex' on |
|
Al-cip'pus |
A-le'thes |
Al-fa-ter' na |
|
Al'cis |
A-le'thi-a |
Al-fe' nus |
|
Al-cith'o-e |
A-let' i-das |
Al'gi-dum |
|
Alc-mse'on |
A-le' tri-um |
A-H-ac'mon |
|
Alc-mae-on' i-day |
A-le' turn |
A-li-ar'tum |
|
Ale' man |
Al-eu-a' das |
A-li-ar'tus |
|
Alc-me' na |
A-le' us |
Al'i-cis |
|
Al-cy' o-ne |
A'lex (1) |
A-li-e'nus (21) |
|
Al-cy-o' ne-us (5) |
A-lex-a-me' nus |
Al'i-fffi |
|
Al-cy' o-na |
JAl-ex-an'der |
Al-i-lae' i (3) (4) |
|
Al-des'cus |
Al-ex-an' dra |
Al-i-mer/ tus |
|
Al-du' a-bis |
Al-ex-an-dri'a^O) |
A-lin'daa |
|
A'le-a (1)(7) |
Al-ex-an'dri-des |
A-lin-do'i-a |
|
A-le'bas |
Al-ex-an-dri' na |
Al-i-phe' ri-a |
|
A-le' bi-on |
Al-ex-an-drop' o-lis |
Al-ir-ro' thi-us |
|
A-lec' to |
Al-ex-a' nor |
Al'li-a |
|
A-lec' tor |
Al-ex-ar'chus |
Al-li-e'nos |
|
A-lec' try-on |
A-lex' as |
Al-lob' ro-ges |
|
A-lec' tus |
A-lex' i-a |
Al-lob'ry-ges |
|
fA-le'i-us Cam' pus |
Jl-hk' she-a |
Al-lol' ri-ges |
|
Al-e-man' ni |
A-lex-ic' a-cus |
Al-lu'ti-us (10) |
* Alcinous. — There are no words more frequently mispronounced by a mere English scholar than those of this termination. By such a one we sometimes hear Alcinous and Antinous pronounced in three syllables, as if written Al-ci-nouz, and An-ti-nouz, rhyming with vows; but classical pronunciation requires that these vowels should form distinct syllables.
f Aleius Campus.
Lest from this flying steed unrein'd (as once Bellerophon, though from a lower clime) Dismounted, on th' Aldan field I fall, Erroneous there to wander, and forlorn.
MILTON'S Par. Lost, b. vii. v. 17.
i Alexander. — This word is as frequently pronounced with the accent on th*1 first as on the third syllable.
|
8 AM AM |
|
|
A-lo'a |
Am-al-the'um |
|
Al-o-e' us |
Am' a-na |
|
Al-o-i'dae |
A-man' tes |
|
Al-o-i' des |
Am-an-ti'ni (3) |
|
A-lo'ne |
A-ma' nus |
|
Al' o-pe |
A-mar' a-cus |
|
A-lop' e-ce |
A-mar'di(3) |
|
A-lop' e-ces |
A-mar' tus |
|
A-lo'pi-us |
Am-bryl'lis |
|
A'los |
Am-ar-yn'ce-us (5) |
|
A-lo'ti-a(lO) |
Am-ar-yn'thus |
|
Al-pe' nus |
A' mas |
|
Al'pes |
A-ma'si-a (10) |
|
Alps (Eng.) |
Am-a-se' nus |
|
Al-phe'a |
A-ma' sis |
|
Al-phe' i-a |
A-mas' tris |
|
Al-phe' nor |
A-mas' trus |
|
Al-phe' nus |
A-ma' ta |
|
Al-phe-si-boe' a (5) |
Am-a-the' a |
|
Al-phe-si-bce' us |
Ani'a-thus |
|
Al-phe' us |
A-max-am-pe' us |
|
Al' phi- us |
A-max' i-a |
|
Al-phi'on(29) |
A-max' i-ta |
|
Al-pi'nus |
Am-a-ze' nes |
|
Al'pis |
A-maz'o-nes |
|
Al' si-urn (10) |
Am' a-zons (Eng.) |
|
Al'sus |
Am- a-zon'i-des |
|
Al-thaj'a |
Am-a^zo' ni-a |
|
Al-thaem' e-nes |
Am-a-zo' ni-um |
|
Al-ti' num |
Am -a-zo' ni-us |
|
Al'tis |
Am-ba/ ri (3) |
|
A-lun'ti-um(lO) |
Am' be-nus |
|
A'lus, Al'u-us |
Am-bar-va' li-a |
|
A-ly-at' tes |
Am-bi-a-li' tes |
|
Al'y-ba(6) |
Am-bi-a' num |
|
Al-y-cai' a |
Am-bi-a-ti'num |
|
Al-y-cae' us |
Am-bi-ga' tus |
|
A-lys' sus |
Am-bi' o-rix |
|
Al-yx-oth' o-e |
Am' bla-da |
|
A-mad' o-ci (3) |
Am-bra'ci-a (10) |
|
A-mad' o-cus |
Am-bra' ci-us (10) |
|
Am' a-ge |
Am' bri (3) |
|
Am-al-thae' a | Am-bro' nes |
AM
Am-bro'si-a(lO) Am-bro' si-us (10) Am-bry' on Am-brys' sus Am-bul'li(3) Am' e-les Am-e-na' nus Am-e-ni' des A-men' o-cles A-me' ri-a A-mes' tra-tus A-mes' tris A-mic' las Am-ic-lae' us A-mic-lae' us A-mic' tas A-mi'da(3) A-mil'car Am' i-los (4) A-mim'o-ne, or
A-mytn' o-ne A-min'e-a, or
Am-min'e-a A-min'i-as A-min'i-us A-min' o-cles Am-i-se' na A-mis'i-as (10) A-mis'sas A-mi' sum A-mi' sus Am-i-ter' num Am-i-tha'on, or
Am-y-tha' on Am-ma' lo Am-mi-a'nus Am' mon Am-mo'ni-a Am-mo'ni-i (3) Am-mo' ni-us Am-mo' the-a Am' ni-as Am-ni' sus (3)
|
AM AN AN $ |
||
|
Am-oe-bae'us (5) |
Am-phis' the-nes |
A-na'cre-on (23) |
|
Am-o-me' tus |
Am-phis-ti' des |
An-ac-to'ri-a |
|
A'mor (1) |
Am-phis' tra-tus |
An-ac-to' ri-um |
|
A -mor' ges |
Am-phit'e-a |
•j-An-a-dy-om' e-ne |
|
A-mor' gos |
Am-phith'e-mis |
A-nag' ni-a |
|
Am'pe-lus |
Am-phith'o-e |
An-a-gy-ron' turn |
|
Am-pe-lu'si-a |
Am-phi-tri'te (8) |
An-a-i' tis |
|
Am-phe' a (7) |
Am-phit' ry-on |
An' a-phe |
|
Am-phi-a-la' us |
Am' phi-tus |
An-a-phlys' tus |
|
Am-phi'a-nax |
Am-phot'e-rus |
A-na' pus |
|
Am-phi-a-ra'us |
Am-phot-ry-o-ni' a- |
A-nar' tes |
|
Am-phi-ar'i-des |
des |
A'nas(l) |
|
Am-phic' ra-tes |
Am-phry' sus |
An'cho-ra |
|
Am-phic' ty-on (1 1) |
Amp' sa-ga |
A-nat' o-le |
|
Am-phic- le' a |
Am-pys'i-des |
A-nau' chi-das (12) |
|
Am-phid' a-mus |
Am' pyx |
A-nau' rus |
|
Am-phi-dro' mi-a |
Am-sac' tus |
A'nax(l) |
|
Am-phi-ge' ni-a, or |
A-mu'li-us |
An-ax-ag' o-ras |
|
*Am-phi-ge-ni'a(29) |
A-myc' la |
An-ax-an' der |
|
Am-phil' o-chus |
A-myc' Ise |
An-ax-an'dri-des |
|
Am-phil' y-tus |
Am'y-cus |
An-ax-ar' chus (12) |
|
Am-phim' a-chus |
Am' y-don |
An-ax-ar' e-te |
|
Am-phim' e-don |
Am-y-mo' ne |
An-ax-e'nor |
|
Am-phin'o-me |
A-myn' tas |
A-nax'i-as (10) |
|
Am-phin'o-mus |
A-myn-ti-a' nus |
An-ax-ib'i-a |
|
Am -phi' on (28) |
A-myn' tor |
An-ax-ic' ra-tes |
|
Am-phip'o-les |
A-my' ris |
An- ax-id' a-mus |
|
Am-phip' o-lis |
A-myr'i-us |
A-nax'i-las (10) |
|
Arn-phip'y-ros |
Am'y-rus |
A-nax-i-la' us |
|
Am-phi-re' tus |
A-mys'tis |
An-ax-il' i-des |
|
Am-phir' o-e |
Am-y-tha' on |
An-ax-i- man' der |
|
Am' phis |
Am' y-tis |
An-ax-im'e-nes |
|
Am-phis-bae' na |
An' a-ces |
An-ax-ip' o-lis |
|
Am-phis' sa |
An-a-char' sis |
An-ax-ip' pus |
|
Am-phis-se' ne |
A-na'ci-um (10) |
An-ax-ir'ho-e |
|
Am-phis' sus |
A-nac're-on, or |
A-nax' is |
* Amphigenia. — See Iphigenia, and Rule 30, prefixed to this Vocabulary.
t This epithet from the Greek waXvu emergens, signifying rising out of the water, is applied to the picture of Venus rising out of the sea, as originally painted by Apelles. I doubt not that some, who only hear this word without seeing it written, suppose it to mean Anno Domini, the year of our Lord.
|
10 AN AN |
AN |
|
|
A-nax'o |
An' des |
*An-dro-ni' cus (28) |
|
An-ca?' us |
An-doc' i-des |
: An-droph' a-gi (3) |
|
An-ca-li' tes |
An-dom' a-tis |
An-dro-pom' pus |
|
An-ca' ri-us |
An-drae' mon |
; An' dros |
|
An-cha'ri-a (7) |
An-dra-ga'thi-us |
An-dros' the-nes |
|
An-cha' ri-us |
An-drag' a-thus |
An-dro' tri-on |
|
An-chem' o-lus |
An-drag' o-ras |
An-e-lon' tis |
|
An-che-si' tes |
An-dram' y-tes |
i An-e-ras' tus |
|
An-ches' mus |
An-dre' as |
An-e-mo' li-a |
|
An-chi' a-la |
An' drew (Eng.) |
! An-e-mo'sa |
|
An-chi' a-le |
An'dri-clus |
An-fin' o-mus |
|
An-chi' a-lus |
An' dri-on |
An-ge'li-a |
|
An-chi-mo'H-us |
An-dris' cus |
An-ge'li-on |
|
An-chin'o-e |
An-dro' bi-us |
An'ge-lus |
|
An-chi' ses |
An-dro-cle'a |
An gi'tes |
|
An-chis'i-a(ll) |
An'dro-cles |
i An'grus |
|
An-chi-si'a-des An-dro-cli'des |
An-gu-it'i-a(ll)(24) |
|
|
An' cho-e |
An-dro' clus |
A' ni-a (7) |
|
An-chu'rus |
An-dro-c/des |
An-i-ce' tus |
|
An-ci'le |
An-drod'a-mus |
A-nic'i-a (10) |
|
An' con |
An-dro' ge-os |
A-nic' i-um (24) |
|
An-co' na |
An-dro' ge-us |
A-nic'i-us Gal'lus |
|
An'cus Mar'ti-us |
An-drog' y-nae |
An' i-grus |
|
An-c/le |
An-dro rn' a-che |
A' ni-o, and A' ni-en |
|
An-cy' 1 33 |
An-drom-a-chi' dae |
An-i-tor' gis |
|
An' da |
An-drom' a-chus |
A' ni-us |
|
An-dab' a-tae |
An-drom' a-das |
An' na |
|
Ail-da' ni-a |
An-drom' e-da |
An-ni-a'nus |
|
An-de-ca' vi-a |
An' dron #> |
An' ni-bal |
* Andronicus. — This word is uniformly pronounced by our prosodists with the penultimate accent : and yet so averse is an English ear to placing the accent on the penultimate t, that by all English scholars we hear it placed upon the ante- penultimate syllable. That this was the pronunciation of this word in Queen Elizabeth's time, appears plainly from the tragedy of Titus Andronicus, said to be written by Shakspeare; in which we every where find the antepenultimate pronunciation adopted. It may indeed be questioned, whether Shakspeare's learning extended to a knowledge of the quantity of this Gra?co-Latin word ; but, as Mr. Steevens has justly observed, there is a greater number of classical allusions in this play than are scattered over all the rest of the performances on which the seal of Shakspeare is indubitably fixed; and therefore it may be pre- sumed that the author could not be ignorant of the Greek and Latin pronuncia- tion of this word, but followed the received English pronunciation of his time ; and which by all but professed scholars is still continued. — See Stophronicus.
|
AN AN AP 11 |
||
|
An'ni-bi(3)(4) |
An-thro-pi' nus |
An-ti ph'i-lus |
|
An-nic'e-ris (24) An-thro-poph'a-gi |
An' ti-phon |
|
|
An'non An-tbyl'la |
An-tiph' o-nus |
|
|
An-o-pae'a |
An-ti-a-ni ra |
An' ti-phus |
|
An' ser |
An'ti-as (10) |
An-ti-poe' nus (5) |
|
An-si-ba' ri-a |
An-ti-cle' a |
An-tip' o-lis |
|
An-tae'a |
An' ti cles |
An-tis' sa |
|
An-tae'as |
An-ti-cli' des |
An-tis' the-nes |
|
An-tae' us |
An-tic' ra-gus |
An-tis' ti-nus |
|
An-tag' o-ras |
An-tic'ra-tes |
An-tith'e-us |
|
An-tal'ci-das |
An-tic' y-ra |
An'ti-um (10) |
|
An-tan' der |
An-tid'o-tus |
An-tom' e-nes |
|
An-tan' dros |
An-tid'o-mus |
An-to' ni-a |
|
An-ter-bro'gi-us |
An-tig'e-nes |
An-to' ni-i (3) (4) |
|
An-te' i-us |
An-ti-gen' i-das |
An-to-m' na |
|
An-tem' nae |
An-tig'o na |
An-to-ni' nus |
|
An-te' nor |
An-tig' o-ne |
An-to-ni-op' o-lis |
|
An-te-nor'i-des |
An-ti-go' ni-a |
An-to' ni-us, M. |
|
An' te-ros |
An-tig' o-nus |
An-tor'i-des |
|
An-the' a |
An-til' co |
A-nu' bis |
|
An' the-as |
An-ti-lib' a-nus |
An' xi-us |
|
An-the' don |
An-til' o-chus |
An' xur |
|
An-the' la |
An-tim' a-chus |
An'y-ta |
|
An' the-mis |
An-tim' e-nes |
An' y-tus |
|
An' the-mon |
An-ti-noe' i-a (5) |
An-za' be (8) |
|
An' the- in us |
An-ti-nop'o-Hs |
A-ob' ri-ga |
|
An-the-mu'si-a (10) |
An-tin' o-us |
A-ol' li-us |
|
An-the' ne |
An-ti-o' chi-a, or |
A' on |
|
An-ther' mus |
*An-ti-o-chi' a (29) A' o-nes |
|
|
An' thes |
A n' ti-och (Eng.) A-o' ris |
|
|
An-thes-pho' ri-a |
An-ti' o-chis |
A-or' nos |
|
An-thes-te' ri-a |
An-ti' o-chus |
A-o'ti |
|
An' the-us |
An-ti' o-pe (8) A-pa'i-ta? |
|
|
An-thi' a |
An-ti-o' rus ! A-pa' ma (7) |
|
|
An' thi-as |
An-tip'a-ter A-pa' me (8) |
|
|
An' thi-um |
An-ti-pa' tri-a Ap-a-me' a |
|
|
An' thi-us |
An-ti-pat' ri-das Ap-a-mi' a |
|
|
An' tho |
An-tip' a-tris A-par'ni |
|
|
An-tho' res |
An-tiph'a-nes Ap-a-tu'ri-a |
|
|
An-thra'ci-a (10) |
An-tiph' a-tes Ap-e-au' ros |
* Antiuchia.— For words of this termiuatioij|j|ee Iphigtnia, and No. 3() of the Rules prefixed to this Vocabulary.
|
12 AP AP AR |
||
|
A-pe'la |
A-pol-li-na'res |
A-qua' ri-us |
|
A-pel'les |
A^-poMi-na' ris |
Aq-ui-la' ri-a |
|
A-pel' li-con |
Ap-ol-lin'i-des |
Aq-ui-le'i-a |
|
Ap-en-ni' nus |
A-pol' li-nis |
A-quil li-a |
|
A' per |
A-pol' lo |
A-quil' i-us |
|
Ap-e-ro' pi-a |
Ap-ol-loc'ra-tes |
Aq'ui-lo |
|
Ap' e-sus |
A-pol-lo-do' rus |
Aq-ui-lo'ni-a |
|
Aph' a-ca |
Ap-ol-lo' ni-a |
A-quin' i-us |
|
A-phae' a |
Ap-ol-lo' ni-as |
A-qui' num |
|
A7 phar |
Ap-ol-lo-ni' a-des |
Aq-ui-ta'ni-a |
|
Aph-a-re' tus |
Ap-ol-lon-i'des |
A'ra(17) |
|
Aph-a-re' us |
Ap-ol-lo' ni-us |
Ar-a-bar' ches |
|
A'phas (1) |
Ap-ol-loph' a-nes |
A-ra' bi-a |
|
A-phel'las |
A-po-my-i' os |
A-rab' i-cus |
|
Aph' e-sas |
A-po-ni-a' na (7) |
Ar' a-bis |
|
Aph' e-tae |
A-po' ni-us, M. |
Ar'abs |
|
Aph' i-das (4) |
Ap' o-nus |
Ar' a-bus |
|
A-phid'na |
Ap-os-tro'phi-a |
A-rac'ca, or |
|
A-phid' nus |
*A-poth-e-o' sis |
A-rec' ca |
|
Aph-oe-be' tus |
Ap-o-M o-sis |
A-rach' ne |
|
A-phri'ces(l) |
Ap'pi-aVi'a |
Ar-a-cho' si-a |
|
Aph-ro-dis'i-a |
Ap-pi' a-des |
Ar-a-cho' tae |
|
Aph-ro-di' sum (1) |
Ap-pi-a' nus |
Ar-a-cho' ti |
|
Aph-ro-di' te (8) |
Ap' pi-i Fo' rum |
A-rac' thi-as |
|
A-ph/te(8) |
Ap' pi-us |
Ar-a-cil'lum |
|
A' pi-a (1) (4) (7) |
Ap' pu-la |
Ar-a-co' si-i (4) |
|
A-pi-a' nus |
A' pri-es |
Ar-a-cyn' thus (4) |
|
Ap-i-ca' ta |
A' pri-us |
Ar' a-dtis |
|
A-pic'i-us (24) |
Ap-sin' thi-i (4) |
A'r»(17) |
|
A-pid' a-nus |
Ap'si-nus |
A'rar(17) |
|
Ap' i-na |
Ap'te-ra(20) |
Ar' a-rus |
|
A-pi' o-la |
Ap-u-le' i-a |
Ar-a-thyr' e-a |
|
A'pi-on(l) |
Ap-u-le'i-us |
A-ra' tus |
|
A' pis |
A-pu' li-a |
A-rax' es |
|
A -pit' i-us (24) |
Ap-u-sid' a-mus |
Ar-ba'ces, or |
* Apotheosis.— When we are reading Latin or Greek, this word onght to have the accent on the penultimate syllable ; but in pronouncing English we should accent the antepenultimate :
Allots the prince of his celestial line An Apothtms and rites divine.— GARTH.
|
AR AR AR |
||
|
*Ar' ba-ces Ar-ches' tra-tus |
Ar7 chy-tas |
|
|
Ar-be' la Ar-che-ti' mus |
Arc-ti' nus |
|
|
fAr' be-la |
Ar-che'ti-us(lO) |
Arc-toph' y-lax |
|
Ar'bis |
Ar' chi-a |
Arc' tos |
|
Ar-bo-ca'la |
Ar' chi-as |
Arc-to' us |
|
Ar-bus'cu-la |
Ar-cbi-bi' a-des (4) |
Arc-tu'rus |
|
Ar-ca'di-a Ar-chib'i-us |
Ar' da-lus |
|
|
Ar-ca' di-us Ar-cbi-du' mi-a (29) |
Ar-da' ni-a |
|
|
Ar-ca' num ! jAr-cbi-da' mus, or |
Ar-dax-a' nus |
|
|
Ar' cas |
Ar-chid'a-mus |
Ar' de-a |
|
Ar'ce-ua |
Ar'chi-das |
Ar-de-a' tes |
|
Ar' cens Ar-chi-de' mus |
Ar-de-ric' ca |
|
|
Ar-ces-i-la' us : Ar-chi-de' us |
Ar-di-ae'i (4) |
|
|
Ar-ce' si-us (10) | Ar-chid'i-um |
Ar-do'ne-a |
|
|
Ar-chae'a |
Ar-chi-gal' lus |
Ar-du-en'na |
|
Ar-chae' a-nax |
Ar-chig' e-nes |
Ar-du-i'ne |
|
Ar-chae-at' i-das |
Ar-chil' o-cus |
Ar-dy-en' ses |
|
Arch-ag' a-thus |
Ar-chi-me'des |
Ar'dys |
|
Ar-chan' der |
Ar-chi' nus |
A-re' a |
|
Ar-cban' dros |
Ar-chi-pel7 a-gus |
A-re-ac' i-dae |
|
Ar'che (12) |
Ar-chip' o-lis |
A' re-as |
|
Ar-cheg' e-tes (24) |
Ar-chip' pe |
A-reg' o-nis |
|
Ar-che-la' us |
Ar-chip' pus |
Ar-e-la' turn |
|
Ar-chem' a-chus |
Ar-chi' tis |
A-rel'li-us |
|
Ar-chem' o-rus |
Ar' ebon |
Ar-e-mor'i-ca |
|
Ar-chep'o-lis |
Ar-chon' tes |
A' re |
|
Ar-chep-tol'e-mus |
Ar'chy-lus(6) |
A-re' te |
* Arbaces. — Lempriere, Gould man, Gesner, and Littleton, accent this word on the first syllable, but Ainsworth and Holyoke on the second ; and this is so much more agreeable to the English ear, that I should prefer it, though I have, out of respect to authorities, inserted the other, that the reader may choose which he pleases. Labbe has not got this word.
t Arbela, the city of Assyria, where the decisive battle was fought between Alexander and Darius, and the city in Palestine of that name, have the accent on the penultimate ; but Arbela, a town in Sicily, has the accent on the ante- penultimate syllable,
t Archidamus. — Ainsworth, Gouldman, Littleton, and Holyoke, place the ace MU on the antepenultimate syllable of this word, but Lempriere and Labbe on the penultimate. I have followed Lempriere and Labbe, though, in my opinion, wrong : for as every word of this termination has the antepenultimate accent, as Polydamas, Theodamas, &c. 1 know not why this should be different. Though Labbe tells us, that the learned are of hraopinion.
|
14 AR AR AR |
||
|
A-ren' a-cum |
Ar-gil7 lus |
Ar-i-ci7 na |
|
Ar-e-op-a-gi7 tae |
Ar'gi-lus |
Ar-i-dae'us |
|
*Ar-e-op7 a-gus |
Ar-gi-nu7 sae |
A-ri-e7 nis |
|
A-res' tae |
Ar-gi7 o-pe |
Ar-i-gae7 urn |
|
A-res'tha-nas |
Ar-gi-phon' tes |
A-ri7i (4) |
|
A- res-tor' i-des |
Ar-gip'pe-i (3) |
Ar7i-rna |
|
A're-ta |
Ar-gi7 va |
Ar-i-mas7 pi (3) |
|
Ar-e-tae'us |
Ar-gi7 yi (3) |
Ar-i-mas7 pi-as |
|
Ar-e-taph'i-la |
-\Ar'gwes (Eng.) |
Ar-i-mas7 thae |
|
Ar-e-ta7 les |
Ar'gi-us |
Ar-i-ma7 zes |
|
A-re'te |
Ar'go |
Ar7i-mi(3) |
|
A-re7 tes |
Ar-goK i-cus |
A-rim7 i-num |
|
Ar-e-thu'sa |
Ar' go-lis |
A-rim' i-nus |
|
Ar-e-ti'num |
Ar' gon |
Ar-im-phae7i |
|
Ar7 e-tus |
Ar-go-nau' tae |
Ar7i-mus |
|
A' re-us |
Ar-go7 us |
A-ri-o-bar-za7 nes |
|
Ar-gag7 us |
Ar' gus |
A-ri-o-man7des |
|
Ar' ga-lus |
Ar-gyn' nis |
A-ri-o mar7 dus |
|
Ar-gath'o-ua |
Ar'gy-ra |
A-ri-o-me7des |
|
Ar-ga-tho'ni-us |
Ar-gy-ras'pi-des |
A-ri7 on (28) |
|
Ar'ge(9) |
Ar'gy-re |
A-ri-o-vis7 tus (21) |
|
Ar-ge7 a |
Ar-gyr' i-pa |
A7ris |
|
Ar-ge-a7 thae |
A'ri-a |
A-ris7ba |
|
Ar-gen'num |
A-ri-ad'ne |
Ar-is-taEn7e-tus |
|
Ar'ges |
A-ri-as' us |
Ar-is-tse7 uin |
|
Ar-ges7 tra-tus |
A-ri-a'ni, or |
Ar-is-tas7us |
|
Ar-ge7 us |
A-ri-e' ni |
Ar-is- tag7 o-ras |
|
Ar'gi(9)(3) |
A-ri-ari' tas |
Ar-is-tan7 der |
|
Ar-gi'a |
A-ri-am'nes |
Ar-is-tan7 dros |
|
Ar'gi-as |
A-ri-a-ra7 thes |
Ar-is-tai7che |
|
Ar-gi-le7 turn |
Ar-ib-ba37 us (5) |
Ar-is-tar7chus |
|
Ar-gil7 i-us |
A-ric7 i-a (24) ' Ar-is- ta-za7 nes |
* Areopagus. — Labbe tells us, that the penultimate syllable of this word is beyond all controversy short ; — qnidquid nonnnlli in tant& luce etiamniim caecu- tiant. — Some of these blind men are, Gouldman, Holyoke, and Littleton ;- but Lempriere and Ainsworth, the best authorities, agree with Labbe.
f Argives. — I have observed a strong propensity in school-boys to pronounce the g in these words hard, as in the English word give. This is, undoubtedly, because their masters do so ; and they will tell us, that the Greek gamma should always be pronounced hard in words from that language. What, then, must we alter that long catalogue of Words where this letter occurs, as in Genesis, genius, Diogenes, JEgyptus, &c. ? — The question answers itself.
|
AR AR AR 15 |
||
|
A-ris' te-as |
Ar-is-tot' e-les |
Ar-sam-o-sa' ta |
|
A-ris' te-rae |
AiJ is-to-tle (Eng.) |
Ar-sa' nes |
|
A-ris' te-us |
Ar-is-to-ti'mus |
Ar-sa' ni-as |
|
A-ris'the-nes |
Ar-is-tox' e-nus |
Ar-se'na |
|
A-ris' thus |
A-ris'tus |
Ar' ses |
|
Ar-is-ti' bus |
Ar-is-tyl' lus |
Ar' si -a |
|
Ar-is-ti' des |
A' ri-us |
Ar-si-dae' us |
|
Ar-is-tij/ pus |
Ar' me-nes |
Ar-sin'o-e |
|
A-ris' ti-us |
Ar-me'ni-a |
Ar-ta-ba' nus |
|
A-ris' ton |
Ar-men-ta' ri-us |
Ar-ta-ba'zus |
|
Ar-is-to-bu'la |
Ar-mil' la-tus |
Ar'ta-bri (3) |
|
Ar-is-to-bu' lus |
Ar-mi-lus'tri-um |
Ar-ta-bri'tae |
|
Ar-is-to-cle'a |
Ar-min' i-us |
Ar-ta-cae'as |
|
A-ris' to- cles |
Ar-mor' i-cae |
Ar-ta-cae' na |
|
A-ris-to-cli' des |
Ar'ne (8) |
Ar' ta-ce |
|
Ar-is-toc'ra-tes |
Ar'ni (3) |
Ar-ta-ce' ne |
|
Ar-is-to' cre-on |
Ar-no' bi-us |
Ar-ta' ci-a |
|
Ar-is-toc'ri-tus |
Ar'nus |
Ar-tae'i (3) |
|
A-ris-to-de'mus |
Ar' o-a |
Ar-tag'e-ras |
|
Ar-is-tog' e-nes |
Ar' o-ma |
Ar-ta-ger' ses |
|
Ar-is-to-gi' ton |
Ar' pa-ni |
Ar-ta' nes |
|
Ar-is-to-la' us |
Ai'pi (3) |
Ar-ta-pher'nes |
|
Ar-is-tom' a-che |
Ar-pi'nuai |
Ar-ta' tus |
|
Ar-is-tom'a-chus |
Ar-rje'i (3) |
Ar-ta-vas' des |
|
Ar-is-to- me' des |
Ar-rah-bae'us |
Ar-tax' a |
|
Ar-is-tom' e-nes |
Ar'ri-a |
Ar-tax' i-as |
|
A-ris-to-nau' tie |
Ar-ri-a' mis |
Ar-tax' a-ta |
|
Ar-is-to-ni' cus |
Ar'n-us |
Ar-ta-xerx' es |
|
A-ris' to-nus |
A' ri-us |
Ar-tax' i-as |
|
Ar-is-ton' i-cles |
Ar-run'ti-us (10) |
Ar-ta-yc' tes |
|
Ar-is-toiV y-inus |
Ar-sa' bes |
Ar-ta-yn' la |
|
Ar-is-toph'a-nes |
Ar-sa' ces, or |
Ar-ta-yn' tes |
|
A-ris-to-phi-li' des |
*Ar'sa-ces |
Ar-tem-ba'res |
|
A-ris' to-phon |
Ar-sac'i-dae |
Ar-tem-i-do' rus |
|
A-i is' tor |
Ar-sam' e-nes |
fAr' te-mis |
|
Ar-is-tor' i-des |
Ar-sam' e - tes Ar-te-mis' i-a (11) |
* Arsaces. — Gould man, Lempriere, Holyoke, and Labbe, accent this word on the first syllable, and unquestionably not without classical authority ; but Ainsworth, and a still greater authority, general usage, have, in my opinion, determined the accent df this word on the second syllable. f Artemis.-~- The sisters to Apollo tune their voice,
And Artemis to thee whom darts rejoice.
COOKK'S Hesiod. Theog. v. 17.
|
16 AS AS AS |
||
|
Ar-te-mis' mum |
As-ca' ni-us |
As-ple' don |
|
*Ar-te-mi' ta |
As-ci'i (3) |
As-po-re'nus (4> |
|
Ar'te-mon |
As-cle' pi-a |
As'sa |
|
Arth' rni-us |
As-cle-pi' a-des |
As-sa-bi' nus |
|
Ar-te'na |
As-cle-pi-o-do' rus |
As-sar' a-cus |
|
Ar-tim' pa-sa |
As-cle-pi-o-do' tus |
As-se-ri'ni (3) |
|
Ar-to-bar-za' nes |
As-cle' pi-us |
As' so-rus |
|
Ar-toch' rnes |
As-cle-ta' ri-on |
As' sos |
|
Ar-to' na |
As'clus |
As-syr' i-a |
|
Ar-ton' tes |
As-co' li-a |
As'ta |
|
Ar-to' ni-us |
As-co' ni-us La'be-o |
As-ta-cce'ni (5) |
|
Ar-tox' a-res |
As' era |
As'ta-cus |
|
Ar-tu'ri-us |
As' cu-lum |
As' ta-pa |
|
Ar-ty' nes |
As'dru bal |
As' ta-pus |
|
Ar-tyn' i-a |
A-sel'li-o |
As-tar'te (8) |
|
Ar-tys' to-na |
A'sU(10)(ll) |
As' ter |
|
Ar' u-ae |
A-si-at' i-cus |
As-te' ri-a |
|
A-ru'ci |
A-si' las |
As- te' ri-on |
|
Ar-va' les |
As-i-na' ri-a |
As-te' ri-us |
|
A-ru'e-ris |
As-i-na' ri-us |
As-te-ro' di-a |
|
Ar-ver' ni |
As' i-na |
As- ter' o-pe |
|
Ar-vir' a-gus |
As' i-ne |
As-te-ro' pe-a |
|
Ar-vis' i-um |
As' i-nes |
As-ter-o-pae' us |
|
Ar-vi' sus |
A-sin'i-us Gal'lus |
As-ter-u' si-us (11) |
|
A' runs (1) |
A' si-us (11) |
As- tin' o-me |
|
A-run'ti-us (10) |
As-na' us |
As-ti'o-chus |
|
Ar-u-pi' mis |
A-so' phis |
As'to-mi (3) |
|
Arx' a-ta |
A-so' pi-a |
As-trae'a |
|
Ar-y-an' des |
As-o-pi' a-des |
As-trae' us |
|
Ar'y-bas |
A-so' pis |
As'tu |
|
Ar-yp-tae' us |
A-so' pus |
As' tur |
|
A-san' der |
As-pam' i-thres |
As' tu-ra |
|
As-ba-me'a |
As-pa-ra' gi-um |
As'tu-res |
|
As-bes' tae |
As-pa'si-a (11) |
As-ty' a-ge |
|
As' bo-lus |
As-pa-si' rus |
As-ty' a-ges |
|
As-bys' tse |
As- pas' tes |
As-ty' a-lus |
|
As-cal' a-phus |
As-pa-thi' nes |
As-ty' a-nax |
|
As' ca-lon |
As-pin' dus |
As-ty-cra'ti-a (10) |
|
As-ca' ni-a |
As' pis |
As-tyd' a-mas |
* Artemita. — Ainsworth places the accent on the antepenultimate syllable of this word ; but Letnpriere, Gouldman, and Holyoke, more correctly, in niy opinion, on the penultimate.
|
AT AT AU 17 |
||
|
As-ty-da-mi' a (SO) |
Ath-e-nae' us |
At'ta-lus |
|
As' ty-lus |
Ath-e-nag'o-ras |
At-tar'ras |
|
As-tym-e-du' sa |
Ath-e-na'is |
At-te'i-us Cap'i-to |
|
As-tyn'o-me |
A-the' ni-on |
At' tes |
|
As-tyn'o-mi |
A-then'o-cles |
At' this |
|
As-tyn'o-us |
Ath-en-o-do' rus |
At' ti-ca |
|
As-ty'o-che |
A' the-os |
At' ti-cus |
|
As-ty-o-chi7a (30) |
Atl/e-sis |
At-ti-da' tes |
|
As-ty-pa-lae'a |
A'thos (1) |
At'ti-la |
|
As-typh' i-lus |
Ath-rul'la |
At-til' i-us |
|
As-ty' ron |
A-tliym' bra |
At-ti' nas |
|
As'y-chis |
A-ti'a (11) |
At'ti-us Pe-lig'nus |
|
A-sy' las |
A-til'i-a |
At-u-at' i-ci (4) |
|
A-syl'lus |
A-tiKi-us |
A' tu-bi (3) |
|
A-tab'u-lus |
A-til'la |
A-ty'a-dae |
|
At-a-by' ris |
A-ti'na |
A'tys(l) |
|
At-a-by-ri' te (6) |
A-ti' nas |
Av-a-ri' cum |
|
At'a-ce(8) |
A-tin' i-a |
A-vel' la |
|
At-a-lan' la |
At-lan' tes |
Av-en-ti' nus |
|
At-a-ran' tes |
At-lan-ti' a-des |
A-ver'nus, or |
|
A-tar'be-chis(ll) |
At-lan' ti-des |
A-ver' na |
|
A-tar' ga-tis |
At' las |
A-ves' ta |
|
A-tar' ne-a |
A-tos' sa |
Au-fe' i-a a' qua |
|
A' tas, and A' thas |
At' ra-ces |
Au-fi-de'na |
|
A' tax |
At-ra-myt' ti-um |
Au -fid' i-a |
|
A'te(8) |
Al'ra-pes |
Au-fid' i-us |
|
A-tel'la |
A' trax ( 1 ) |
Au'fi-dus |
|
At' e-na |
At-re-ba'tae |
Au'ga, and Au'ge |
|
At-e-no-ma' rus |
*At-re-ba'tes |
Au-ge' a |
|
Ath-a-ma' nes |
A-tre'ni |
Au' ga-rus |
|
Ath' a-mas |
At' re-us |
Au'ge-ae |
|
Ath-a-man-ti' a-des |
A-tri'dae |
Au'gi-as, and |
|
Ath-a-na' si-us (10) |
A-tri' des |
Au' ge-as |
|
Ath' a-nis |
A-tro' ni-us |
Au'gi-lse |
|
A' the-as |
At-ro-pa-te'ne |
Au-gi'nus |
|
A-the'na |
At-ro-pa'ti-a (11) |
Au'gu-res |
|
A-the'na3(8) |
At'ro-pos (1Q) |
Au-gus' ta |
|
Ath-e-nae' a |
At'ta |
Au-gus-la'li-a |
|
Ath-e-nae' um |
At-ta'li-a |
Au-gus-ti'nus |
* Atrebatei. — Ainsworth accents this word on the antepenultimate syllable ; but Lempriere, OouldniaH, Holyoke, and Labbe, on the penultimate ; and this is, in my opinion, the better pronunciation.
c
|
13 AU AU AZ |
||
|
du-gus' tin (Eng.) |
Au-run' ce (8) |
Au-tom' a-te |
|
Au-gus' tu-lus |
Au-run-cu-le'i-us |
Au- torn' e-don |
|
Au-gus' tus |
Aus-chi'sae (12) |
Au-to-me-du' sa |
|
A-vid-i-e' nus |
Aus'ci(3) |
Au-tom'e-nes |
|
A-vid'i-us Gas' si-us |
Au'ser |
Au-tom' o-li |
|
Av-i-e' nus |
Au' se-ris |
Au-ton' o-e |
|
A' vi-um |
Au' ses |
Au-toph-ra-da' tes |
|
Au-les'tes |
Au' son |
Au-xe'si-a (11) |
|
Au-le' tes |
Au-so' ni-a |
Ax' e-nus |
|
Au'lis |
Au-so' ni-us |
Ax-i' o-chus |
|
Au' Ion |
Au' spi-ces |
Ax-i' on (29) |
|
Au-lo'ni-us |
Aus' ter |
Ax-i-o-ni' cus (30) |
|
An' lus |
Aus-te'si-on |
Ax-i-o' te-a |
|
Au' ras |
Au-to-bu'lus, or |
Ax-i-o' the-a |
|
Au-re' li-a |
At-a-bu'lus |
Ax' i-us |
|
Au-re-li-a' nus |
Au-ta-ni'tis |
Ax' ur, and An' xur |
|
Au-re' li-an (Eng.) |
Au-toch' tho-nes |
Ax' us |
|
Au-re' li-us |
Au' to-cles |
A'zan(l) |
|
Au -re' o-l us |
Au-toc'ra-tes |
A-zi' ris |
|
Au-ri'go |
Au-to-cre' ne (8) |
Az' o-nax |
|
Au-rin'i-a |
Au-tol' o-lae |
A-zo'rus (11) |
|
Au-ro'ra |
Au-tol'y-cus |
A-zo' tus |
|
BA BA BA |
||
|
BA-BIL'I-US |
Bac'chkutn Bae'bi-us, M. |
|
|
Bab'i-lus |
Bac' chi-us Bae' tis |
|
|
Bab'y-lon |
Bac' chus |
Ba3' ton |
|
Bab-y-lo' ni-a |
Bac-chyl' i-des |
Ba-gis' ta-me |
|
Bab-y-lo'ni-i(4) |
Ba-ce' nis Ba-gis' ta-nes |
|
|
Ba-byr'sa |
Ba'cis Ba-go'as, and |
|
|
Ba-byt' a-ce |
Bac'tra |
Ba-go'sas |
|
Bac-a-ba'sus |
Bac'tri, and |
Bag-o-da' res |
|
Bac' chae |
Bac-tri-a'ni (4) |
Ba-goph' a-nes |
|
Bac-cha-na' li-a |
Bac-tri-a' na |
Bag'ra-da |
|
Bac-chan' tes |
Bac' tros |
Ba'i-je |
|
Bac'chi (3) |
Bad' a-ca |
Ba'la |
|
Bac-chi'a-das |
Ba'di-a |
Ba-la' cms |
|
Bac' chi-des |
Ba' di-us |
Bal-a-na' gra3 |
|
Bac' chis |
Bad-u-hen' nse |
Ba-Ja' nus |
|
BA BA BE |
||
|
Ba-la'ri |
Ba'ri-um |
Bat' is |
|
Bal-bil'Ius |
Bar' nu-us |
Bat' tus |
|
Bal-bi'nus |
Bar-si' ne, and |
Bat' u-lum |
|
Bal'bus |
Bar-se' ne |
Bat' u-lus |
|
Bal-e-a' res |
Bar-za-en' tes |
Ba-tyl' lus |
|
Ba-Ie'tus |
Bar-za' nes |
Bau' bo |
|
Ba'li-us |
Bas-i-le'a |
Bau' cis |
|
Ba-lis'ta |
Bas-i-li' da? |
Ba' vi-us |
|
Bal-lon'o-ti (3) |
Bas-i-li' des |
Bau'li(3) |
|
Bal-ven'ti-us (10) |
Ba-sil-i-o-pot' a-mos |
Baz-a-en' tes |
|
Bal'y-ras |
Bas'i-lis |
Ba-za' ri-a |
|
Bam-u-ru' se |
Ba-sil'i-us(Sl) |
Be' bi-us |
|
Ban'ti-ae(4) |
Bas' i-lus |
Be-bri' a-cum |
|
Ban'ti-us, L. (10) |
Bas' S3? |
Beb'ry-ce(6) |
|
Baph'y-rus (6) |
Bas-sa' ni-a |
Beb' ry-ces, and |
|
Bap' tae |
Bas-sa' re-us |
Be-bryc'i-i(4) |
|
Ba-rae'i |
Bas' sa-ris |
Be-bryc' i-a |
|
Bar' a-thrum |
Bas' sus Au-fid' i-us |
Bel-e-mi' na |
|
Bar'ba-ri |
Bas-tar'nae, and |
Bel-e-phan'tes |
|
Bar-ba' ri-a |
Bas-ter' nae |
Bel'e-sis |
|
Bar-bos' the-nes |
Bas'ti-a |
Bel'ge |
|
Bar-by th' a-ce |
Ba'ta |
Bel'gi-ca |
|
Bar'ca |
Ba-ta' vi |
Bel'gi-um |
|
Bar-cae'i, or |
Ba'thos |
Bel'gi-us |
|
Bar' ci-tse |
Bath'y-cles |
Bel' i-des, plural. |
|
Bar' cae |
Ba-thyl'lus |
Be-li' des, singular |
|
Bar' cha |
Bat-i-a' tus |
Be-lis'a-ma |
|
Bar-dae'i |
Ba'ti-a(ll) |
Bel-i-sa' ri-us |
|
Bar'di |
Ba-ti' na, and |
Bel-is-ti'da |
|
Bar-dyl'lis |
Ban-ti' na |
Bel'i-tae |
|
Ba-re'a |
Ba'tis |
Bel-ler7 o-phon |
|
Ba' re-as So-ra' nus |
Ba'to |
Bel-le'rus* |
|
Ba' res |
Ba' ton |
Bel-li-e' nus |
|
Bar-gu' si-i (3) |
Bat-ra-cho-my-o- |
Bel-lo'na |
|
Ba-ri' ne |
mach'i-a |
Bel-lo-na'ri-i(4) |
|
Ba-ris' ses |
Bat-ti' a-des |
Bel-lov' a-ci |
* Bellerns. — All our lexicographers unite in giving this word the antepenulti- mate accent : but Milton seems to have sanctioned the penultimate, as much more agreeable to English ears, in his Lycidas:—
Or whether thou, to our moist vows denied, Sleep'st by the fable of Bellems old.
Though C 2
|
20 Bl BL BO |
||
|
Bel-lo-ve'sus |
Bib'Ji-a,aiidBil'n-a |
Blai'sus |
|
Be' Jon |
Bib' lis |
Blan-de-no' na |
|
Be'lus |
Bib-li'na |
Blan-du' si-a |
|
Be-na' cus |
Bib'lus |
Blas-to-pho3-ni' ces |
|
Ben-e-did'i-uin |
Bi-brac' tae |
Blem' my-es |
|
Ben' dis |
Bib' u-lus |
Ble-ni' na |
|
Ben-e-ven' turn |
Bi'ces |
Blit'i-us(lO) |
|
Ben-the-sic'y-me |
Bi'con |
Blu'ci-um (10) |
|
Be-pol-i-ta' nus |
Bi-cor' ni-ger |
Bo-a-dic'e-a |
|
Ber' bi-caj |
Bi-cor' nis |
Bo'ae, and Bo'e-a |
|
Ber-e-cyn' thi-a |
Bi-for' mis |
Bo-a' gi i-us |
|
Ber-e-ni'ce(SO) |
Bi' frons |
Bo-ca' li-as |
|
Ber-e-ni' cis |
Bif bi-iis |
Boc' car |
|
Ber' gi-on |
Bi-ma' ter |
Boc' cho-ri» |
|
Ber-gis' te-ni |
Bin'gi-um |
Boc' chus |
|
Be' ris, and Ba' ris |
Bi'on |
Bo-du' ni |
|
Ber' mi-us |
Bir' rhus |
Bo-du-ag-na' tus |
|
Ber'o-e |
Bi-sal' la* |
Bce-Wia |
|
Be-roe' a |
Bi-sal' tes |
Bce'bi-a |
|
Ber-o-ni'ce(SO) |
Bi-sal' tis |
Bo-e-dro' mi-a |
|
Be-ro' sus |
Bi-san' the |
Boe-o-tar'chae |
|
Ber-rhoe' a |
Bis' ton |
Boe-o' ti-a |
|
Be'sa |
Bis' to-nis |
602-0' tus |
|
Be-sid'i-ae |
Bi' thus |
Boe-or-o-bis' tas |
|
Be-sip' po Bes'si (3). |
Bith'y-a? Bi-thyn' i-a |
Bo-e' thi-us Bo'e-tus |
|
Bes' sus |
Bit'i-as |
Bo' e-us |
|
Bes' ti-a |
Bi'ton |
Bo'ges |
|
Be'tis |
Bi-tu'i-tus |
Bo'gud |
|
Be-tu' ri-a |
Bi-tun' tuui |
Bo' gus |
|
Bi'a |
Bi-tur' i-ges |
Bo'i-i(S) |
|
*Bi-a' nor |
Bi-tuiy i-cum |
Bo-joc' a-lus |
|
Bi'as |
Biz' i-a |
Bo' la |
|
Bi-bac' u-lus |
Bls'oa |
Bol'be |
|
Bib'a-ga |
Bl»'si-i(4) |
Bol-bi-ti'num |
Though it must be acknowledged that Milton has in this word deserted the clas- sical pronunciation, yet his authority is sufficient to make us acquiesce in his accentuation in the above-mentioned passage.
* Bianor. — Lempriere accents this word on the first syllable : but Labbe Ainaworth, Gouldmau, and Holyoke, on the secondhand these agree with Virgil, Eel. ix. Y. 60.
|
BR BR BU 2 |
||
|
Bol' gi-us |
Brau' ron |
Bry' ges |
|
Bo-li'na |
Bren'ni, and |
Bry'gi(3)(5) |
|
Bol-i-nae' us |
Breu' ni |
Bry' se-a |
|
Bo-lis'sus |
Bren' nus |
Bu-ba-ce' ne |
|
Bol-la' nus |
Bren'the |
Bu-ba'ces |
|
Bo'lus |
Bres' ci-a |
Bu' ba-ris |
|
Bom-i-en' ses |
Bret'ti-i(3) |
Bu-bas-ti' a-cus |
|
Bo-mil7 car |
Bri-a' re-us |
Bu' ba-sus |
|
Bom-o-ni' cae (30) |
Bri' as |
Bu' bon |
|
Bo-no' ni-a Bo-no' si-us |
Bri-gan'tes Brig-an-ti' nus |
Bu-ceph' a-la Bu-ceph' a-lus |
|
Bo-no' zhe-us |
Bri' mo |
Bu-col'i-ca |
|
Bo-o-su' ra |
Bri-se' is |
Bu-col' i^cuni |
|
Bo-o' tes |
Bri' ses |
Bu-co' li-on |
|
Bo-o' tus, and |
Bri-se' us |
Bu' co-lus |
|
Boe' o-tus |
Bri-tan' ni |
Bu'di-i (3) |
|
Bo're-a |
Bri-tan' ni-a |
Bu-di' ni (3) |
|
Bo-re' a-des |
Bri-tan' ni-cus (30) |
Bu-do' rum |
|
Bo' re-as |
Brit-o-mar' tis |
Bu' lis |
|
Bo-re-as' mi (3) |
Brit-o-ma' rus |
Bul-la'ti-us(lO) |
|
Bo' re-us |
*Brit'o-nes |
Bu' ne-a |
|
Bor' ges |
Brix-el' lum |
Bu' nus |
|
Bor-go' di |
Brix' i-a |
Bu' po-lus |
|
Bor' nos |
Bri'zo |
Bu' pha-gus |
|
Bor-sip' pa |
Broc-u-be' us |
Bu-pho' ni-a |
|
Bo'rus |
Bro' mi-us |
Bu-pi a' si-um |
|
Bo-rys' the-nes |
Bro' mus |
Bu'ra |
|
Bos' pho-rus |
Bron' tes |
Bu-ra' i-cus |
|
Bot'ti-a |
Bron-ti' nus |
Bur' rhus |
|
Bot-ti-ae'is |
Bro' te-as |
Bur'sa |
|
Bo-vi-a' num |
Bro' the-us |
Bur' si-a |
|
Bo-vil'lse |
Bruc'te-ri (4) |
Bu'sae |
|
Brach-ma' nes |
Bru-ma' li-a |
Bu-si' ris |
|
Brae' si-a |
Brun-du' si-urn |
Bu'ta |
|
Bran-chi' a-des |
Bru-tid' i-us |
Bu' te-o |
|
Bran' chi-da3 |
Bru'ti-i(4) |
Bu' tes |
|
Bran-chyi'li-des |
Bru' tu-lus |
Bu-thro' turn |
|
Bra' si-ae |
Bru' tus |
Bu-thyr' e-us |
|
Bras' i-das |
Bry' as |
Bu' to-a |
|
Bras-i-de'i-a |
Bry-ax' is |
Bu'tos |
|
Brau're |
Bry'ce |
Bu-tor7 i-des |
* Britones. — Labbe tells us, that this word is sometimes pronounced with the penultimate accent, but more frequently with the antepenultimate.
|
22 BY BY BY |
||
|
Bu-tun'tum |
Byb'li-i(4) |
Byz-an-ti' a-cus |
|
Bu' tus |
Byb'lis |
By-zan' ti-um |
|
Bu-zy'ges |
Byl-li' o-nes |
By' zas |
|
Byb-le' si-a, and |
Byr' rhus |
By-ze' nus |
|
By-bas' si-a |
Byr'sa |
Byz' e-res |
|
Byb'li-a |
By-za' ci-um |
Byz' i-a |
|
CM C#l CA |
||
|
CA-AN'THUS |
Cae-cil-i-a' nus |
Cae-so' ni-us |
|
Cab'a-des(20) |
Cae-cil' i-i (4) |
Caet' o-brix |
|
Cab'a-les(20) |
Caec' i-lus |
Ca}t' u-lum |
|
Ca-bal'i-i(4) |
Cae-cil' i-us |
Caa'yx |
|
Cab-al-li' num |
Cae-ci'na Tus'cus |
Ca-ga' co |
|
Cab-a-li' nus |
Caec' u-bum |
Ca-i-ci'nus |
|
Ca-bar' nos |
Caec' u-lus |
Ca-i' cus |
|
Ca-bas' sus |
Ca3-dic'i-us(JO) |
Ca-i-e'ta |
|
Ca-bel'li-o(4) |
Cas' li-a |
Ca' i-us, and Ca' i-a |
|
Ca-bi' ra |
Cffi'li-us |
Ca'i-us |
|
Ca-bi'ri(3) |
Caem' a-ro |
Cal'ab-er, Q. |
|
Ca-bir' i-a |
Cae'ne |
Ca-la' bri-a |
|
Ca-bu'ra(7) |
C'<ef ne-us |
Cal' a-brus |
|
Cab'u-rus(SO) |
Caen'i-des |
Cal-a-gur-rit; a-ni |
|
Ca'ca |
Cas-ni' na |
Cal'a-is |
|
Cach' a-les (20) |
Cae' nis |
Ca-lag' u-tis |
|
Ca'cus |
Cae-not' ro-pae |
Cal' a- mis £20) |
|
Ca-cu' this |
Cae'pi-o |
Cal-a-mi' sa |
|
Ca-cyp' a-ris |
Cae-ra' tus |
Cal' a-mos |
|
Ca'di(3) |
Cae' re, or Cae' res |
Cal'a-mus(20) |
|
Cad-me'a |
Casr'e-si(3) |
Ca-la' nus |
|
Cad-me' is |
Cae' sar |
Cal'a-on |
|
Cad' mus |
Caes-a-re' a |
Cal'a-ris |
|
Ca'dra(7) |
Cae-sa' ri-on |
Cal-a-tha'na |
|
Ca-du'ce-us(lO) |
Cae-se' na |
Ca-la' thi- on |
|
Ca-dur'ci (3) |
Cae-sen' ni-as |
Cal' a-thus |
|
Ca-dus' ci |
Cae-ce'ti-us (10) |
Cal'a-tes(20) |
|
Cad'y-tis |
Cae' si-a (10) |
Ca-la' ti-a |
|
C3e'a(7) |
Cse' si-us (10) |
Ca-la' ti-ae( 10) |
|
C£e'ci-as(10) |
Cae' so |
Ca-la'vi-i(4) |
|
Cs-cil'i-a |
Cse-so' ni-a |
Ca-la' vi-us |
|
CA CA |
|
|
Cal-au-re'a, and |
Cal-lim' a-chus (12) |
|
Cal-au-ri'a |
Cal-lim' e-don |
|
Cal'bis |
Cal-lim' e-des |
|
Cal'ce |
Cal-li'nus |
|
Cal' chas |
Cal-li'o-pe(S) |
|
Cal-che-do' ni-a |
Ca!-Ii-pa-ti'ra(30) |
|
Cal-chin'i-a(12) |
Cal' li-phon |
|
Cal' dus Cae' li-us |
Cal'li-phron |
|
Ca'le |
Cal-lip'i-dae |
|
Cal-e-do' ni-a |
Cal-lip' o-lis |
|
Cu-le' nus |
Cal' li-pus |
|
Ca'les |
Cal-lip' y-ges |
|
Ca-le' si-us (10) |
Cal-lir' ho-e (8) |
|
Ca-le'ta3 |
Cal-lis'te |
|
Cal; e-tor (20) |
Cal-lis-te'i-a |
|
Ca'lex |
Cal-lis' the-nes |
|
Cal-i-ad'ne |
Cal-lis'to |
|
Cal-i-ce' ni |
Cal-lis-to-ni' cus |
|
Ca-lid'i<us, M. |
Cal-lis' tra-tus |
|
Ca-lig' u-la, C. |
Cal-lix'e-na |
|
Cal'i-pus |
Cal-lix' e-nus |
|
Ca'lis |
Ca'Ion |
|
Cal-laes' chrus |
Ca'lor |
|
Cal-la'i-ci(4) |
Cal' pe |
|
Cal' las |
Cal-phur' ni-a |
|
Cal-la-te' bus |
Cal-phur' ni-us |
|
Cal-la-te; ri-a |
Cal-pur' ni-a |
|
Cal-le'ni |
Cal'vi-a |
|
Cal'li-a |
Cal-vi' na |
|
Cal-li'a-des |
Cal-vis'i-us(lO) |
|
Cal'li-as |
Cal-u-sid' i-us |
|
Cal-lib'i-us |
Cal-u'si-um(lO) |
|
Cal-li-ce'rus |
Cal'y-be(8) |
|
Cal-lich' o-rus |
Cal-y-cad'nus |
|
Cal'li-cles |
Cal'y-ce(8) |
|
Cal-li-co-lo' na |
jCa-lyd' i-um |
|
Cal-lic'ra-tes |
Ca-lyd' na |
|
Cal-lic-rat' i-das |
Cal'y-don(6) |
|
Cal-lid'i-us |
Cal-y-do' nis |
|
Cal-lid' ro-mus |
Cal-y-do' ni-us |
|
Cal-li-ge' tus |
Ca-lym' ne |
CA 2
Ca-lyn'da Ca-lyp' so Ca-man'ti-um (10) Cam-a-ri' na Cum-bau'les Cam' bes Cam' bre Cam-bu' ni-i (4) Cam-by' ses Cam-e-la'ni (3) Cam-e-li' tag Cam' e-ra (7) Cam-e-ri'num, and
Ca-me'ri-um Cam-e-ri'nus Ca-mer' ti-um Ca-mer' tes Ca-mil'la Ca-mil'Ji, and
Ca-mil' Ize Ca-mil' Jus Ca-mi'ro Ca-mi'rus, and
Ca-mi'ra Cam-is-sa' res Cam' ma Ca-moe' nae Cam-pa'na Lex Cam-pa' ni-a Cam' pe (8) Cam-pas' pe Camp'sa
Cam' pus Mar' ti-us Cam-u-lo-gi' nus Ca'na Can' a-ce Can'a-che(]2) Can' a-chus Ca'na! Ca-na'ri-i(4) Can' a-thus
|
24 CA CA CA |
||
|
*Can'da-ce |
Ca'pi-o(4) |
Ca' res |
|
Can-da' vi-a |
Cap-is-se' ne |
Car' e-sa |
|
Can-dau' les |
Cap'i-to |
Ca-res' sus |
|
Can-di' o-pe |
Ca-pit-o-li' nus |
Car-fin' i-a |
|
Ca' nens |
Cap-i-to' li-um |
Ca'ri-a |
|
Can-e-pho' ri-a |
Cap-pa-do' ci-a (10) |
Ca'ri-as |
|
Can'e-thum |
Cap' pa-dox |
Ca-ri' a-te |
|
Ca-nic-u-la' res di'es Ca-pra'ri-a |
Ca-ri' na |
|
|
Ca-nid'i-a |
Ca' pre-ae |
Ca-ri' na? |
|
Ca-nid' i-us |
Cap-ri-cor' nus |
Car-i' ne |
|
Ca-nin-e-fa' tes |
Cap-ri-fic-i-a' lis |
Ca-ri' nus |
|
Ca-nin' i-us |
Ca-pri' na |
Ca-ris' sa-num |
|
Ca-nis'ti-us(lO) |
Ca-prip' e-des |
Ca-ris' turn |
|
Ca' ni-us |
Ca' pri-us |
Car- ma' ni-a |
|
Can' nse |
Cap-ro-ti'na |
Car- in a' nor |
|
Ca-nop' i-cum |
Ca' prus |
Car' me |
|
Ca-no' pus |
Cap' sa |
Car-me' lus |
|
Can' ta-bra |
Cap' sa-ge |
Car-men'ta, and |
|
Can' ta-bri (3) |
Cap' u-a |
Car- men' tis |
|
Can-ta' bri-a? (4) |
Ca'pys |
Car-men-ta' les |
|
Can' tha-rus (20) |
Ca' pys Syl' vi-us |
Car-men-ta' lis |
|
Can' thus |
Car-a-bac' tra |
Car7 mi-des (6) (20) |
|
Can'ti-um (10) |
Car'a-bis (20) |
Car'na Car-din' e-a |
|
Can-u-le' ira |
Car-a-cal' la |
Car-na' si-us (10) |
|
Can-u-le' i-us |
Ca-rac' a-tes |
Car-ne' a-des |
|
Ca-nu' li-a |
Ca-rac'ta-cus |
Car-ne' i-a |
|
Ca-nu'si-um (10) |
Ca'rse |
Car' ni-on |
|
Ca-nu' si-us |
Ca-ra/ us |
Car' nus |
|
Ca-nu' ti-us( 10) |
Car' a-lis |
Car-nu' tes |
|
Cap'a-neus, 3 sy\\. |
Car' a- nus (20j |
Car-pa' si-a (11) |
|
Ca-pel' la |
Ca-rau' si-us (10) |
Car-pa' si-um (11) |
|
Ca-pe' na |
Car' bo |
Car' pa- thus |
|
Ca-pe' nas |
Car-che'don(12) |
Car' pi-a (7) |
|
Ca-pe'ni(3) |
Car-ci' nus |
Car' pis |
|
Ca' per |
Car-da' ces |
Car'po |
|
Ca-pe' tus |
Car-dam' y-le |
Car-poph' o-ra |
|
Ca-pha' re-us |
Car' di-a |
Car-poph' o-rus |
|
Caph'v-a? (4) |
Car-du'chi(l2;(3) |
Car'ra?, and Car'rhae |
* Cundace. — L^mpriere, Labbe, and Ainsworih, accent this word on the first syllable, but Gouldman and Holyolte on the last ; and I am much mistaken if the general ear has not sanctioned this latter pronunciation, and given it the preference.
|
CA CA CE 25 |
||
|
Car-ri-na' tes |
Cas-ta' li-a |
Cau' i li-us |
|
Car-ru7 ca |
Cas-ta' li-us fons |
Cau' nus |
|
Car-se' o-li (3) Cas-to'lus |
Cau' ros |
|
|
Car-ta' !i-as Cas-ta' ne-a |
Cau' rus |
|
|
Car-th ae' a Cas-ti-a-ni' ra |
Ca'us |
|
|
Car-tha-gin-i-en'ses Cas' tor and Pol' lux |
Ca-y'ci(3)(6) |
|
|
Car th a' go Cas-tra' ti-us (10) |
Ca-y' cus |
|
|
Car' tttage (Eng). Cas' tu- lo |
Ca-ys' ter |
|
|
Car-tha' sis Cat-a-du' pa |
Ce'a, or Ce'os |
|
|
Car-tei'a, 3 syll. Cut-a-meri'te-les |
Ce'a-des |
|
|
Car-vil' i-us Cat' a-na (£0) |
Ceb-al-li'nus |
|
|
Ca'rus Cat -a-o' ni-a |
Ceb-a-ren' ses |
|
|
Ca'ry-a(6)(7) |
Cat a-rac'ta |
Ce'bes |
|
Car-y-a' tae |
Cat' e-nes |
Ce' bren |
|
Car-y-a' tis |
Ca-thas'a |
Ce-bre' ni-a |
|
Ca-rys' ti-us |
Cath'a-ri(3) |
Ce-bri' o-nes v |
|
Ca-rys' tus |
Ca'ti-a(ll) |
Cec'i-das |
|
Ca' ry-um |
Ca-ti-e'na |
Ce-cil' i-us |
|
Cas' ca |
Ca-ti e'nus |
Cec' i-na |
|
Cas-cel' li-us |
Cat-i-li' na |
Ce-cin'na, A. |
|
Cas-i-li' num |
Cat' i-line (Eng.) |
Ce-cro' pi-a |
|
Ca-si'na Ca-si'num |
Ca-til' li (3) |
Ce-crop' i-da; |
|
Ca' si-us (10) |
Ca-til'lus, or |
Ce' crops |
|
Cas-me' nae |
Cat'i-lus |
Cer-cyph'a-lae |
|
Cas- mil' la |
Ca-ti' na |
Ced-re-a' tis |
|
Cas-pe' ri-a |
Ca' ti-us (10) |
Ce'don |
|
Cas-per' u-la |
Cat'i-zi(S) |
Ce-dru'si-i(3) |
|
Cas-pi-a' na |
Ca'to(l) |
Ceg' lu-sa |
|
Cas'pi-i(4) |
Ca' tre-us |
Ce'i(3) |
|
Cas'pi-um ma' re |
Cat' ta |
Cel'a-don |
|
Cas-san-da' ne |
Cat' ti (3) |
Cel'a-dus |
|
Cas-san' der |
Cat-u-H-a' na |
Ce-lse'nae |
|
Cas-san' dra |
Ca-tul'lus |
Ce-ls'no |
|
Cas-san' dri-a |
Cat' u-lus (20) |
Cel'e-ffi(4) |
|
Cas'si-a (10) |
Cav a-ril'lus |
Ce-le'i-a, and Ce'la |
|
Cas-si' o-pe |
Cav-a-ri' nus |
Cel-e-la'tes |
|
Ca-si-o-pe' a |
Can' ca-sus |
Ce-len'drae |
|
Cas-si-ter' i-des |
Cau' con |
Ce-len'dris, or |
|
Cas-si-ve-lau' nus |
Cau' co-nes |
Ce-le»' de-ris |
|
Cas' si-us, C. (10) |
Cau'di, and |
Ce-le' ne-us |
|
Cas-so' tis |
Cau' di-um |
Ce-len'naCe-la'na |
|
Cai-tab' a-la |
Ca'vi-i(3) |
Ce'ler |
|
Cas'ta-bus |
Cau-lo' ni-a |
Cel; e-res |
26 CE
Cel' e-trum Ce'le-us Cel' mus Cel' o-nae Cel' sus Cel'tas Cel-ti-be'ri Cel'ti-ca Cel' ti-ci Cel-til'lus Cel-to'ri-i(4) Cel-to/ cy-thae Cem' me-nus Cem'psi (3) Ce-nae' urn Cen'chre-aB(12) Cen'chre-is Cen' chre-us Cen' chri-us Ce-nes' po-lis Ce-ne'ti-um(lO) Ce' ne-us Cen-i-mag'ni Ce-ni' na Cen-o-ma' ni Cen-so' res Cen so-ri'nus Cen' sus Cen-ta-re' tus Cen-tau'ri(S) Cen-tau' rus Cen-tob' ri-ca Cen' to-res (20) Cen-tor' i-pa Cen-tri' tes Cen-tro' ni-us Cen-tum' vi-ri (4) Cen-tu' ri-a Cen-tu' ri-pa Ce' os and Ce' a Ceph' a-las Ceph-a-le' di-on Ce-phal' len
CE
Ceph-a-le' na Ceph-al-le' ni-a Ceph'a-lo Ceph-a-loe'dis (5) Ceph' a-lon Ceph-a-lot' o-mi Ceph-a-lu' di-um Ceph'a-lus Ce-phe' us Ce-phe' nes Ce-phis'i-a (10) (20) Ceph-i-si' a-des Ce-phis-i-dc/ rus Ce-phis'i-on(lO) Ce-phis-od' o-tus Ce-phis' sus Ce-phi' sus Ce' phren Ce'pi-o Ce'pi-on Cer'a-ca Ce-rac' a-tes Ce-ram' bus Cer-a-mi' cus Ce-ro' mi-urn Cer'a-mus^O) Ce'ras Cer' a-sus Cei7 a-ta Ce-ra'tus Ce-rau' ni-a Ce-rau' ni-i (4) Ce-rau' n us Ce-rau' si-us (10) Cer-be' ri-on Cer'be-rus Cer' ca-phus Cer-ca-so' rum Cer-ce' is Cer-ce' ne Cer-ces'tes Cer'ci-des Cer' ci-i (4)
CE
Cer' ci-na Cer-cin' na Cer-cin' i-um Cer'ci-us(lO) Cer-co' pes Cer' cops Cer'cy-on(lO) Cer-cy' o-nes Cer-cy'ra, or Cor-cy'ra Cer-dyl' i-um Cer-e-a'li-a Ce'res Ce-res' sus Cer'e-tae Ce-ri-a' lis Ce'ri-i(4) Ce-ril'lum Ce-rin' thus Cer-y-ni' tes Cer-ma'nus Cer' nes Ce'ron
Cer-o-pas' a-des Ce-ros' sus Cer7 phe-res Cer-rhze'i(S) Cer-sob-lep' tes Cer' ti-ma Cer-to' ni-um Cer-va' ri-us Cer'y-ces(6) (20) Ce-ryc' i-us Cer-y-mi' ca Cer-ne'a Ce-ryn'i-tes Ce-sel'li~us Ce-sen' ni-a Ces'ti-us(lO) Ces-tri' na Ces-tri' nus Ce'tes Ce-the'gus
|
CH CH CH 27 |
||
|
Ce' ti-i (4) (10) i Chal' co-don |
Cha'ris |
|
|
Ce'ti-us(lO) j Chal' con |
Cha-ris'i-a |
|
|
Ce'to |
Chal'cus |
Char'i-tes |
|
Ce' us, and Cae' us |
Chal-da'a |
Char' i-ton |
|
Ce'yx |
Chal-d33'i(3) |
Char' mi-das |
|
Cha' bes |
Cha-les' tra |
Char' me, and |
|
Che' a* (1 2) |
Chal-o-ni' tis |
Car' me |
|
Cha-bi' nus |
Chal'y-bes, and |
Char' mi-des |
|
Cha' bri-a |
Cal'y-bes |
Char-mi' nus |
|
Cha' bri-as |
Chal-y-bo-ni' tis |
f Char-mi' o-ne |
|
Chab'ry-is(6) |
Chal'ybs |
Char' mis |
|
Chae-an' i-t33 (4) |
Cha-ma' ni |
Char-mos' y-na |
|
Chae' re-as |
Cham-a-vi' ri (4) |
Char' ino-tas |
|
Chaer-e-de' mus |
Cha'ne |
Char' mus |
|
Chae-re' mon |
Cha' on |
Cha' ron |
|
Chaer' e-phon |
Cha' o-nes |
Cha-ron' das |
|
Chae-res' tra-ta |
Cha-o' ni-a |
Char-o-ne' a |
|
Chae-rin' thus |
Cha-o-ni'tis |
Cha-ro' ni-um |
|
Chae-rip' pus |
Cha' os |
Cha' rops, and |
|
Chse'ro |
Char' a-dra |
Char' o-pes |
|
Chae-ro' ni-a |
Cha-ra' dros |
Cha-ryb' dis |
|
Chae-ro-ne' a, and |
Char' a-drus |
Chau' bi, and |
|
Cher-ro-ne'a |
Cha-rae'a-das |
Chau' ci |
|
Cha-lae'on |
Char-an-dae' i |
Chau' la (7) |
|
Chal-cse' a |
Cha' rax |
Chau' rus |
|
Chal' ce-a |
Cha-rax' es, and |
Che'lae |
|
Chal-ce' don, and |
Cha-rax' us |
Che'les |
|
Chal-ce-do' ni-a |
Cha' res |
Chel-i-do' ni-a |
|
Chal-ci-de' ne |
Char'i-cles |
Chel-i-do' ni-ae |
|
Chal-ci-den' ses |
Char' i-clo |
Che-lid' o-nis |
|
Chal-cid' e- us |
Char-i-cli' des |
Chel'o-ne |
|
Chal-cid' i-ca |
Char-i-de' mus |
Chel' o-nis |
|
Chal-cid' i-cus |
Char'i-la |
Chel-o-noph' a-gi |
|
Chal-ci-oe' us |
Char-i-la' us, and |
Chel-y-do're-a |
|
Chal-ci' o-pe |
Cha-ril'lus |
Chem' mis |
|
Chal-ci' tis (3) |
Cha-ri'ni, and |
Che'na(7) |
|
Chal' cis |
Ca-ri'ni(3) |
Che'naa |
* C/ua. — The ch in this and all words from the Greek and Latin, must be pronounced like k.
f Charmionc.— Dry den, in his tragedy of All for Love, has anglicised this word into Charmion ; — the ch pronounced as in charm,
|
28 CH CH CI |
||
|
Che' ni-on |
Choer' e-ai |
Cliry-so'di-um |
|
Che' ni-us |
Chon' ni-das |
Chry-sop' o-lis |
|
Che' ops, and |
Chon' u-phis |
Chry-sor' rho-ae |
|
Che-os' pes |
Cho-ras' mi (3) * |
Chry-sor' rho-as |
|
Che' phren |
Cho-rin' e-us |
Chrys' os-toin |
|
Cher-e-moc' ra-tes |
Cho-roe' bus |
Chrys-oth'e-mis |
|
Che-ris' o-plius |
Cho-rom-nae' i (3) |
Chryx' us |
|
Cher' o-phon |
Chos' ro-es |
Chtho'ni-a(12) |
|
Cher'si-as(lO) |
Chre' mes |
Chtho' ni-us (12) |
|
Cher-sid' a-mas |
Chrem' e-tes |
Chi' trum |
|
Cher' si-pho |
Chres' i-phon |
Cib-a-ri' tis |
|
Cher-so-ne' sus |
Chres-phon' tes |
Cib'y-ra |
|
Che-rus'ci (3) |
Chres' tus |
Cic' e-ro |
|
Chid-nae'i(3) |
Chro' mi -a |
Cith'y-ris |
|
Chil-i-ar' chus |
Chro' mi-os |
Cic' o-nes |
|
Chil' i-us, and |
Chro' mis |
Ci-cu' ta |
|
Chil'e-us |
Chro' mi-us |
Ci-lic'i-a(lO) |
|
Chi'lo |
Chro' ni-us |
Ci-lis'sa |
|
Chi-lo' nis |
Chro' nos |
Ci'lix |
|
Chi-mae' ra |
Chry' a-sus |
Cil' la |
|
Chim' a-rus |
Chry'sa, and |
CiMes |
|
Chi-me' ri-utn |
Chr/se |
Cil'lus |
|
Chi-om' a-ra |
Chrys' a-me |
Cil' ni-us |
|
Chi' on (1) |
Chry-san' tas |
Ci'lo |
|
Chi'o-ne(8) |
Chry-san'thi-us |
Cim'ber |
|
Chi-on' i-des |
Chry-san' tis |
Cim-be' ri-us |
|
Chi' o-nis |
*Chry-sa' or |
Cim' bri (3) |
|
Chi' os |
Chrys-a-o' re-us |
Cim'bri-cum |
|
Chi' ron |
Chry-sa' o-ris |
Cim' i-nus |
|
Chit' o-ne (8) |
Chry' sas |
Cim-me'ri-i (4) |
|
Chlo'e |
Chry-se' is |
Cim' me-ris |
|
Chlo' re-us |
Chry-sei/ mus |
Cim-me' ri-um |
|
Chlo'ris |
Chry'ses |
Ci-mo'lis, and |
|
Chlo' rus |
Chry-sip'pe |
Ci-no' lis |
|
Cho-a-ri' na |
Chry-sip' pus |
Ci-mo' lus |
|
Cho-as' pes |
Chry' sis |
Ci' mon |
|
Cho'bus |
Chrys -o-as' pi-des |
Ci-nae' thon |
|
Choar' a-des |
Chry-sog' o-nus |
Ci-nar' a-das |
|
Cho3r' i-lus |
Chrys-o-la' us |
Cin' ci-a (10) |
* Chrysaor.— Then started out, when yon began to bleed The great Chrysaor, and the gallant steed.
COOKE'S Hfsiod. Theog.
|
CI CL CL 29 |
||
|
Cin-cin-na' tus, L. Q. |
Cis'si-ae(ll) |
Cle'o-bis |
|
Cin'ci-us(lO) |
Cis' si-des |
Cle-o-bu'la |
|
Cin' e-as |
Cis-sces' sa (5) |
Cle-ob-u-li' na |
|
Ci-ne'si-as(ll) |
Cis'sus |
Cle-o-bu' lus |
|
Cin' e-thon |
Cis-su' sa |
Cle-o-cha' res |
|
Cin'ga |
Cis-tae' ne |
Cle-o-cha'ri-a |
|
Cin-get' o-rix |
Ci-thse' ron |
Cle-o-dae' us |
|
Sin-get' o-rix |
Cith-a-ris' ta |
Cle-od' a-mas |
|
Cin'gu-lum |
Cit'i-um (10) |
Cle-o-de' mus |
|
Cin-i-a' ta |
Ci-vi'lis |
Cle-o-do' ra |
|
Ci-nith'i-i(4) |
Ci'us |
Cle-o-dox' a |
|
Cin'na |
Ciz' y-cum |
Cle-og' e-nes |
|
Ciu' na-don |
Cla' de-us |
Cle-o-la' us |
|
Cin' na-iuus |
Cla'nes |
Cle-om' a-chus |
|
Cin-ni' a-na |
Cla'nis |
Cle-o-man' tes |
|
Cinx' i-a |
Cla'ni-us, or Cla'nis |
Cle-om' bro-tus |
|
Ci' nyps, and |
Cia'rus |
Cle-o-me'des |
|
Cin' y-phus |
Clas-tid' i-um |
^Cle-om' e-nes |
|
Cin' y-ras |
Clau' di-a |
Cle' on |
|
Ci'os |
Clau'di-a |
Cle-o'nae, and |
|
Cip' pus |
Clau-di-a' nus |
Cle'o-na |
|
Cir'ce |
Clau-di-op' o-lis |
Cle-o'ne |
|
Cir-cen'ses lu'di |
Clau' di-us |
Cle-o-ni' ca |
|
Cir'ci-us (10) |
Clav-i-e' nus |
Cle-o-ni' cus (30) |
|
Cir'cus |
Clav'i-ger |
Cle-on' nis |
|
Ci' ris |
Clau' sus |
Cle-on' y-mus |
|
Cir-rae' a-tuni |
CJa-zom'e-nae, and |
Cle-op' a-ter |
|
Cir' rha, and |
Cla-zom' e-iia |
fCle-o-pa'tra |
|
Cyr'rha |
Cle'a-das |
Cle-op' a-tris |
|
Cir' tha, and Cir' ta |
Cle-an' der |
Cle-oph' a-nes |
|
Cis-al-pi' na Gal' li-a |
Cle-an' dri-das |
Cle-o-phan' thus |
|
Cis'pa |
Cle-an' thes |
Cle' o-phes |
|
Cis' sa |
Cle-ar' chus |
Cle-oph' o-lus |
|
Cis' se-is |
Cle-ar' i-des |
Cle' o-phon |
|
Cis-se' us |
Cle' mens |
Cle-o-phy'lus |
|
Cis'si-a(ll) |
Cle'o |
Cle-o-pom' pus |
* Cleomenes. — There is an unaccountable caprice in Dryden's accentuation of this word, in opposition to all prosody ; for through the whole tragedy of this title he places the accent on the penultimate instead of the antepenultimate syllable.
f Cleopatra. — The learned editor of Labbe tells us this word ought to be pronounced with the accent on the antepenultimate, Cle-op' a-tra, though the penultimate accentuation, he says, is the more common.
|
30 CL CO CO |
||
|
Cle-op-tol' e-mus |
Clon'di-cus |
Coc'a-lus |
|
Cle' o-pus |
Clo' ni-a |
Coc-ce' i-us |
|
Cle-o'ra |
Clo' ni-us |
Coc-cyg' i-us |
|
Cle-os' tra-tus |
Clo'tho |
Co'cles,Pub.Horat |
|
Cle-ox' e-nus |
Clu-a-ci' na |
Coc'ti-ae, and |
|
Clep'sy-dra |
Clu-en'ti-us (10) |
Cot' ti-ae |
|
Cle'ri(3) |
Clu' po-a, and |
Co-cy' tus |
|
Cles'i-des |
Clyp'e-a(23) |
Co-dom' a-nus |
|
Cle'ta |
Clu' si-a (11) |
Cod'ri-dffi |
|
Clib' a-nus |
Ciu-si'ni fon'tes |
Co-drop' o-lis |
|
Cli-de' mus |
Clu-si'o-lum |
Co'drus |
|
Clim' e-nus |
Clu'si-um (10) |
Coe-cil' i-us |
|
Cli' nas |
Clu' si-us (10) |
Coe'la |
|
Clin' i-as |
Clu'vi-a |
Coe-lal'e-tae |
|
Cli-nip' pi-des |
Clu'vi-us Ru'fus |
Coel-e-syr' i-a, and |
|
Cli' nus |
Clym'e-ne |
Coe-lo-syr' i-a |
|
Cli'o |
Clym-en-e'i-des |
Coe'li-a |
|
Cli-sith' e-ra |
Clym' e-nus |
Cce-li-ob' ri-ga |
|
Ciis' the-nes |
Cly-son-y-mu' sa |
Coe' li-us |
|
Cli'UB |
Clyt-em-nes' tra |
Cce'lus |
|
Cli-tar'chus |
Clyt'U, or Clyt'i-e |
Coe'nus |
|
Cli' tse |
Clyt'i-us(lO) |
Goer' a-nus |
|
Cli-ter' ni-a |
Cly'tus |
Co'es |
|
Clit-o-de' mus |
*Cna-ca' di-um (30) |
Coe' us |
|
Cli-tom' a-chus |
Cnac' a-lis |
Cog' a-mus |
|
Cli-ton'y-mus |
Cna' gi-a |
Cog-i-du' nus |
|
Clit' o-phon |
Cne'mus |
Co'hi-bus |
|
Cli' tor |
Cne' us, or Cnae' us |
Co'hors |
|
Cli-to'ri-a |
Cni-din' i-um |
Co-lae' nus |
|
Cli-tum'nus |
Cni'dus, or |
Co-lax' a-is |
|
Cli'tus |
Gni' dus |
Co-lax' es |
|
Clo-a-ci' na Cno' pus ( 1 3) |
Col'chi(12)(3) |
|
|
Clo-an' thus Cnos' si-a (11) |
Col'chis, and |
|
|
Clo'di-a Cno'sus |
Col'chos |
|
|
Clo'di-us Co' os, and Cos |
Co-len' da |
|
|
C!CE' li-a Co-a-ma' ni |
Co'li-as |
|
|
Cloe' li-ae (4) Co-as' trae, and |
Col-la' ti-a |
|
|
Cloe' li-us Co-ac' trae |
Col-la-ti'nus |
|
|
Clo'nas |
Cob' a -res |
Col-li'naf |
* Cnacadium. — C before N ,in this and the succeeding words, is mute j and they must be pronounced as if written Nacadium, Nacalis, &c.
f Collina. — Lempriere accents this word on the antepenultimate ; but worth, Gouldman , and Holyoke, more properly on the penultimate?
|
CO CO CO 31 |
||
|
Col-lu' ci-a |
Con-cor' di-a |
Co-po' ni-us |
|
Co'lo |
Con' da-lus |
Cop' ra-tes |
|
Co-lo' nse |
Con' da-te |
Co' pre-us |
|
Co-lo' ne |
Con-do-cha' tes |
Cop' tus and Cop' tos |
|
Co-lo' nos |
Con-dru' si (3) |
Co'ra |
|
Col'o-phon |
Con-dyl' i-a |
Cor-a-ce' si-um, and |
|
Co-los'se, and |
Co'ne(7) |
Cor-a-cen' si-um |
|
Co-los' sis |
Con-e-to-du' nus |
Cor-a-co-na' sus |
|
Co-los' sus |
Con-fu'ci-us (10) |
Co-ral' e-tae |
|
*Col'o-tes |
Con-ge' dus |
Co-ral'li(S) |
|
Col' pe |
Co' ni-i (3) |
Co-rarnus |
|
Co-lum' ba |
Con-i-sal' tus |
Co'ras |
|
Col-u-mel'la |
Co-nis'ci(3) |
Co' rax |
|
Co-lu' thus |
Con-ni' das |
Co-rax' i (3) |
|
Co-\y t' tus |
Co' nen |
Cor' be-us |
|
Com-a -ge' na |
Con-sen' tes |
Cor' bis |
|
Com-a-ge' ni |
Con-sen' ti-a |
Cor' bu-lo |
|
Co-ma' na |
Con-sid'i-us |
Cor-cy' ra |
|
Co-ma' ni-a |
Con-si-1i' num |
Cor'du-ba |
|
Com' a-ri (3) |
Con'stans |
Cor-du-e'ne(S) |
|
Com' a-rus |
Con-stan' ti-a (11) |
Co' re (8) |
|
Co-mas' tus |
Con-stan-ti' na |
Co-res' sus |
|
Com-ba' bus |
Con-stan-ti-nop' o- |
Cor' e-sus |
|
Com' be |
lis |
Cor' e-tas |
|
Com' bi (3) |
Con-stan-ti' nus |
Cor-fin' i-um |
|
Com-bre' a |
Con' stan-tine (Eng.) |
Co'ri-a(7) |
|
Com' bu-tis |
Con-stan' ti-us ( 10) |
Co-rin' e-um |
|
Co- me' tes |
Con' sus |
Co-rin' na |
|
Com' e-tho |
Con-syg' na |
Co-rin' nus |
|
Co-min' i-us |
Con-ta-des'dus |
Co-rin' thus |
|
Co-mit'i-a(lO) |
Con-tu'bi-a(7) |
Co-ri-o-lar nus (23) |
|
Co' mi-us |
Co' on |
Co-ri'o-li, and |
|
Com' mo-dus |
Co' os, Cos, Ce'a |
Co-ri-ol' la |
|
Co' mon |
and Co |
Co-ris' sus |
|
Com-pi-ta' li-a |
Co'pse |
Cor'i-tus |
|
Comp'sa-tus |
Co-phon' tis |
Cor' mus |
|
Com-pu' sa |
Co'phas |
Cor' rna-sa |
|
Co' mus |
Co'pi-a(7) |
Cor-ne' li-a |
|
Con'ca-ni(3) |
Co-pil'lus |
Cor-ne'li-i(4) |
* Colotes. — Ainsworth and Lempriere accent this word on the antepenulti- mate syllable; bin Labbe Gouldman, and Holyoke, more agreeably to the general ear, on the penultimate.
|
32 CO CR CR |
||
|
Cor-nic'u-lum |
Co-sin' gas |
Crat-e-sip' pi-das |
|
Cor-ni-fic/i-us(10) |
Co' sis |
Cra-te' vas |
|
Cor' ni-ger |
Cos' mus |
Cra' te-us |
|
Cor-nu' tus |
Cos'se-a (7) |
Cra' this |
|
Co-roe' bus |
Cos' sus |
Cra- ti' nus |
|
Co-ro' na |
Cos-su' ti-i (4) |
Cra-tip' pus |
|
Cor-o-ne' a |
Cos-to-bce'i (3) |
Crat' y-lus (6) |
|
Co-ro' nis |
Co-sy' ra |
Crau'si ae(ll) |
|
Co-ron' ta |
Co' tes, and Cot' tes |
Crati' sis |
|
Co-re/ nus |
Co'thon |
Cra-ux' i-das |
|
Cor-rha'gi-um |
Co-tho'ne-a(7) |
Crem' e-ra |
|
Cor' si (3) |
Cot' i-so |
Crem' ma |
|
Cor' si-ae |
Cot-to' nis |
Crem' my-on, and |
|
Cor'si-ca(7) |
Cot' ta |
Crom' my-on |
|
Cor'so-te |
Cot' ti-ae Al' pes |
Crem' ni, and |
|
Cor' su-ra (7) |
Cot' tus |
Crem' nos |
|
Cor-to' nae |
Cot-y-aj'um (6) |
Cre-mo'na |
|
Cor-vi' nus |
Co-ty'o-ra |
Crem' i-des |
|
Cor-un-ca' nus |
Cot-y-lae' us |
Cre-mu'ti-us(lO) |
|
Co'rus |
Co-tyl'i-us |
Cre'on |
|
Cor-y-ban'tes (6) |
Co'tys |
Cre-on-ti' a-des |
|
Cor' y-bas |
Co-tyt' to |
Cre-oph'i-lus |
|
Cor-y-bas' sa |
Cra' gus |
Cre-pe' ri-us |
|
Cor' y-bus |
Cram-bu' sa |
Cres |
|
Co-rye' i-a (24) |
Cran'a-i(3) |
Cre'sa, and Cres'sa |
|
Co-rye' i-des |
Cran' a-pes |
Cre' si-us (11) |
|
Co-rye' i-us (10) |
Cran' a-us |
Cres-phon' tes |
|
Cor'y-cus(6) |
Cra' ne |
Cres' si-us (11) |
|
Cor' y-don |
Cra-ne' um |
Cres' ton |
|
Cor' y-la, and |
Cra' ni-i (4) |
Cre' sus |
|
Cor-y-le'um |
Cra' non, and |
Cre'ta |
|
Co-rym'bi-fer |
Cran' non |
Crete (Eng.) (8) |
|
Cor' y-na |
Cran' tor Cre-tae' us |
|
|
Cor-y-ne' ta, and |
Cra-as-sil'i-us (10) |
Cre' te (8) |
|
Cor-y-ne' tes |
Cras' sus |
Cre' te-a (7) |
|
Cor-y-pha' si-urn Cor-y-then' ses |
Cras-ti'nus Crat' a-is |
Cre' tes Cre-te' us |
|
Cor' y-hus |
Cro- tae' us |
Cre' the-is |
|
Co-ry'tus(G) |
Cra' ter |
Cre' the-us |
|
Cos |
Crat't-rus(20) |
Creth'o-na |
|
Co'sa, and Cos'sa, |
Cra' tes |
Cret' i-cus |
|
or Co'sae |
Crat-es-i-cle'a |
Cres' sas |
|
Cos-co' ni-us |
Crat-e-sip'o-lis |
Cre-u'sa(7) |
|
CR CY CY |
||
|
Cre-u' sis |
Cru'sis Cy-a'ne-a3 (4) |
|
|
Cri'a-sus |
Crus-tu-me' ri (4) Cy-an' e-e, and |
|
|
Cri-nip' pus |
Crus-tu-me' ri-a |
Cy-a' ne-a |
|
Cri' nis |
Crus-tu-me' ri-um |
Cy-a' ne-us |
|
Cri-ni'sus and |
Crus-tu-mi' num |
Cy-a-nip' pe |
|
Cri-mi' sus |
Crus-tu' mi-um |
Cy-a-nip' pus |
|
Cri' no |
Crus-tu' nis, and |
Cy-a-rax' es, or |
|
Cri' son |
Crus-tur-ne' ni-us |
Cy-ax' a-res (6) |
|
Cris-pi' na |
Cry' nis |
Cy-be'be |
|
Cris-pi' nus |
Cte' a-tus |
Cyb'e-la, and |
|
Crit' a-la |
Ctem'e-ne(l3) |
C)b-e'la |
|
Crith'e-is |
Cte'nos |
Cyb-e'le |
|
Cri-tho' te |
Cte' si-as |
Cyb'e-lus |
|
Crit'i-as(lO) |
Cte-sib'i-us |
Cyb' i-ra |
|
Cn' to |
Ctes'i-cles |
Cy-ce'si-um (11) |
|
Crit-o-bu'lus |
Cte-sil' o-chus |
Cych' re-us (12) |
|
Crit-og-na' tus |
Ctes'i-phon(13) |
Cyc' la-des |
|
Crit-o-la' us |
Cte-sip' pus |
Cy-clo' pes |
|
Cri' us |
Ctim' e-ne |
Cy' clops (Eng.) |
|
Cro-bi' a-lus |
Cu' la-ro |
Cyc' nus |
|
Crob'y-zi(3) |
Cu' ma and Cu' mas |
Cy'da(6) |
|
Croc'a-le |
Cu-nax'a (7) |
Cyd'i-as |
|
Cro' ce-se |
Cu-pa' vo |
Cy-dip' pe |
|
Croc-o-di-lop' o-lis |
Cu- pen' tus |
Cyd' nus |
|
Cro' cus |
Cu-pi' do |
Cy' don |
|
Croe' sus |
Cu-pi- en' ni-us |
Cy-do'ni-a |
|
Cro-i' tes |
Cu' res |
Cyd' ra-ra |
|
Cro' mi (3) |
Cu-re' tes |
Cyd-ro-la' us |
|
Crom' my- on Cu-re' tis |
Cyg' nus |
|
|
Crom' na Cu' ri-a |
Cyl'a-bus |
|
|
Cro' mus Cu-ri-a' ti-i (4) |
Cyl'i-ces |
|
|
Cro'ni-a(7) Cu'ri-o |
Cy-lin' dus |
|
|
Cron'i-des Cu-ri-o-sol' i-tae |
Cyl-lab' a-rus |
|
|
Cro' ni-um Cu' ri-um |
Cyl' la-rus |
|
|
Cro' phi (3) Cu' ri-us Den-ta' tus |
Cyl'len |
|
|
Cros-sae'a Cur'ti-a (10) |
Cyl-le'ne |
|
|
Crot' a-lus Cur-til' lus |
Cyl-le-ne'i-us |
|
|
Cro' ton ! Cur'ti-us (10) |
Cyl-lyi'i-i (3) (4) |
|
|
Cro-to'na(7) Cu-ru'lis |
Cy' Ion |
|
|
Crot-o-ni' a-tis Cus-sge' i (3) |
Cy' ma, or Cy' mae |
|
|
Cro-to'pi-as Cu-til'i-um |
Cy-mod' o-ce |
|
|
Cro-to' pus Cy-am-o-so' rus |
Cy-mod-o-ce' a |
|
|
Cru'nos Cy'a-ne(6)(8) |
Cy mod -o-ce' as |
|
34 CY CY CY |
||
|
Cy' me, and Cy' ino |
Cyn-os-se' ma Cyr' nus |
|
|
Cym'o-lus, and |
Cyn-o-su' ra |
Cyr-raB'i(S) |
|
Ci-mo'lus |
Cyn' o-sure (Eng.) |
Cyr' rha-dae |
|
* Cym-o-po-li' a |
Cynx thi-a |
Cyr'rhes |
|
Cy-moth' o-e |
Cyn' thi-us |
Cyr' rhus |
|
Cyn' a-ra |
Cyn' thus |
Cyr-ri-a'na(7) |
|
Cyn-a3-gi' rus |
Cyn-u-ren' ses |
Cyr-si' lus |
|
Cy-nae' thi-um |
Cy'nus |
Cy' rus |
|
Cy-na' ne |
Cyp-a-ris' si, and |
Cy^rop7 o-lis |
|
Cy-na' pes |
Cyp-a-ris'si-a(U) Cy' ta |
|
|
Cy-nax'a |
Cyp-a-ris' sus |
Cy-tae'is |
|
Cyn' e-as |
Cyph' a-ra |
Cy-the' ra |
|
Cy-ne'si-i (4), and Cyn' e-tae |
Cyp-ri-a'nus Cy' prus |
f Cy th-e-rae' a, or Cy th-e-re' a |
|
Cyn-e-thus'sa |
Cyp-sel' i-des |
JCyth'e-ris |
|
Cyn'i-a |
Cyp' se-lus |
Cy-the' ri-us |
|
Cyn'i-ci(S) |
Cy-rau' nis |
Cy-the' ron |
|
Cy-nis' ca |
Cy're |
Cy-the' run |
|
Cy'no(6) |
Cy-re-na' i-ca |
Cyth' e-rus |
|
Cyn-o-ceph' a-le |
Cy-re-na' i-ci (3) |
Cyth'nos |
|
Cyn-o-ceph'a-li |
Cy-re'ne(8) |
Cy-tin' e-um |
|
Cyn-o-phon' tis Cy-nor' tas |
Cy-ri' a-des Cy-ril' lus |
Cyt-is-so' rus Cy-to' rus |
|
Cy-nor'ti-on (11) |
Cyr'il (Eng.) |
Cyz-i-ce' ui |
|
Cy'nos |
Cy-ri' nus |
Cyz' i-cuni |
|
Cyn-o-sar'ges |
Cyr'ne |
Cyz' i-cus |
* See Jphigenia, — Neptune, wh« shakes the earth, his daughter gave, Cymopolid) to reward the brave.
COOKE'S Hesiod. Theog. v. 1132,
f Cylhcrca.
-Behold a nymph arise, divinely fair, Whom to Cythera first the surges bear ; And Aphrodite, from the foam, her name, Among the race of gods and men the same; And Cytherea from Cythera came.
COOKE'S Hesiod. Theog. v. 299.
Cytheris.
Mere poetry
Your Roman wits, your Gallus and Tibullus, Have taught you this from Cytheris and Delia.
DRYDEN, All for Love.
DA
DA
DE
|
Da-moc' ri-tus |
|
|
UA'JE Da'hse |
Da' mon |
|
Da'ci, and Da'cae |
Dam-o-phan' tus |
|
Da'ci-a(ll) |
Da-moph'i-la |
|
Dac'ty-li(3)(4) |
Da-moph'i-lus |
|
Dad' i-cae |
Dam' o-phon |
|
Daed'a-!a |
Da-mos'tra-tus |
|
Dae-da' li-on |
Da-mox' e-nua |
|
Died' a-lus |
Da-myr'i-as |
|
Dae' mon |
Da'na(7) |
|
Da'i(4) |
Dan' a-e |
|
Da'i-cles(l) |
Dan'a-i(S) |
|
Da'i-dis |
Da-na'i-des (4) |
|
Da-im'a-chus |
Dan' a-la |
|
Da-im' e-nes |
Dan' a-us |
|
Da'i-phron (1) |
Dan'da-ri, and |
|
Da-i'ra(l) |
Dan-dar'i-da3 |
|
Dal'di-a |
Dan' don |
|
Dal-ma'ti-a(lO) |
Da-nu' bi-us |
|
Dal-ma'ti-us(lO) |
Dan' ube (Eng.) |
|
Dam-a-ge' tus |
Da' o-chus (12) |
|
Dam' a-lis |
Daph' nae |
|
Da' mas (1) |
Daph-nae' us |
|
Dam-a-sce' na |
Daph'ne |
|
Da-mas'ci-us (10) |
Daph-ne-pho' ri-a |
|
Da-mas' cus |
Daph' nis |
|
Dam-a-sip' pus |
Daph' nus |
|
Dam-a-sich' thon |
Dar'a-ba |
|
Dam-a-sis'tra-tus |
Da' raps |
|
Dam-a-sith' y-nus |
Dar'da-ni (3) |
|
Da-mas' tes |
Dar-da' ni-a |
|
Da' mi-a |
Dar-dan' i-des |
|
Da-mi p' pus |
Dar' da-nus |
|
Da' mis |
Dai ' da-ris |
|
Dam'no-rix |
Da' res |
|
Da' mo |
Da-re' tis |
|
Dam' o-cles |
Da-ri' a |
|
Da-moc' ra-tes» Da-ri' a-ve& |
|
|
Da-moc' ri-ta Da-ri' tag |
|
|
D '2 |
Da-ri' us Das' con
Das-cyl-i' tis
Das' cy-lus
Da' se-a
Da'si-us(ll)
Das-sar' e-tre
Das-sa-re' ni
Das-sa-ri' tae
Das-sa-rit'i-i (3) (4)
Dat' a-mes
Dat-a-pher' nes
Da' tis
Da'tos, or Da' ton
Dav'a-ra(7)
Dau'lis
Dau'ni(3)
Dau' ni-a
Dau' nus
Dau'ri-fer, and
Dau' ri-ses De-ceb' a-lus De-ce' le-um Dec'e-lus De-cem' vi-ri (4) De-ce'ti-a (10) De-cid'i-tis Sax'n De-cin' e-us De'ci-us(lO) Oe-cu' ri-o [)ed-i-tam'e-nes [)ej-a-ni'ra 3e-ic' o-on 3e-id-a-mi'a(3Q) 3e-i-le'on )e-il' o-chus (12) )e-im'a-chus )ej' o-ces )e-i' o-chus
|
36 DE DE DI |
||
|
De-i' o-ne |
De-me7 tri-us j De-ru-si-ae7i(3) |
|
|
De-i-o' ne-us |
De7 mo |De-sud7a-ba |
|
|
De-i-o-pe7 i-a |
Dem-o-a-nas7 sa • Deii-ca7 li-on (28) |
|
|
De-jot' a- rus |
Dem-o-ce7des Deu-ce7li-us (10) |
|
|
De-iph7 i-la |
De-moch7 a-res j Deu7 do-rix |
|
|
De-iph' o-be |
Bern7 o-cles Dex-am7 e-ne |
|
|
De-iph' o-bus |
De-moc7 o-on i Dex-am7 e-nus |
|
|
De7 i-phon De-moc7 ra-tes | Dex-ip7 pus |
||
|
De-i-phon7 tes De-moc7 ri-tus Dex-ith'e-a |
||
|
De-ip' y-le (6) (7) De-mod' i-ce (4) (8) Dex7 i-us |
||
|
De-ip7 y-lus De-mod' o-cus i Di7 a ( 1 ) (7) |
||
|
De-ip7 y-rus De-mo7 le-us |
Di-ac-o-pe'na |
|
|
Del7 don |
De-mo7 le-on |
Di-ac-tor7 i-des |
|
De7li-a |
De7 mou |
Di-ae7 us |
|
De-li7a-des |
Dem-o-nas7 sa |
Di-a-du-me-ni-a' |
|
De7 li-uin |
De-mo7 nax |
nus |
|
De7li-us |
Dem-o-ni7ca (1) |
Di7a-gon, and |
|
Del-ma7 ti-us (10) |
Dem-o-ni7 cus |
Di7 a-gum |
|
Del-min7 i-um |
Dem-o-phan7 tus |
Di-ag7 o-ras |
|
De'los |
De-moph7 i-lus |
Di-a'lis |
|
* Del7 phi |
Dem' o-phon |
Di-al7lus |
|
Del7phi-cus |
De-moph7 o-on |
Di-a-mas-ti-go7 sis |
|
Del-phin7 i-a |
De-mop7 o-lis |
Di»a7na(7) |
|
Del-phin7i-um |
De' mos |
Di-an7 a-sa |
|
Del7 phus |
De-mos7 the-nes (18) |
Di-a7si-a(ll) |
|
Del-phy7ne(6) |
De-mos7 tra-tus |
Di-cae7 a |
|
Del'ta |
Dem7y-lus |
Di-cae7 us |
|
Dem7a-des |
De-od7 a-tus |
Di'ce(8) |
|
De-maen'e-tus |
De-o7is |
Dic-e-ar7 chus |
|
De-mag7 o-ras |
Der7 bi-ces |
Di-ce7 ne-us |
|
Dem-a-ra7 ta |
Der7ce |
Dic7o-mas |
|
Dem-a-ra7 tus |
Der-cen7 nus |
Die7 tae |
|
De-mar7 chus |
Dei^ce-to, and |
Dic-tam7 num, and |
|
Dem-a-re7 ta |
Der7 ce-tis |
Dye- tin7 na |
|
Dem-a-ris7te |
Der-cyl7 li-das |
Dic-ta7 tor |
|
De7 me- a |
Der-cyl7 lus |
Dic-tid-i-en7ses |
|
De-me7 tri-a |
Dei7 cy-nus |
Dic-tyn7 na |
|
De-me7 tri-as |
Der-sse7 i (3) |
Die7 tys |
* Delphi. This word-* was, formerly, universally written Delphos; till Mr. Cumberland, a gentleman no less remarkable for his classical erudition than his dramatic abilities, in his Widow qf Delphi, rescued it from the vulgarity in which it had been so long involved.
|
DI DI DO 3 |
||
|
Did' i-us |
Di-og-ne' tus |
Di-plior' i-das |
|
Di'do |
Di-o-me' da |
Di-pce' nae |
|
Did'y-ma |
* Di-o-me' des |
Dip'sas |
|
Did-y-mae' us |
Di-o-me' don |
Di'ra |
|
Did-y-ma' on |
Di'on (3) |
Dir'ce |
|
Did'y-me(6)(8) |
Di-o-nae' a |
Dir-cen' na |
|
Did' y-mum |
Di-o' ne |
Dir' phi-a |
|
Did' y-mus |
Di-o-nys'i-a (11) |
Dis-cor' di-a |
|
Di-en' e-ces |
Di-o-ny-si' a-des |
Dith-y-ram' bus |
|
Di-es' pi-ter |
Di-o-nys' i-as (11) |
Dit'a-ni (3) |
|
Di-gen'ti-a (10) |
Di-o-nys'i-des |
Div-i-ti' a^cus |
|
Dig' ma |
Di-o-nys-i-o-do' rus |
Di'vus Fid' i-us |
|
Di'i(3)(4) |
Di-o-nys' i-on (11) |
Di-yl'lus |
|
Di-mas' sus |
Di-o-ny-sip' o-lis |
Do-be' res |
|
Di-nar'chus (12) |
Di-o-nys' i-us (11) |
Doc'i-lis |
|
Di-nol' o-chus |
Di-oph'a-nes |
Doc'i-mus (24) |
|
Din'i-ae(4) |
Di-o-phan' tus |
Do'cle-a |
|
Din'i-as |
Di-o-pi' tes |
Do-do' na |
|
Din'i-che(12) |
Di-o-pre' nus |
Dod-o-nae' us |
|
Di-noch' a-res |
Di-op' o-lis |
Do-do7 ne |
|
Di-noc' ra-tes |
Di-o' res |
Do-don' i-des |
|
Di-nod' o-chus |
Di-o-ry' tus |
Do'i-i(4) |
|
Di-nom' e-nes |
Di-o-scor' i-des |
Dol-a-bel'Ia |
|
Di' non |
-f-Di-os'co-rus |
Dol-i-cha'on |
|
Di-nos' the-nes |
JDi-o-scu'ri(3) |
Dol'i-che(l)(12) |
|
Di-nos' tra-tus |
Di-os' pa-ge |
Do'li-us |
|
Di-o'cle-a Di' o-cles |
Di-os' po-lis Di-o-ti'me(l)(8) |
Dol-o-ine'na Do' Jon |
|
Di-o-cle-ti-a' nus |
Di-o-ti' mus |
Do-Ion' ci (3) |
|
Di-o-def fr'-aw(Eng.) |
Di-ot' re-phes |
Dol' o-pes |
|
Di-o-do' rus |
Di-ox-ip' pe |
Do-lo' phi-on |
|
Di-o' e-tas |
Di-ox-ip' pus |
Do-lo' pi-a |
|
Di-og' e-nes |
Di-pae' ae |
Do' lops |
|
Di-o-ge' ni-a |
Diph'i-las |
Dom-i-du' cus |
|
Di-og' e-nus |
Diph'i-lus |
Do-min'i-ca |
* Diomedes. — All words ending in f.des have the same accentuation; as Archi- medes, Diomedes, &c. The same may be observed of words ending in ides and odes; as Ipkieles, Damocles, Androcles, &e. — See the Terminational Vocabulary.
t Dioscorus.— An heresiarch of the fifth century.
t Dioscuri. — The name given to Castor and Pollux, from the Greek Ate? and pro Kogo?, the sons of Jove.
|
38 DO DR DY |
||
|
Do-mit'i-a(lO) |
Dos-se' nus |
Dry' mo |
|
Do-mit-i-a' nus |
Dot' a-das |
Dry' mus |
|
Do-mit' i-an (Eng.) |
Do' to |
Dry' o-pe |
|
Dom-i-til'la |
Do' tus |
Dry-o-pe' i--a (5) |
|
Do-mit'i-us (10) |
Dox-an' der |
Dry' o-pes |
|
Do-na' tus |
Dra-ca' nus |
Dry'p-pis, and |
|
Don-i-la' us |
Dra' co |
Dry-op' i-da |
|
Do-nu' ca |
Dra-con' ti-des |
Dry' ops |
|
Do-ny' sa |
Dra' cus |
Dryp' e-tis |
|
Do-rac' te |
Dran' ces |
Du-ce' ti-us (10) |
|
Do' res |
Drari-gi-a'na (7) |
Du-il'li-a ' |
|
Dor'i-ca(4)(7) |
Dra' pes |
Du-il'li-usNe'pos |
|
Dor'i-cus |
Drep'a-na, and |
Du-lich'i-um |
|
Do-ri-en' ses |
Drep'a-num |
Dum' no-rix |
|
Dor'i-las |
Drim' a-chus |
Du' nax |
|
Dor-i-la' us |
Dri-op' i-des |
Du-ra'ti-us (10) |
|
Do' ri-on |
Dri'os |
Du' ri-us |
|
Do'ris |
Dro'i(3) |
Du-ro'ni-a |
|
Do-ris' cus |
Dro-mae' us |
Du-um'vi-ri (4) |
|
Do' ri-um |
Drop' i-ci (4) |
Dy-a-gon' das |
|
Do' ri-us |
Dro' pi-on |
Dy-ar-den' ses |
|
Do-ros' to- rum |
Dru-en' ti-us, and |
Dy'rnaa |
|
Dor-sen' nus |
Dru-en'ti-a(lO) |
Dy-m«'i(3) |
|
Dor' so |
Dru'ge-ri (3) |
Dy' mas |
|
Do' rus |
Dru'i-da3 |
Dym' nus |
|
Do-ry' a-sus (6) |
Dru' ids (Eng.) |
Dy-nam' e-ne |
|
Do-ry' clus |
Dru-sil'la Liv'i-a |
Dyn-sa' te |
|
Dor-y-lae' um, and |
Dru' so |
Dy'ras(6) |
|
Dor-y-lse' us |
Dru' sus |
Dy-ras' pes |
|
Dor' y-las |
Dry' a-des |
Dyr-rach' i-um |
|
Dor-y-la' us |
Dry' ads (Eng.) |
Dy-sau' les |
|
Do-rys' sus |
Dry-an-ti' a-des |
Dys-ci-ne' tus |
|
Dos'ci(3) |
Dry-an' ti-des |
Dy-so' rum |
|
Do-si' a-des |
Dry-mas' a |
Dys-pon' ti-i (4) |
|
EA EB EC |
||
|
E A-NES |
Eb'do-me |
Ec-a-me' da |
|
E-a' nus |
E-bor'a-cum |
Ec-bat'a-na |
|
E-ar' i-nus |
Eb-u -ro' nes |
Ec-e-chir'i-a |
|
E-a' si-um |
Eb' u-sus |
Es-e-kir' i-a |
EL
E-chec'ra-tes
E-kek' ra-tes
Ech-e-da' mi-a (30)
E-chel' a-tus
E-chel' ta
Ech'e-lus
E-chem'bro-tus
E-che' mon
Ech'e-mus
Ech-e-ne' us
Ech'e-phron
E-chep' o-lus
E-ches' tra-tus
E-chev-e-then'ses
E-chid'na
Ech-i-do'rus
E-chin'a-des
E-ehi' non
E-chi'nus
Ech-i-nus'sa
E-chi' on (29)
Ech-i-on' i-des
Ech-i-o' ni-us
Ech'o
E-des'sa, E-de'sa
E-dis'sa
E'don
E-do'ni(3)
E-dyl'i-us
E-e'ti-on (10)
E-gel' i-das
E-ge' ri-a
E-ges-a-re7 lus
Eg-e-si' nus
E-ges' (a
Eg-na'ti-a(lO)
Eg-na'ti-us(lO)
E-jo' ne-us
E-i'on (26)
E-i' o-nes
E-i-o' ne-us
El-a-bon' tas
E-la'a
|
EL EN |
|
|
E-he'us |
E-lis' sa |
|
El-a-ga-ba' lus, or |
El-lo'pi-a |
|
El-a-gab' a-lus |
E-lis' sus |
|
El-a-i'tes |
E-lo' rus |
|
E-la' i-us |
E'los |
|
El-a-phi-ae'a |
El-pe' nor |
|
El' a-phus |
El-pi-ni' ce |
|
El-a-phe-bo' li-a |
El-u-i' na |
|
El-ap-to' ni-us |
El'y-ces |
|
E-la'ra |
El-y-ma' is |
|
El-a-te' a |
El'y-mi (3) |
|
E-la' tus |
EKy-mus |
|
E-la'ver |
Ei'y-rus |
|
E'le-a |
E-lys' i-um |
|
E-le-a'tes |
E-raa' thi-a |
|
E-lec'tra |
E-ma' thi-on |
|
E-lec'trae |
Em' ba-tum |
|
E-lec' tri-cles |
Em-bo -\\f ma |
|
E-lec' try-on |
E-mer'i-ta |
|
E-le'i |
E-mes' sa, and |
|
El-e-le'us |
E-mis' sa |
|
E' le-on |
Em-me'li-us |
|
El-e-on' turn |
E-mo'da |
|
El-e-phan' tis |
E-mo'dus |
|
El-e-phan-topb' a-gi |
Em-ped' o-cles |
|
El-e-phe' nor |
Em-pe-ra'mus |
|
El-e-po' rus |
Em-po'clus |
|
E'le-us |
Em-po' ri-a |
|
E-leu' chi-a |
Em-pu' sa |
|
El-eu-sin'i-a(22) |
En celx a-dus |
|
E-leu' sis |
En-chel/e-a;(12) |
|
E-leu'ther |
En' de-is |
|
E-leu'the-ra |
En-de' ra |
|
El-eu-the' ri-a |
En-dym' i-on |
|
E-leu'tho |
E-ne' ti |
|
E-leu-ther-o-cil'i- |
En-gy' um |
|
ces |
En-i-en' ses |
|
E-lic'i-us(10)(24) |
En-i-o' pe-us |
|
El-i-en'sis, and |
E-nip' e-us |
|
E-li'a-ca |
E-nis'pe(8) |
|
El-i-me' a |
En'na |
|
EMis |
En' ni-a |
|
El-is-pha' si-i (4) En' ni-us |
|
40 EP ER ER |
||
|
En' no-miss |
Ep-i-dam7nus |
Er'a-to |
|
En-nos-i-gae7 us |
Ep-i-daph'ne |
Er-a-tos' the-wes |
|
En' o-pe |
E-pi-dau' ri-a |
Er-a-tos7 tra-tus |
|
E' nops |
Ep-i-dau7 rus |
E-ra' tus |
|
E'nos |
E-pid'i-us |
Er-bes' sus |
|
En-o-sich7 thon |
Ep-i-do7 tae |
Er'e-bus |
|
E-not-o-coe7 tae |
E-pig7e-nes |
E-rech7 the-us |
|
En-tel' la |
E-pig' e-us |
E-rem'ri(3) |
|
En-tel'lus |
E-pig7 o-ni (3) |
E-re7 mus |
|
En-y-a' li-us |
E-pig' o-nus |
Er-e-ne7 a |
|
E-n/o(6) |
E-pi'i, and E-pe7i |
E-res7 sa |
|
E'o-ne |
E-pil7 a-ris |
E-rech7 thi-des |
|
E'os |
Ep-i-mel7 i-des |
E-re7 sus |
|
E-o'us |
E-pim7 e-nes |
E-re7 tri-a |
|
E-pa' gris |
Ep-i-men7 i-des |
E-re7 turn |
|
E-pam-i-non' das |
Ep-i-me' the-us |
Er-eu-tha'li-ou (29) |
|
Ep-an-tel' i-i (4) |
Ep-i-tne'this |
Er7 ga-ne |
|
E-paph-ro-di' tus |
E-pi'o-chus (12) |
Er-gen7 na |
|
Ep7 a-phus |
E-pi'o-ne (8) |
Er7gi-as |
|
Ep-as*nac' tus |
E-piph' a-nes |
Er-gi7 nus |
|
E-peb' o-lus |
Ep-i-pha' ni-us |
Er-gin7 nus |
|
E-pe'i(3) |
E-pi' rus |
Er-i-boe7a |
|
E-pe7 us |
E-pis' tro-phus |
E-rib7 o-tes |
|
Eph7 e-sus |
E-pit7 a-des |
Er-i-ce7 tes |
|
Eph'e-tae |
E' pi-um |
E-rich' tho |
|
Eph-i-al' tes |
Ep7 o-na |
Er-ich-tho7 ni-us |
|
Eph7o-ri(3) E-po'pe-us |
Er-i-cin7 i-um |
|
|
Eph' o-rus |
Ep-o-red' o-rix |
Er-i-cu7 sa |
|
Eph7 y-ra |
Ep7 u-lo |
* E-rid7 a-nus |
|
Ep-i-cas' te |
E-py t' i-des |
E-rig7 o-ne |
|
Ep-i-cer7 i-des |
Ep' y-tus |
E- rig' o-nus |
|
Ep-i-cha' i-des |
E-qua-juj>7 ta |
Er-i-gy' us |
|
E-pich7 a-ris |
E-quic7 o-lus |
E-ril7 lus |
|
Ep-i-char7 mus |
E-quir7 i-a |
E-rin7 des |
|
Ep' i-cles |
E-quo-tu' ti-cum |
E-rin7 na |
|
Ep-i-cli7des |
Er7 a-con |
E-rin7 nys |
|
E-pic7 ra-tes |
E-rae'a |
E-ri' o-pis |
|
Ep-ic-te7 tus |
Er-a-si7nus |
E-riph' a-nis |
|
Ep-i-cu7rus |
Er-a-sip7pus |
E-riph' i-das |
|
E-pic' y-des (24) |
Er a-sis7 tra-tus |
Er-i-phy7le |
* Eridanus. — Alpheus and Eridanus the strong,
That rises deep, and stately rolls along.
COOKE'S Hesiod. Tkeog. v. 520.
|
ES EU EU 4t |
||
|
E'ris |
Et-e-ar' chus |
Eu-bu7 li-des |
|
Er-?i-sich7 thon |
E-te'o-cles |
Eu-bu7 lus |
|
Er'i-thus |
E-te'o-clus |
Eu-ce7 rus |
|
'E-rix7 o |
Et-e-o-cre' tae |
Eu-che7 nor |
|
E-ro7 chus |
E-te' o-nes |
Eu7chi.des |
|
E-ro7 pus, and |
E-te-o'ne-us |
Eu-cli7 des |
|
J£r7 o-pas |
Et-e-o-ni' cus (30) |
Eufclid(Ens.} |
|
E'ros |
E-te'si-se(ll) |
Eu'clus |
|
E-ros7 tra-tus |
E-tbaMi-on (29) |
Eu' cra-te |
|
E-ro'ti-a(lO) |
E-the7 le-um |
Eu7 cra-tes |
|
Er-ru'ca |
Eth' o-da |
Eu7 cri-tus |
|
Er'se |
E-the' mon |
Euc-te7mon |
|
Er' y-mas |
E'ti-as(lO) |
Euc-tre' si-i (4) |
|
Er'xi-as |
E'tis |
Eu-dae7 mon |
|
E-ryb7i-um |
E-tru7 ri-a |
Eu-dam' i-das |
|
Er-y-ci7 na |
Et7 y-lus |
Eu' da-mus |
|
Er-y-man7 this |
E-vad7 ne |
Eu-de7 mus |
|
Er-y-man7 thus |
Ev7 a-ges |
Eu-do7 ci-a |
|
E-rym' na3 |
E-vag7 o-ras |
Eu-doc7 i-mus |
|
E-rym'ne-us |
E-vag7 o-re |
Eu-do' ra |
|
Er'y-mus |
E'van |
Eu-do7 rus |
|
*Er-y-the7a |
E-van7der |
Eu-dox'i-a |
|
Er-y-thi'ni (4) |
E-van'ge-lus |
Eu-dox7 us |
|
Er'y-thra |
Ev-an-gor7 i-des |
E-vel7 thon |
|
Er'y-thra |
E-van' thes |
Eu-e-mer7 i-das |
|
E-ryth7 ri-on |
E-var7 chus |
E-vem' e-ru$ |
|
E-ryth7 ros |
E7vas |
E-ve7 nus |
|
E'ryx |
E'vax |
Ev-e-phe7 nus |
|
E-ryx'o |
Eu7 ba-ges |
Ev'e-res |
|
E-ser'nus |
Eu-ba7 tas |
E-ver7 ge-tae |
|
Es-quil7 i-ae, and |
Eu7bi-us |
E-ver7 ge-tes |
|
Es-qui-li'nus Es-sed' o-nes |
Eu-boe7a (7) Eu-bo7 i-cus |
Eu-ga7 ne-i (3) Eu-ge7 ni-a (20) |
|
Es' su-i (S) |
Eu7 bo-te |
Eu-ge' ni-us |
|
Es'u-la |
Eu7bo-tes |
Eu' ge-on |
|
Es-ti-ai'a (7) |
Eu-bu'le(8) |
Eu-hem'e-rus |
* Erythca. — Clirysaor, Love the guide, Callirbe led,
Daughter of Ocean, to the genial bed. J.
Whence Geryon sprung, fierce with his triple head ; J Whom Hercules laid breathless on the ground In Erythea, which the waves surround.
COOKE'S Hesiod. Theog. v. 523.
|
*2 EU EU EU |
||
|
Eu' hy-drum |
Eu-phan' tus |
Eu-ry-crat' i-das |
|
Eu'hy-us |
Eu-phe'me |
Eu-ryd'a-mas |
|
E-vip'pe(8) |
Eu-phe' mus |
Eu-ryd' a-me |
|
E-vip' pus |
Eu-phor'bus |
Eu-ry-dam' i-das |
|
Eu-lim' e-ne |
Eu-pho' ri-on |
Eu-ryd' i-ce |
|
Eu-ma'chi-us (12) |
Eu-phra'nor |
Eu-ry-ga' ni-a |
|
Eu-mae' us |
Eu-phra'tes |
Eu-ry' le-on |
|
Eu-me' des |
Eu' phron |
Eu-ryl' o-chus |
|
Eu-me' lis |
Eu-phros'y-ne |
Eu-rym' a-chus |
|
Eu-me' Jus |
Eu-plae' a, or |
Eu-rym' e-de |
|
Eu' me-lus (King) |
Eu-ploe' a |
Eu-rym' e-don |
|
*Eu' me-nes |
Eu' po-lis |
Eu-rym' e-nes |
|
Eu-me'ni-a |
Eu-pom' pus |
Eu-ryn' o-me |
|
Eu-men' i-des |
Eu-ri-a-nas' sa |
Eu-ryn' o-mus |
|
Eu-me-nid'i-a Eu-me' ni-us |
Eu- rip' i-des Eu-ri' pus |
Eu-ry' o-ne Eu' ry-pon |
|
Eu-mol' pe |
Eu-ro' mus |
Eu-ry p'y-le |
|
Eu-mol' pi-dae Eu-ro' pa (7) |
Eu-ryp'y-lus |
|
|
Eu-mol' pus Eu-ro-pae'us |
Eu-rys' the-nes |
|
|
Eu-mon' i-des Eu' rops |
Eu-rys-then' i-dae |
|
|
Eu-nae'us Eu'ro-pus |
Eu-rys' the-us |
|
|
Eu-na' pi-ua ! Eu-ro' tas |
Eu' ry-te |
|
|
Eu-no' mi-a Eu-ro' to |
Eu-ryt' e-as |
|
|
Eu' no-tnus |
Eu' rus |
Eu-ryt' e-le |
|
Eu' nus |
Eu-ry'a-1e(8) |
Eu-ryth' e-mis |
|
Eu' ny-mos |
Eu-r/a-lus |
Eu-ryth' i-on, and |
|
Eu' o-ras |
Eu-ryb'a^tes |
Eu-ryt' i-on( 11) |
|
Eu-pa' gi-um |
Eu-ryb'i-a |
Eu' ry-tus |
|
Eu-pal' a-mon |
Eu-ry-bi'a-des |
Eu'ry-tis |
|
Eu-pal' a-mus |
Eu-ryb' i-us |
Eu-se' bi-a |
|
Eu' pa-tor |
Eu-ry-cle' a |
Eu-se' bi-us |
|
Eu-pa-to' ri-a |
Eu' ry-cles |
Eu'se-pus |
|
Eu-pei' thes |
Eu-ry-ch'des |
Eu-sta' thi-us |
|
Eu' pha-es |
Eu-ryc' ra-tes |
Eu-sto'H-a |
* Ewnenes.— It is not a little surprising that so elegant a writer as Hughes should, throughout the whole tragedy of the Siege of Damascus, accent this word on the penultimate syllable ; especially as there is not a single proper name of more than two syllables in ihe Greek or Latin languages of this termi- nation which has the penultimate syllable long. — Lee has done the same in the tragedy of Alexander, which would lead us to suppose there is something na- turally repugnant to an English car in the antepenultimate accentuation of these words, and something agreeable in the penultimate.
|
EU EU EX 43 |
||
|
Eu-sto' li-us |
Eu-thy' mus |
Eu-xan' thi-us |
|
Eu-taj'a (7) |
Eu-trap' e-lus |
Eux' e-nus |
|
Eu-tel' i-das |
Eu-tro' pi-a |
Eu-xi' nus Pon' Mis |
|
Eu-ter' pe |
Eu-tro' pi-us |
Eu-xip' pe |
|
*Eu-tha' li-a |
Eu' ty-ches |
Ex-a' di-us |
|
Eu-tha' li-us Eu-tych' i-de |
Ex-ae'thes |
|
|
Eu-thyc' ra-tes Eu-tych' i-des |
Ex-ag' o-nus |
|
|
Eu-thy-de' mus Eu' ty-phron |
Ex-om' a-tra3 |
|
|
FA FE FL |
||
|
r AB'-A-RIS |
Fa-ven'ti-a (10) |
Fi-bre' nus |
|
Fa'bi-a(7; |
Fa-ve' ri-a |
Fi-cul' ne-a |
|
Fa-bi-a' ni (3) |
Fau'la |
Fi-de'na |
|
Fa'bi-i(4) |
Fau' na |
Fi-de' nas |
|
Fa' bi-us |
Fau-na' li-a |
Fi-den' ti-a |
|
Fab-ra-te' ri-a |
Fau'ni(3) |
Fi'des |
|
Fa-bric' i-us (24) |
Fau' nus |
Fi-dic' u-lae |
|
Fa-bul'la |
Fa' vo |
Fim' bri-a |
|
Fa'dus |
Fau' sta |
Fir' mi-us |
|
Faes' u-lae |
Fau-sti'na (3) |
Fis-cel'lus |
|
Fal-cid' i-a |
Fau' sti-tas |
Fla-cel'li-a |
|
Fa-le'ri-i(4) |
Fau' stu- lus |
Flac'cus |
|
Fal-e-ri' na |
Fau' tus |
Fla-cil'la M'\\-a |
|
Fa-ler' nus |
Feb'ru-a |
Fla-min' i-a |
|
Fa-lis'ciCS) |
Fec-i-a' les |
Fla-min'i-us, or |
|
Fa-lis7 cus |
Fel' gi-nas |
Flam-i-ni' nus |
|
Fa' ma |
Fen-es-tel'la |
Fla'vU-a |
|
Fan' ni-a |
Fe-ra'li-a |
Fla-vi-a' num |
|
Fan/ni-i(4>) |
Fer-en-ta' num and |
Fla-vin' i-a |
|
Fan' ni-us |
Fe-ren' turn |
Fla-vi-ob' ri-ga |
|
Far' fa-rus |
Fe-re' tri-us |
Fla' vi-us |
|
Fas' ce-lis |
Fe-ro'ni-a |
Flo'ra |
|
Fas-eel' li-na |
Fes-cen' ni-a |
Flo-ra'li-a |
|
Fau-cu' i-a |
Fes' tus |
Flo'rus |
* Euthalia. — Labbe observes, that this word does not come from the muse Thalia, as some suppose, but from the masculine Euthaliits, as Eulatia, Eumenia, Eustolia, Eutropia, Emmelia, &c. which are professedly accented on the ante- penultimate.— See Rule 29.
|
44 FR FU FU |
||
|
Flo-ri-a' nus |
Fren-ta'ni (3) |
Ful'vi-a |
|
Flu-o' ni-a |
Frig' i-dus |
Ful'vi-us |
|
Fo'li-a |
Fris' i-i (4) |
Fun-da' nus |
|
Fon-te' i-a (5) |
Fron' ti-nus |
Fun'di(3) |
|
Fon-te' i-us Cap' i-to |
Fron' to |
Fu'ri-a |
|
For' mi-ae |
Fru' si-no |
Fu' ri-ae |
|
For-mi-a'num |
Fu-ci' na |
Fu'ri-i(4) |
|
For' nax |
Fu-ci' nus |
Fu-ri' na |
|
For-tu' na |
Fu-fid'i-us |
Fu-ri' nae |
|
For' u-li |
Fu' fi-us Gem' i-nus |
Fu' ri-us |
|
Fo' rum Ap' pi-i |
Ful-gi-na' tes |
Fur' ni-us |
|
Fran'ci(3) |
Ful-gi' nus |
Fus' cus |
|
Fre-gel'la(7) |
Ful' li-num, and |
Fu/si-a(ll) |
|
Fre-ge' nae |
Ful'gi-num |
Fu' si-us (10) |
|
GA GA GA |
||
|
V3f AB' A-LES |
Gal'a-ta(7) |
Gal-lo-grae' ci- a |
|
Gab' a-za |
Gal'a-tae |
Gal-lo' ni-us |
|
Ga-be'ne, and |
Gal-a-tae'a, and |
Gal'lus |
|
Ga-bi-e' ne |
Gal-a-thae'a |
Ga-max' us |
|
Ga-bi-e' nus |
Ga-la'ti-a (10) |
Ga-me' li-a |
|
Ga'bi-a(4) |
Ga-lax'i-a |
Gan-da-ri' tag |
|
Ga-bi' na |
Gal' ba |
Gan'ga-ma |
|
Ga-bin'i-a |
Ga-le' nus |
Gan-gar'i-dae |
|
Ga-bin-i-a' nus (20) |
Ga-le' o-lae |
Gan' ges |
|
Ga-bin' i-us |
Ga-le' ri-a |
Gan-nas'cus |
|
Ga'des, and |
Ga-le' ri-us |
Gan-y-me' de |
|
Gad'i-ra |
Ga-le' sus |
Gan-y-me' des |
|
Gad-i-ta' nus |
Gal-i-lae'a |
Gan'y-mede (Eng.) |
|
Gae-sa'tae |
Ga-lin-thi-a'di-a |
Ga-rae' i-cum |
|
Gae-tu' li-a |
Gal' li (3) |
Gar-a-man' tes |
|
Ge-tu' li-cus |
Gal' li-a |
Gar-a-man' tis |
|
Ga-la'bri-i(4) |
Gal-li-ca' nus |
Gar'a-mas |
|
Gal-ac-toph' a-gi (3) |
Gal-H-e' nus |
Gar'a-tas |
|
Ga-lae' sus |
Gal-li-na' ri-a |
Ga-re' a-tae |
|
Ga-lan' this |
Gal-lip' o-lis |
Ga-re-ath'y-ra' |
|
GE GL GO 4.5 |
||
|
* Gar-ga' nus |
Ge-or'gi-ca |
Glaph' y-rus |
|
Gar-ga' phi-a |
Geor' gics (Eng.) Glau'ce |
|
|
Gar'ga-ra(7) |
Ge-phy'ra Glau-cip'pe |
|
|
Gar' ga-ris |
Ge-phyr'ae-i(S) |
Glau-cip' pus |
|
Ga-ril' i-us |
Ge-ra' ni-a |
Glau' con |
|
Gar-git' ti-us |
Ge-ran' thrae G lau-con' o-me |
|
|
Gar-i' tes |
Ge-res' ti-cus |
Glau-co'pis |
|
Ga-rum'na |
Ger'gi-thum (9) |
Glau'cus |
|
Gas' iron |
Ger-go' bi-a |
Glau' ti-as |
|
Gath'e-ae (4) |
Ge' ri-on |
Gli' con |
|
Ga-the'a-tas |
Ger-ma'ni-a |
Glis' sas |
|
Gau'lus, Gau'le-on |
Ger-man'i-cus |
Glyc' e-ra |
|
Gau' rus |
Ger-ma' ni-i (4) |
Gly-ce' ri-um |
|
Ga'us, Ga'os |
Ge-ron' thrse |
Gly' con |
|
Ge-ben' na (9) |
Ger7 rhai |
Glym' pes |
|
Ge-dro'si-a(ll) |
Ge'rus, and |
Gna'ti-a (13) (10) |
|
Ge-ga' ni-i (4) |
Ger7 rhus |
Gni'dus |
|
Ge'la |
Ge' ry-on (9), and |
Gnos'si-a(lO) |
|
Ge-la' nor |
Ge-ry' o-nes |
Gnos' sis |
|
Gei'li-a |
Ges'sa-tse |
Gnos' sus |
|
Gel'li-as |
Ges' sus |
Gob-a-nit'i-o (10) |
|
Gel'li-us |
Ge'ta (9) |
Go' bar |
|
Ge'lo, Ge'lon |
Ge'ta |
Gob' a-res |
|
Ge'lo-i(3) |
Ge-tu'li-a |
Gob'ry-as |
|
Ge-lo' nes, Ge-lo' rii |
Gi-gan' tes |
Gol'gi |
|
Ge'los |
Gi-gar' turn |
Gom' phi |
|
Ge-min' i-us |
Gi' gis |
Go-na' tas |
|
Gem' i-nus |
Gil' do |
Go-ni' a-des |
|
Ge-na' bum |
Gil'lo |
Go-nip' pus |
|
Ge-nau' ni |
Gin-da' nes |
Go-noss' sa |
|
Ge-ne' na |
Gin'des |
Go-nus'sa |
|
Ge-ni' sus |
Gin'ge |
Gor-di-a'nus |
|
Ge' ni-us |
Gin-gu'num |
Gor'di-um |
|
Gen' se-ric |
Gip' pi-us |
Gor' di-us |
|
Gen'ti-us(lO) |
Gis' co |
Gor-ga' sus |
|
Gen'u-a |
Gla-di-a-to'ri-i(4) |
Gor'ge(8) |
|
Ge-nu'ci-us(lO) |
Gla' nis |
Gor' gi-as |
|
Ge-nu' sus |
Glaph'y-re, and |
Gor' go |
|
Ge-nu'ti-a(ll) |
Glaph'y-ra Gor'go-nes |
* Gargannt. — And high Garganus, on the Apulian plain, Is mark'd by sailors from the distant main.
WILKIE, Epigonwd.
|
46 GR GR GY |
||
|
Gor-go' ni^a |
Gra' i-us Gy' a-rus, and |
|
|
Gor-go' ni-us |
*Gra-ni' cus, or Gy' a-ros |
|
|
Gor-goph' o-ne |
Gran' i-cus |
Gy'as |
|
Gor-goph' o-ra |
Gra' ni-us Gy-gae' us |
|
|
Gor' gus |
Gra'ti-ae(lO) \ Gy'ge |
|
|
Gor-gyth' i-on |
Gra-ti-a'nus (21) |
Gy'ges(9), or |
|
Goi/ tu-ae |
Gra-tid' i-a |
Gy'es |
|
Goi7 tyn |
Gra'ti-on(ll) |
Gy-lip' pus |
|
Gor-ty' na |
Gra'ti-us(lO) |
Gym-na'si-a (11) |
|
Gor-tyn' i-a |
Gra'vi-i(4) |
Gym-na' si-um (11) |
|
Gor'tys |
Gra-vis'cae |
Gyrn-ne' si-ae (U) |
|
Got'thi(S) |
Gra' vi-us |
Gym' ne-tes |
|
Grac'chus (12) |
Gre-go'ri-us |
Gym-nos-o-phis' tae |
|
Gra-di' vus |
Grin'nes |
Jim-nos' o-phists |
|
Grse'ci(3) |
Gro' phus |
(Kng-) (9) |
|
Grse'ci-a(ll) |
Gryl'lus |
Gy-na:' ce-as |
|
Grae'ci-a Mag'na |
Gry-ne' urn Gyn-ae-co-thoe' nas |
|
|
Grae-ci' nus |
Gry-ne' us : Gyn' des |
|
|
Grae' cus |
Gry-ni' um Gy-the' um |
|
|
HA HA HA |
||
|
HA' BIS |
Ha-le' sus |
Ha-lim'e-de |
|
Ha-dri-a-nop' o-lis |
Hal'a-la |
Hal-ir-rho'ti-us(10 |
|
Ha-dri-a' nus (23) |
Hal-cy'o-ne (8) |
Hal-i-ther'sus |
|
Ha-dri-at' i-cum |
Ha'les |
Ha'Ji-us (20) |
|
Has' mon |
Ha-le' si-us (11) |
Hal-i-zo'nes (21) |
|
Hae-mo' ni-a |
Ha'li-a |
Hal' mus |
|
Hae' mus |
Ha-li-ac'mon(21) |
Hal-my-des' sus |
|
Ha'ges |
Ha-li-ar'tus(21) |
Ha-loc' ra-tes |
|
Hag' no |
Hal-i-car-nas' sus |
Ha-lo'ne |
|
Hag-nag' o-ra |
Ha-lic/y-2e(11)(24) |
Hal-on-ne' sus |
|
Ha-lae' sus, and |
Ha-li'e-is |
Ha-lo'ti-a(lO) |
* Granicus. — As Alexander's passing the river Granicus is a common subject of history, poetry, and painting, it is not wonderful that the common ear should have given into a pronunciation of this word more agreeable to English analogy than the true classical accent on the penultimate syllable, The accent on the first syllable is now so fixed, as to make the other pronunciation savour of pe- dantry. See Andronicus.
|
HE HE HE 47 |
||
|
Ha-lc/tus |
He' brus |
Hel-i-ca' on |
|
Ha'lus |
Hec'a-le |
Hel'i-ce |
|
Hal-y-ae' tus |
Hec-a-le' si-a |
Hel' i-con |
|
Hal-y-at' tes |
Hec-a-me' de |
Hel-i-co-ni' a-des |
|
Ha'lys |
Hec-a-tae' us |
Hel-i-co' nis |
|
Ha-ly/i-aOl) |
Hec'a-te (8), or |
He-li-o-do' rus (21) |
|
Ham-a-dry' a-des |
Hec' ate (Eng.) |
fHe-li-o-ga-ba' lus |
|
Ha-max' i-a |
Hec-a-te'si-a (li) |
He-li-op'o-lis |
|
Ha- mil' car |
Hec-a-tom-bo'i-a |
He-lis' son |
|
Ham' mon |
Hec-a-tom-pho' ni-a |
He' li-us |
|
Han' ni-bal |
Hec-a-tom' po-lis |
He-lix' us |
|
Har' ca-lo |
Hec-a-tom' py-los |
HeUan'i-ce |
|
Har-ma-te' Ji-a |
Hec' tor |
Hel-lan'i-cus |
|
Har7 ma-tris |
Hec' u-ba |
Hel-la-noc' ra-tes |
|
Ha-mil' lus |
Hed' i-la |
Hel' las |
|
Har-mc/ di-us |
He-don' a-cum |
Hel'le(8) |
|
Har-ma'ni-a |
Hed'u-i(S) |
Hel'len |
|
Har-mon' i-des |
He-dym' e-les |
Hel-le' nes |
|
Har'pa-gus |
He-gel' o-chus |
Hel-le-spon' tus |
|
Har-pal'i-ce |
*He-ge' mon |
Hel-lo' pi-a |
|
Har-pa' li-on |
Heg-e-si' nus |
Hel-lo'ti-a(lO) |
|
Har'pa-lus |
Heg-e-si' a-nax |
He-lo'ris |
|
Har-pal'y-ce(8) |
He-ge' si-as |
He-lo' rum, and |
|
Har-pal' y-cus |
Heg-e-sil' o-chus |
He-lo' rus |
|
Har' pa-sa |
Heg-e-sin' o-us |
He'los |
|
Har' pa-sus |
Heg-e-sip'pus |
He-lo' tae, and |
|
Har-poc' ra-tes |
Heg-e-sip' y-le |
He-lo' tes |
|
Har-py' i-ae (4) |
Heg-e-sis' tra-tus |
Hel-ve'ti-a (10) |
|
Har' pies (Eng.) |
Heg-e-tor' i-des |
Hel-ve' ti-i (4) |
|
Ha-ru'spex |
Hel'e-na(7) |
Hel'vi-a |
|
Has'dru-bal |
He-le' ni-a |
Hel'vi-i(4) |
|
Ha-te' ri-us |
He-le' nor |
Hel-vi'na |
|
Hau' sta-nes |
Hel' e-nus |
Hel' vi-us Cin'na |
|
Heb'do-le |
He-ler'ni Lu'cus |
He'lum |
|
He' be (8) |
He-li' a-des |
Hel' y-mus |
|
He-be' sus |
He-li-as' tae |
He-rna' thi-on |
* #fg-<?mon.— Gouldman and Holyoke accent this word on the antepenulti- mate syllable, but Labbe and Lempriere more classically on the penultimate.
Helwgabalus. — This word is accented on the penultimate syllable by Labbe and Lempriere; but in my opinion more agreeably to the general ear by Ains- worth, Gouldman, and Holyoke, on the antepenultimate.
|
48 HE HE HI |
||
|
He-mith' e-a |
Her' i-lus He-roph' i-lus |
|
|
He' mon |
Her' ma-chus |
He-ros' tra-tus |
|
He' mus |
Her' m& |
Her' pa |
|
Hen'e-ti (3) |
Her-mae' a |
Her'se |
|
Heni'o-chi (3) |
Her-mae' um |
Her-sil'i-a |
|
He-phaes' ti-a |
Her-mag' o-ras |
Her'tha, and |
|
He-phajs' ti-i (4) |
H er-man-du' ri |
Her'ta |
|
He-phaes' ti-o |
Her-man' ni |
Her'u-li |
|
He-phaes' ti-on (11) |
Her-maph-ro-di' tus |
He-sae' nus |
|
Hep-ta-pho' nos |
Her-ma-the' na |
He-si' o-dus |
|
Hep-tap' o-lis |
Her-me' as |
He? zhe-od(En«.)(i(>) |
|
Hep-tap' y-los He'ra(7) |
Her-me' i-as Her'mes |
He-si' o-ne Hes-pe' ri-a |
|
Her-a-cle' a |
Her-me-si' a-nax |
Hes-per' i-des |
|
Her-a-cle' i-a |
Her-mi'as |
Hes' pe-ris |
|
He-rac' le-um |
Her-min' i-us |
Hes-per' i-tis |
|
He-rac-le-o' tes |
Her-mi' o-ne |
Hes' pe-rus |
|
Her-a-cli' dae |
Her-mi' o-ni-ae |
Hes' ti-a |
|
Her-a-cli' dis |
Her-mi-on' i-cus Si' |
Hes-ti-se'a(7) |
|
Her-a-cli' des |
nus |
He' sus |
|
*Her-a-cli' tus |
Her-mip' pus |
He-sych' i-a |
|
He-rac' li-us |
Her-moc' ra-tes |
He-sych' i-us |
|
He-ra'a |
Her-mo-do' rus |
He-trie' u-lum |
|
He-rae' um |
Her-mog' e-nes |
He-tru'ri-a |
|
Her-bes' sus |
Her-mo-la' us |
Heu-rip' pa |
|
Her-ce' i-us |
Her-mo-ti'mus |
Hex-ap' y-lum |
|
Her-cu-la' ne-um |
Her-mun-du' ri |
Hi-ber'ni-a, and |
|
Her'cu-les |
Her' mus |
Hy-ber' ni-a |
|
Her-cu' le-um |
Her' ni-ci (4) |
Hi-bril' des |
|
Her-cu' le-us |
He'ro |
Hic-e-ta'on (24) |
|
Her-cy' na |
He-ro'des |
His-e^taf on |
|
Her-cyn' i-a |
He-ro-di-a'nus (21) |
Hi-ce'tas |
|
Her-do' ni-a |
He-rod' i-cus |
Hi-emp' sal |
|
Her-do'ni-us |
He-rod' o-tus |
Hi'e-ra |
|
He-ren' ni-us Se-ne' |
Her' o-es |
Hi-e-rap' o-lis |
|
ci-o |
He-ro' is |
Hi' e-rax |
|
He' re-us |
He'ron |
Hi'e-ro |
|
He-ril' lus |
He-roph' i-la |
Hi-e-ro-ce' pi-a |
* Heraclitus. — This name of the weeping philosopher is so frequently con- trasted with that of Democritus, the laughing philosopher, that we are apt to pronounce both with the same accent ; but all our prosodists are uniform in giving the antepenultimate accent to the latter, and the penultimate to the f«i mer word.
|
HI HI HO 4C |
||
|
Hi-er'o-cles |
Hip-pob' o-tes |
Hip-pos' tra-tus ' |
|
Hi-e-ro-du' lum |
Hip-pob' o-tus |
Hip-pot' a-des |
|
Hi-er-om' ne-mon |
Hip-po-cen-tau' ri |
Hip' po-tas, or |
|
Hi-e-ro-ne'sos |
Hip-poo' o-on |
Hip'po-tes |
|
Hi-e-ron' i-ca (30) |
Hip-po-cor-ys' tes |
Hip-poth'o-e |
|
Hi-er-on'i-cus |
Hip-poc'ra-tes |
Hip-podi'o-on |
|
Hi-e-rori' y-mus Hip-po-cra' ti-a (11) Hip-poth-o-on' tis |
||
|
Hi-e-roph'i-lus *Hip-po-cre'ne (7) Hip-poth'o-us |
||
|
Hi-e-ro-bol' y-ma Hip-pod' a-mas |
Hip-po'ti-on (11) |
|
|
Hig-na' ti-a Vi' a Hip-pod' a-me Hip-pu'ris |
||
|
Hi-la' ri-a Hip-po-da-mi'a (30) Hip' pus |
||
|
Hi-la' ri-us Hip-pod' a-mus |
Hip' si-des |
|
|
Hi-mel'la 1 Hip-pod' i-ce |
Hi'ra |
|
|
Him'e-ra Hip-pod'ro-mus |
Hir-pi' ni (4) |
|
|
Hi-mil' co Hip'po-la |
Hir-pi'nus, Q. |
|
|
Hip-pag' o-ras Hip-pol'o-chus |
Hir'ti-a(lO) |
|
|
Hip-pal' ci-mus Hip-pol'y-te (8) |
Hir'ti-us An' Ins |
|
|
Hip'pa-lus Hip-pol'y-lus |
Hir'tus |
|
|
Hip- par' chi-a ( 1 2) Hip-pom' a-chus |
His' bon |
|
|
Hip-par'chus Hip-porn' e-don |
His-pa' ni-a |
|
|
Hip-pa-ri' mis i Hip-pom' e-ne |
His-pel'lum |
|
|
Hip-pa' ri-on Hip-pom' e-nes |
His'po |
|
|
Hip' pa-sus |
Hip-po-mol'gi |
His-pul' la |
|
Hip'pe-tis |
Hip'pon,andHip'po |
His-tas'pes |
|
Hip' pi (3) Hip-po'na |
His'ter Pa-cu'vi-us |
|
|
Hip'pi-a |
Hip'po-nax |
His-ti-ae'a |
|
Hip' pi-as |
Hip-po-ni' a-tes |
His-ti-ab'o-tis |
|
Hip' pis |
Hip-po' ni-um |
His-ii-ae'us |
|
Hip' pi-us |
Hip-pon'o-us |
His' tri-a |
|
Hip' po |
Hip-pop'o-des |
Ho'di-us |
* Hippocrene. — Nothing can be better established than the pronunciation of this word in four syllables, according to its original; and yet such is the licence of English poets, that they not unfrequently contract it to three. Thus COOKF, Hesiod. Theog. v. 9.
And now to Hippocrene resort the fair ;
Or, Olmius, to thy sacred spring repair.
And a late translator of the Satires of Persius :
Never did I so much as sip, Or wet 'with Hippocrene a lip.
This contraction is inexcusable, as it tends to embarrass pronunciation, and lower the language of poetry.
E
|
50 HY HY HY |
||
|
Hoi' o-cron |
Hyb' re-as |
Hy-pa' tes |
|
Ho-me' rus |
Hy-bri' a-nes |
Hyp' a-tha |
|
Ho'mer(Eng.) |
Hyc' ca-ra |
Hy-pe' nor |
|
Horn' o-le |
Hy'da, andHy'de |
Hy-pe-ra'on |
|
Ho-mo' le-a |
Hyd'a-ra |
Hy-per7 bi-us |
|
Hom-o-lip' pus |
Hy-dar' nes |
Hyp-er«bo' re-i |
|
Hom-o-lo' i-des |
Hy-das' pes |
Hy-pe're-a, and |
|
Ho-mon-a-den' ses |
Hy' dra |
Hy-pe' ri-a |
|
Ho-no'ri-us |
Hy-dra' mi-a (30) |
Hyp-e-re'si-a(l 1) |
|
Ho'ra |
Hy-dra-o' tes |
Hy-per' i-des |
|
Ho-rac'i-tse (24) |
Hy-droch' o-us |
Hy-pe' ri-on (29) |
|
Ho'r* |
Hy-dro-pho' ri-a |
Hyp-erm-nes' tra |
|
Hor-a-pol'lo |
Hy'drus |
Hy-per'o-chus |
|
Ho-ra' ti-us |
Hy-dru' sa |
Hy-per-och' i-des |
|
Hor' ace (Eng.) |
Hy' e-la |
Hy-phae' us |
|
Hor'ci-as(lO) |
Hy-emp'sal |
Hyp' sa |
|
Hor-mis' das |
Hy-et' tus |
Hyp-se' a |
|
Ho-ra' tus |
Hy-ge' i-a |
Hyp-se' nor |
|
Hor-ten'si-a(lO) |
Hy-gi-a' na |
Hyp-se' us |
|
Hor-ti' num |
Hy-gi' nus |
Hyp-si- era- te' a |
|
Hor- ten' si-us (10) |
H/la, and Hy' las |
Hyp-sic' ra-tes |
|
Hor-to' na Ho' rus |
Hy-lac' i-des Hy-lac' tor |
Hyp-syp' y-le Hyr-ca' ni-a |
|
Hos-til'i-a |
Hy'he |
Hyr-ca'num ma' re |
|
Hos-til'i-us |
Hy-la'us |
Hyr-ca' nus |
|
Hun-ne-ri' cus |
Hy' las |
Hyr'i-a |
|
Hun-ni' a-des |
Hy'lax |
Hy-ri' e-us, and |
|
Hy-a-cin' thi-a |
Hyl'i-as |
Hyr'e-us |
|
Hy-a-cin' thus |
Hyl-la' i-cus |
Hyr-mi' na |
|
Hy' a-des |
Hyl'lus |
Hyr' ne-to, and |
|
Hy-ag' nis |
Hy-lon' o-me |
Hyr7 ne-tho |
|
Hy'a-la |
Hy-loph'a-gi(S) |
Hyr-nith' i-um |
|
Hy-ara' po-lis |
Hym-e-nae' us, and |
Hyr' ta-cus |
|
Hy-an' thes |
Hy' men |
Hys'i-a(ll) |
|
Hy-an' tis |
Hy-met' tus |
Hys' pa |
|
Hy-ar'bi-ta |
Hy-pae' pa |
Hys'sus, and |
|
Hy'as |
Hy-p2e'si-a(ll) |
Hys' si (3) |
|
Hy'bla |
Hyp' a-nis |
Hys-tas' pes |
|
*Hy-bre'as, or |
Hyp-a-ri' nus |
Hys-ti-e' us |
* Hybreas. — Lempriere accents this word on the penultimate syllable ; but Labbe, Gouldman, and Holyoke, more properly, on the antepenultimate.
|
( 51 ) |
||
|
IA 1C ID |
||
|
I' A |
Jar' chas |
Ich-o-nu' phis |
|
I-ac'chus |
I-ar7 da-nus |
Ich-thy-oph' a-gi (3) |
|
I-a'der |
I-as' i-des |
Ich' thys |
|
I-a-le' mus |
I-a'si-on (11), and |
I-cil'i-us |
|
I-aK me-nus |
I-a' si-us |
Ic'i-us (10) |
|
I-al' y-sus |
Ja' son |
1'cos |
|
I-am' be |
1'a-sus |
Ic-ti'nus |
|
I-am' bli-cus |
I-be'ri |
I'da |
|
I-am' e-nus |
I-be'ri-a |
I-d<e'a |
|
I-am' i-dae |
1-be'rus |
I-dze' us |
|
Ja-nic' u-lum |
F bi (3) |
Id' a-lus |
|
I-a-ni' ra |
I'bis |
Id-an-thyr'sus |
|
I-an' the |
Ib'y-cus |
I-dar' nes |
|
I-an' the-a |
I-ca' ri-a |
I' das |
|
Ja' nus |
I-ca' ri-us |
fld'e-a(28) |
|
I-ap-e-ron' i-des |
Ic' a-rus |
1-des'sa |
|
*I-ap' e-tus |
Ic'ci-us (10) |
I-dit-a-ri' sus |
|
I-a' pis |
Ic'e-los |
Id' mon |
|
I-a-pyg'i-a |
I-ce' ni |
l-dom' e-ne (3) |
|
I-a' pyx |
Ic' e-tas |
I-dom-e-ne' us, or |
|
I-ar'bas |
Ich' nae |
Jl-dom'e-neus |
|
I-ar'chas, and |
Ich-nu'sa |
-do' the-a |
* lapetus. Son of lapetus, o'er-subtle go,
And glory in thy artful theft below.
COOKE'S Hesiod.
t Idea. — This word, as a proper name, I find in no lexicographer but Lem- priere.
The English appellative, signifying an image in the mind, has uniformly the ac- cent on the second syllable, as in the Greek tSia in opposition to the Latin, which we generally follow in other cases, and which, in this word, has the penultimate short, in Ainsworth, Labbe, and our best prosodists ; and according to this ana- logy, idea ought to have the accent on the first syllable, and that syllable short, as the first of idiot. But when this word is a proper name, as the daughter of Dardanus, I should suppose it ought to fall into the general analogy of pro- nouncing Greek names, not by accent, but by quantity ; and, therefore, that it ought to have tt.e accent on the first syllable; and, according to our own ana- logy, that syllable ought to be short, unless the penultimate in the Greek is a diphthong, and then, according to general usage, it ought to have the accent.
t Idomeneus. — The termination of nouns in eus was, among the ancients, some- times pronounced as two syllables, and sometimes, as a diphthong; in one. Thus
E 2 Labbe
|
52 IL IL IN |
||
|
I-dri' e-us |
I-li'a-des I-man-u-en' ti-us |
|
|
I-du'be-da |
Il'i-as |
(10) |
|
I-du' me, and |
11' i-on |
flm' a-us |
|
Id-u-me'a |
I-li'o-ne |
Im'ba-rus |
|
I-dy'i-a |
Il-i-o'ne-us, or |
Im-brac'i-des |
|
Jen' i-sus |
*I-li' o-neus |
Im-bras'i-des |
|
Je' ra |
I-lis'sus |
Im' bra-sus |
|
Je-ro'mus, and I-lith-y-i'a |
Im'bre-us |
|
|
Je-ron'y-mus Il'i-um or |
Im'bri-us |
|
|
Je-ru'sa-lem I i' i-on |
Im-briVi-ura |
|
|
I-e'tse j Il-lib'e-ris |
Im' bros |
|
|
Ig' e-ni Il-lip' u-la |
In'a-chi(3)(12) |
|
|
Jg-na'ti-us (10) Il-li-tur'gis |
l-na' chi-a |
|
|
Il-a-i' ri Il-lyr' i-cum |
I-nach'i-dae |
|
|
11' ba |
U' ly-ris, and |
I-nach' i-des |
|
Il-e-ca' o-nes, and |
Il-lyr' i-a |
I-na' chi-um |
|
Il-e-ca-o-nen'ses |
Il-lyr' i-cus Si' nus |
lD'a-chus(l2) |
|
I-ler'da |
Il-lyr'i-us |
I-nam'a-mes |
|
Il'i-a, or Rhe'a |
Il'J-a(7) |
I-nar'i-me (8) |
|
I-li'a-ci Lu'di(S) |
l-lyr'gis ! In'a-rus |
|
|
I-li' a-cus |
I'lus |
In-ci-ta' tus |
Labbe tells us, that Achilkiis, Agyleus, Pharaleiis, Apsirteiis, are pronounced commonly in four syllables, and Nereiis, Orpheus, Porteus, Tereiis, in three, with the penultimate syllable short in all; but that these words, when in verse, have generally the diphthong preserved in one syllable :
Eumenidum velnti demens videt agmina Pentheus. — VIRG. He observes, however, that the Latin poets very frequently dissolved the diphthong into two syllables:
Naiadum coetu, tantum non Orpheiis Hebrum Pcenaque respectus, et nunc rrianet Orpheus in te.
The best rule, therefore, that can be given to an English reader, is, to pro- nounce words of this termination always with the vowels separated, except an English poet, in imitation of the Greeks, should preserve the diphthong: but, in the present word, I should prefer Ldom'e-neus to I-dom~e-ne? MS, whether in verse or prose. * See Idomcneus.
f Iwwus. — All our prosodists make the penultimate syllable of this word short, and consequently accent it on the antepenultimate ; but Milton, by a licence he was allowed to take, accents it on the penultimate syllable : As when a vulture on /mails bred, Whose snowy ridge the roving Tartar bounds.
|
IN |
1O |
IP 58 |
|
In-da-thyr'sus |
l'o(l) |
Jop' pa |
|
In' di-a |
I-ob' a-tes, and |
I' o-phon |
|
In-dig' e-tes |
Jo-ba' tes |
Jor-da' nes |
|
In-dig'e-ti (3) |
I'o-bes |
Jor-nan' des |
|
In'dus |
Jo-cas'ta |
I' OS |
|
rno(l) |
l-o-la'i-a |
Jo-se'phus Fla'vi-us |
|
I-no' a (7) |
I'o-las, or |
Jo-vi-a' nus |
|
1-n o' pus |
I-o-la' us |
Jo'vi-an (Eng.) |
|
I-no' us |
-ol'chos |
Ip' e-pae |
|
I-no' res |
'o-le(i)(8) |
Iph-i-a-nas' sa |
|
In'su-bres |
'on |
Iph' i-clus, or |
|
In-ta pher'nes |
-o'ne(8) |
Iph'i-cles |
|
In-te-ram' na |
-o' nes |
I-phic'ra-tes |
|
In-ter-ca' ti-a (11) |
-o' ni-a |
I-phid' a-mus |
|
In' u-us |
-o' pas |
Iph-i-de-mi'a |
|
I-ny' cus |
' o-pe, and |
* Jph-i-ge-ni' a |
* Iphigenia. — The antepenultimate syllable of this word had been in quiet possession of the arc* nt for more than a century, till some Greeklings of late have attempted to place the stress on the penultimate in compliment to the ori- ginal Ifiyku*. If we ask our innovators on what principles they pronounce this word with the accent on the t, they answer, because the i stands for the diph- thong E(, which, being long, must necessarily have the accent on it : but it may be replied, this was indeed the case in the Latin language, but not in the Greek, where we find a thousand long penultimates without the accent. It is true, one of the vowels which composed a diphthong in Greek, when this diphthong was in the penultimate syllable, generally had an accent on it, but not invariably; for a long penultimate syllable did not always attract the accent in Greek as it did in Latin. An instance of this, among thousands, is that famous line of dactyls in Homer's Odyssey, expressing the tumbling down of the stone of Sisyphus ;
Auru; Iftlita, «r!Jov&g Kv\ivhro Xaa? avaiM/;. — OdySS, b 11.
Another striking instance of the same accentuation appears in the two first verses of the Iliad :
MijviV 0,61^6 Qea.
I know it may be said, the written accents we see on Greek words are of no kind of authority, and that we ought always to give accent to penultimate long quantity, as the Latins did. Not here to enter into a dispute about the authority of the written accents, the nature of the acute, and its connexion with quantity, which has divided the learned of Europe for so many years—till we have a clearer idea of the nature of the human voice, and the properties of speaking sounds, which alone can clear the difficulty — for the sake of uniformity perhaps it were
better
|
54 IR |
IS |
IS |
|
*Iph-i-me-d/a |
-re7 sus |
I-sau' ri-cus |
|
1-phim' e-don |
7ris |
I-sau7 rus |
|
Iph-i-me-du' sa |
'rus |
Is-c,he7ni-a(12) |
|
I-phin7 o-e (8) |
s7 a-das |
Is-cho-la' us |
|
I-phin7 o-us |
-sa>7a(7) |
Is-com' a-chus |
|
F phis |
-sae7 us |
Is-rhop'o-lis |
|
I-phit'i-on (11) |
s' a-mus |
Is7ia(13) |
|
Iph'i-tus |
-san'der |
Is-de-ger7 des |
|
Iph7 thi-me |
-sa' pis |
Is-i-do7 rus |
|
Ip-se'a (29) |
7sar, and Is'a-ra |
Is' i-dore (Eng.) |
|
l'ra(l)(7) |
7sar, and I-sae'us |
Tsis |
|
I-re'ne |
-sar'chus (12) |
Is7ma-rus, and |
|
Ir-e-nae7 us |
I-sau7 ri-a |
Is7 ma-ra |
better to adopt the prevailing mode of pronouncing Greek proper names like the Latin, by making the quantity df the penultimate syllable the regulator of the accent, though contrary to the genius of Greek accentuation, which made the ultimate syllable its regulator ; and if this syllable was long, the accent could never rise higher than the penultimate. Perhaps in language as in laws, it is not of such importance that the rules of either should be exactly right, as that they should be certainly and easily known ; — so the object of attention in the present case is not so much what ought to be done, as what actually is done; and as pedantry will always be more pardonable than illiteracy, if we are in doubt about the prevalence of custom, it will always be safer to lean to the side of Greek or Latin than of our own language.
* Iphimedia. — This and the foregoing word have the accent on the same sylla- ble, but for what reason cannot be easily conceived. That Iphigenia, having the diphthong E( in its penultimate syllable, should have the accent on that syllable, though not the soundest, is at least a plausible reason ; but why should our pro- sodists give the same accent to the i in Iphimedia 'I which coming from ;cj>t and /uE^Ett, has no such pretensions. If they say it has the accent in the Greek word, it may be answered, this is not esteemed a sufficient reason for placing the ac- cent in Iphigenia; besides, it is giving up the sheet-anchor of modern prosodists, the quantity, as the regulator of accent. We know it was an axiom in Greek prosody, that when the last syllable was long by nature, the accent could not rise beyond the penultimate ; but we know too that this axiom is abandoned in Demosthenes, Aristoteles, and a thousand other words. The only reason there- fore that remains for the penultimate accentuation of this word is, that this syl- lable is long in some of the best poets. Be it so. Let those who have more learning and leisure than I have find it out. In the interim, as this may perhaps be a long one, I must recur to my advice under the last word ; though Ainsworth has, in my opinion, very properly left the penultimate syllable of both these words short, yet those who affect to be thought learned will always find their ac- count in departing as far as possible from the analogy of their own language in favour of Greek and Latin.
|
IT JU IX 5, |
||
|
Js-me'ne (8) |
I-tem' a-les |
Ju'li-i (4) |
|
Is-me' ni-as |
Ith'a-ca |
Ju-li-o-ma' gus |
|
Is-men' i-des |
I-thob'a-lus |
Ju-li- op' o-lis |
|
Is-me' nus |
I-tho' me |
Ju'lis |
|
1-soc'ra-tes |
Ith-o-ma'i-a |
Ju'li-us Cae'sar |
|
Is'sa(7) |
I-tho' mus |
I-u' lus |
|
Is'se(S) Is' sus |
Ith-y-phal' lus I-to' ni-a (7) |
Ju' ni-a (7) Ju'no |
|
Is'ter, and Is'trus |
I-to' nus |
Ju-no-na'li-a |
|
1st' hmi-a |
It-u-rae' a |
Ju-no' nes |
|
Ist'hmi-us |
I-tu' rum |
Ju-no' ni-a |
|
Ist'hmus |
It'y-lus |
Ju-no'nis |
|
Is-ti-ae' o-tis |
It-y-rae'i (3) |
Ju' pi-ter |
|
!&' tri-a |
i'tys |
Jus-ti' nus |
|
Is-trop' o-l is |
Ju'ba |
Ju-tur'na |
|
I'sus |
Ju-dae' a |
Ju-ve-na' lis |
|
I-ta'li-a (7) |
Ju-gan' tes |
Ju' ve-nal (Eng.) |
|
It' a-ly ( Kng.) |
Ju-ga' ri-us |
Ju-ven' tas |
|
I-tal' i-ca |
Ju-gur' tha |
Ju-ver' na, or |
|
I-tal'i-cus |
Ju'li-a(7) |
Hi-ber' ni-a |
|
It'a-lus |
Ju-li' a-des |
Ix-ib' a-taa |
|
I-tar' gris |
Ju-li-a' nus |
Ix-i' oil |
|
It'e-a(20) |
Ju' li-an (Eng.) |
Ix-i-on' i-des |
|
LA LA LA |
||
|
JLiA-AN'DER |
La-bi' cum |
Lac-e-das' mon |
|
La-ar' chus |
La-bi-e' nus |
Lac-e-dae-mo' ni-i |
|
Lab' a-ris |
Lab-i-ne' tus |
Lac-e-daem' o-nes |
|
Lab' da |
La-bo' bi-us |
Lac-e-de-mo' ni-ans |
|
Lab' da-cus |
La-bob' ri-gi (3) |
(Eng.) |
|
Lab' da-Ion |
La-bo' tas |
La-cer' ta |
|
La'be-o |
La-bra' de-us |
Lach' a-res |
|
La-be' ri-us |
Lab-y^rin' thus |
La'ches(l)(l2) |
|
La-bi'ci(4) |
La-cae' na |
*Lach' e-sis |
* Lachesis. — Clotho and Lachesis, whose boundless sway, With Atropos, both men and gods obey.
COOKE'S Hesiod. Theog. v. 335.
|
o(i LA LA LA |
||
|
Lac' i-das |
La'gi-a(SO) |
Lamp'sa-cus, and |
|
La-ci'des |
Lag' i-des |
Lamp' sa-chum |
|
La-cin'i-a |
La-cin' i-a |
Lamp-te' ri-a |
|
La-cin-i-en' ses |
La' gus |
Lam' pus |
|
La-cin'i-um |
La-gu' sa |
La' mus |
|
Lac' mon |
La-gy' ra (6) Lam' y-rus |
|
|
La'co(l) |
La-i'a-des(S) |
La-nas' sa |
|
La-cob' ri-ga I La'i-as |
Lan'ce-a(lO) |
|
|
La-co' ni-a, and |
La' is |
Lan'ci-a (10) |
|
La-con' i-ca |
La' i-us |
Lan' di-a |
|
Lac' ra-tes Lai' a~ge |
Lan' gi-a |
|
|
Lac' ri-nes | La-las' sis |
Lan-go~bar'di (3) |
|
|
Lac-tan' ti-us (13) |
Lam' a-ehus |
La-nu' vi-um |
|
Lac' ter |
La-mal' mon |
La-o-bo'tas, or |
|
Lac' y-des |
Lam-bra' ni (3) |
Lab' o-tas |
|
Lac'y-dus (24) |
Lam' brus |
La-oc' o-on |
|
La' das |
La' mi-a |
La-od' a-mas |
|
La' de (8) |
La-mi' a-cum bel' |
La-o-da' mi-a (30) |
|
La'des |
lum |
La-od' i-ce (8) |
|
La' don |
La' mi-ae |
La-od-i-ce' a |
|
Lae' laps |
La'mi-as M li-us |
La-od-i-ce' ne |
|
Lse'li-a |
La-mi-' rus |
La-od' o-chus |
|
LaB-li-a'nus |
Lam' pe-do |
La-og' o-nus |
|
Las' li-us, C. |
Lam-pe'ti-a (10) |
La-og' o-ras |
|
Lae'na, and |
Lam'pe-to, and |
La-og' o-re (8) |
|
Le-ae'na |
Lam' pe-do |
*La-o-me-di'a(30) |
|
Lae' ne-us |
Lam'pe-us, and |
La-om' e-don |
|
Lae' pa Mag'na |
Lam' pi-a |
La-om-e-don' te-us |
|
La-er' tes |
Lam' pon, Lam' pos |
La-om-e-don-ti' a- |
|
La-er' ti-us Di-og'e- |
or Lam' pus |
d* |
|
nes |
Lam-po-ne'a |
La-on' o-me (8) |
|
Lae-stryg' o-nes |
Lam-po' ni-a, and |
La-on-o-me' ne |
|
Lae'ta |
Lam-po' ni-um |
La-oth' o-e (8) |
|
Lae-to' ri-a |
Lam-po' ni-us |
La' o-us |
|
Lae' tus |
Lam-prid' i-us |
Lap' a-thus |
|
Lag' vi (3) |
J£' li-us |
Laph' ri-a |
|
Lae-vi' nus |
Lam' pro-cles |
La-phys' ti-um |
|
La-ga' ri-a |
Lam' prus |
La-pid' e-i |
* Laomedia.
See Iphigenia.
-Evagore, Laomedia join, And thou Polynome, the numerous line.
COOKE'S Hesiod, Theog. v. 399.
|
LA |
LE |
LE 57 |
|
La-pid7 e-us |
La-she-a! ris |
Le-an7 der |
|
Lap7 i-thae |
La-ti'ni(3)(4) |
Le-an' dre |
|
Lap-i-thae'uni |
La-tin' i-us |
Le-an'dri-as |
|
Lap'i-tho |
La-ti' nus |
Le-ar'chus (12) |
|
Lap' i-thus |
La' ti-um |
Leb-a-de' a |
|
La'ra, or La-ran' da |
La' she-urn |
Leb7e-dus, or |
|
La-ren'ti-a, and |
La' ti-us (10) |
Leb'e-dos |
|
Lau7 ren-ti-a (10) |
Lat' mus |
Le-be7 na |
|
La' res |
La-to'i-a |
Le-bin'thos, and |
|
Lar'ga |
La-to' is |
Le-byn' thos |
|
Lar' gus |
La-to' us |
Le-chae' um |
|
La-ri7 des |
La-to' na |
Lec'y-thus (24) |
|
La-ri' na |
La- top' o-l is |
Le'da |
|
La-ri' num |
La' tre-us |
Le-dae' a |
|
La-ris' sa |
Lau-do'ni-a |
Le'dus |
|
La-ris' sus |
La-ver' na |
Le7 gi-o |
|
La' ri-us |
Lau-fel'la |
Le7 i-tus (4) |
|
Lar' nos |
Lav-i-a' na (7) |
Le'laps |
|
La-ro' ni-a |
La-vin' i-a |
Lei7 e-ges |
|
Lar'ti-us Flo'rus |
La-vin' i-um, or |
Le'lex , |
|
Lar-to-laBt' a-ni |
La-vi' num |
Le-man' nus |
|
Lar' vae |
Lau' ra |
Lena' nos |
|
La-ryni'na |
Lau' re-a |
Le-mo'vi-i (3) |
|
La-rys'i-um (11) |
Lau-ren-ta7 li-a |
Lem' u-res |
|
Las'si-a(lO) |
Lau-rei/tes a'gri |
Le-mu' ri-a, and |
|
Las'su.s, or |
Lau-ren'ti-a (10) |
Le-mu-ra7 li-a |
|
La' sus |
Lau-ren-ti' ni (4) |
Le-nae' us |
|
Las' the-nes |
Lau-ren' turn |
Len'tu-lus |
|
Las-the7 ni-a, or |
Lau-ren' ti-us (10) |
Le'o |
|
*Las-the-ni'a |
Lau' ri-on |
Le-o-ca'di-a |
|
Lat' a-gus |
Lau' ron |
Le-o-co' ri-on |
|
Lat-e-ra'nus Plau' |
La7 us Pom -pe7 i-a |